Possession at Bangkok Art and Culture Centre, Bangkok, Thailand

Possession

14 March – 26 May 2013

“7 Days in June” a 10.5m long, floor based print work from Susan Collins’ Seascape Series is included in this international group exhibition curated by Brian Curtin and Steve Dutton, which also includes Slade alumna Tintin Cooper

Location: Main Gallery, 8th floor
Bangkok Art and Culture Centre
939 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330

Please click here to download a PDF version of the Exhibition Catalogue (10MB)
Please click here for more information

Framing the digital: materialising new media (31 Jan 2013)

Professor Susan Collins gave a UCL Lunch Hour Lecture about SCEMFA.

How are artists translating or materialising digital works for gallery and physical situations? Professor Collins shows a snapshot of works coming out of the Slade and the Slade Centre for Electronic Media in Fine Art (SCEMFA) over the past decade that explore the material of the digital. This lecture explores a range of groundbreaking perspectives and manifestations.

Several Interruptions

To celebrate 15 years of ground breaking research in electronic media, the Slade Centre for Electronic Media in Fine Art (SCEMFA) will hold a 14 week exhibition, showing new works from eight internationally acclaimed artists: who use emerging practices to explore electronic and digital media, as both a source and material.

Martin John Callanan, 24 – 30 January
Thomson & Craighead, 2 – 13 February
Tim Head, 15 – 20 February
Simon Faithfull, 22 February – 6 March
Brighid Lowe, 8 – 13 March
Melanie Jackson, 15 – 20 March
Susan Collins, 23 March – 17 April

An exhibition that revolves every fortnight between each artist, acting as a showcase for the best of contemporary art in the UK, and highlighting the Slade’s pivotal role in the history, development and current research in the many varied forms of electronic media.

Tuesday – Friday: 10 am – 5pm, Saturday & Sunday: noon – 5pm
North Lodge, University College London, Gower Street, WC1E 6BT

Field Broadcast 8 – 16 May 2010

9 DAYS – 33 FIELDS – 33 ARTISTS

www.fieldbroadcast.org

Thirty-three artists will send live broadcasts from fields direct to your desktop. All works, whether video, animation, performance, sculpture or live data will be created in the field with no editing or post-production. Each broadcast will be viewed by a dispersed international audience, at office desks, in cafes, on trains and at kitchen tables.

To receive the field broadcasts go to www.fieldbroadcast.org and follow the instructions. Once you have installed the viewer application each broadcast will arrive directly to your desktop, through your internet connection, opening in a pop-up window.

Field Broadcast will be live for 24 hours a day from May 8th to May 16th. Times of individual broadcasts will not be published in advance. All broadcasts are live and will not be repeated.

Artists: Bram Thomas Arnold, Ed Atkins, Dave Ball, Christopher Bassford and Jonathan Ryall, Richard Bevan, Sara Bjarland, Martin John Callanan, Susan Collins, Dan Coopey, Alexander Costello, David Cotterrell, Michael Cousin, Juan Cruz, Sean Edwards, Simon Faithfull, Florencia Guillen, Hamilton, Southern and St Armand, Toby Huddlestone, Fritha Jenkins, David Kefford, Olivier Leger, Pernille Leggat Ramfelt, Neil Luck, Revati Mann, Elizabeth McTernan, Alex Pearl, Eric Rosoman, Jennie Savage, Rob Smith, Dan Walwin, Ian Whittlesea, Luke Williams, Laura Wilson.

Curated by Rebecca Birch and Rob Smith for PROJECKT in conjunction with Wysing Arts Contemporary Presents

www.fieldbroadcast.org

Rhizome
Networked_Music_Review

Seascape book

Charting the span of Susan Collins’ Seascape, from its earliest online manifestations to its gallery exhibition at the De La Warr Pavilion in Bexhill, a publication on the Seascape project has been produced by Film and Video Umbrella. The book features newly commissioned essays by Sean Cubitt and Nicholas Alfrey and includes an extensive colour plate section of archive seascape images.
The book is now available from the De La Warr Pavilion shop and other art bookshops. To order a copy online email books@fvu.co.uk

photo of Seascape bookphoto of Seascape bookphoto of Seascape book
ISBN 978-1-904270-30-0
visit www.fvu.co.uk for further details

Seascape

folkestone seascape
2009

A solo show presenting a new body of work by Susan Collins

opens on Saturday 4th April at the

De La Warr Pavilion, Bexhill-on-Sea
and continues until 14 June 2009

SEASCAPE consists of a series of gradually unfolding digital seascapes created using imagery captured by webcams installed at five key coastal vantage points between Margate and Portsmouth. Sited at each location for up to a year before the start of the show, the webcams record the endless fluctuations in the light that are a characteristic feature of the English coastline and whose ever-changing nature has attracted painters for generations.
Read more

Silicon Fen – the book

cover of Silicon Fen book
Silicon Fen
With texts by Iain Sinclair, Simon Willmoth, Steven Bode, Sean Cubitt and Tom Williamson
ISBN  978-1-904270-27-0

A record of a long-running visual arts project that took place at venues across the east of England between 2004 and 2007, Silicon Fen considers how landscape in general (and the East Anglian landscape in particular) has been both affected and reflected by technology.
Including documentation on works for Silicon Fen by artists Suky Best, Susan Collins, Dalziel + Scullion, Annabel Howland, Stephen Hughes and TNWK

For further information please visit the Film and Video Umbrella website

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