Slade School of Fine Art
2022 Degree Show
MA/MFA
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Costume for Gabriel (7), Josephine Rock, 2022, crepe bandage and wool
©the artist
Josephine Rock
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James, Jose Guillermo Sarmiento, 2022, oil on canvas
©the artist
Jose Guillermo Sarmiento
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Periploi, 1/3, Louis Blue Newby, 2021, silkscreen on aluminium and engraved plywood, 60 x 165 cm©the artist
Louis Blue Newby
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Green Window, Phoebe Ridgway, 2022, oil on canvas, 70 x 80 cm©the artist
Phoebe Ridgway
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STRATA DESCENT SERIES- HAGSTONE, Hannah Morgan, 2020, flint hagstone cast with pewter then napped, acrylic, steel
©the artist
Hannah Morgan
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TIME IS THE AFTERMATH OF AN EXPLOSION, AND THE FATE OF OUR FRAMES-2, Zhongyao Su, 2022, shot of 3D model, 42.33 x 33.72 cm
I agree that these works are the 'Heritages' for aliens from future, the 'Humour' for human from present, the 'Meditation' for ancestors from past. So I agree that these offerings should be displayed in a museum which understand Time.
©the artist
Zhongyao Su
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Myam Mwam Miaow Meow Mam Ma, Korallia Stergides, 2021
©the artist
Korallia Stergides
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Hang Man, Lorenzo Modica, 2022, acrylic on perspex, oil on wood, wax, ink on paper, collage, masking tape, 160 x 180 x 15 cm
©the artist
Lorenzo Modica
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While music stealing round the glimmering deeps, Jessie Stevenson, 2022, oil on linen, 200 x 200 x 3.5 cm©the artist
Jessie Stevenson
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Six Self Portraits (digital autopsy), Jo McGarry, 2021, oil on canvas, 40 x 40 cm each
The distortions are not imagined. They are structural, of the technology - a visual autopsy of the digital being. The to-and-fro transitions between analogue and digital are the core focus of this series of projects.
©the artist
Jo McGarry
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Have you looked for that bird?, Yirou Zhou 周依柔, 2022, mixed media
Photography, Broken brick, Blind chain, Folding ladder, Fabric, Machine print landscape painting, Book (Thirsty of Love by Yukio Mishima)
©the artist
Yirou Zhou 周依柔
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Sit Still, Zhuoran Chen, 2022, beam steel panel, wooden shelf©the artist
Zhuoran Chen
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HOHO, Luning Yang, 2022, pvc fabric, glasses, water, threads, 54 x 36 x 18 cm©the artist
Luning Yang
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Lonely Puddle (Loe Pool), Eleanor Turnbull, 2019, sculpture, silicone 80 x 60 x 5 cm
©the artist
Eleanor Turnbull
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Unite!, Andras Nagy-Sandor, 2022, oil, oil bar and ink on paper, 121 x 151 cm©the artist
Andras Nagy-Sandor
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untitled, Jorge Martinez, 2022, polysterene, jesmonite and polyester resin
©the artist
Jorge Martinez
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The Pinch (detail), Max Norton, 2022, video still
©the artist
Max Norton
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The Moth Disturbs The Night, Yage Guo, 2022, oil on canvas, 160 x 210 x 8 cm
©the artist
Yage Guo
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Everything is Better This Way!, Eva Popović, 2022, installation
©the artist
Eva Popović
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Siren, Sophie McKenna, 2022, acrylic on calico, 260 x 180 cm
©the artist
Sophie McKenna
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Untitled, Juliet Baker, 2022, etching on paper, 50 x 45.2 cm
©the artist
Juliet Baker
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Neither/Nor, Ngo Chun Phoenix Tse, 2021, HD video, 2”24
"Neither/Nor" is a crisis about identity. Virtual network created a borrowed place on borrowed time, to reveals the options unlocked by a state of ‘in-betweenness’ – in-between ethnicities, borders and hyperreality. Only through discovering the relational ties with places to identify the ‘situation’ we are drawn into and perceive our own ‘presence’. "Neither/Nor" is questioning the fragmentized narrative embedded through various types of reconnections.
©the artist
Ngo Chun Phoenix Tse
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What Would You Like to Be, Yanan Zhu, 2022, 16mm film, still
©the artist
Yanan Zhu
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Harmony Everywhere / Rainstorm Hits Butterflies 鶯鶯燕燕翠翠紅紅處處融融洽洽，風風雨雨花花葉葉歲歲暮暮朝朝, Tsai Yun-Ju, 2022, oil on canvas, 200 x 140 / 200 x 140 cm (diptych)
©the artist
Tsai Yun-Ju
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