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    While music stealing round the glimmering deeps
    Caption
    While music stealing round the glimmering deeps, Jessie Stevenson, 2022, oil on linen, 200 x 200 x 3.5 cm

    ©the artist

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    A memory of departed pleasures
    Caption
    A memory of departed pleasures, Jessie Stevenson, 2022, oil on linen, 200 x 200 x 3.5 cm

    ©the artist

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    Not of this noisy world
    Caption
    Not of this noisy world, Jessie Stevenson, 2022, oil on linen, 200 x 200 x 3.5 cm

    ©the artist

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    Our thoughts are at least ours
    Caption
    Our thoughts are at least ours, Jessie Stevenson, 2022, oil on linen, 100 x 100 x 3.5 cm

    ©the artist

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    Unwilling to forget that day
    Caption
    Unwilling to forget that day, Jessie Stevenson, 2022, oil on linen, 100 x 100 x 3.5 cm

    ©the artist

  6. Jessie Stevenson – MA/MFA

    Curriculum Vitae

    Born 1993, Norwich, UK
    www.jessiestevenson.com
    @jessiemstevenson

    Education

    2019 - 2022  
    Masters in Fine Art Painting, Slade School of Fine Art

    2013 - 2017
    BA Hon Fine Art, Central Saint Martins

    2011 - 2013
    Foundation Diploma and Painting Course, Leith School of Art

    Awards

    2022, The Richard Ford Award, The Prado Museum, Madrid

    2021, Col Art Residency, The Fine Art Collective, London

    2019, JOYA: Residency, Sierra María-Los Vélez National Park, Spain

    2017, The Cass Art Prize, Central Saint Martins Graduate Award

    2015, Ackademie Der Bildenen Künste, Erasmus programme, Vienna

Jessie Stevenson – MA/MFA

My work explores the potency of the North Norfolk landscape; both as a poetic and philosophical gesture. A download of physical energy, I want to embody the sensory experience of nature with daring mark making and uninhibited movement.

I draw inspiration from the colours and techniques of Old Masters including J. M. W. Turner and Eugène Delacroix, as well as the Romantic poetry of William Wordsworth. These are combined with contemporary pop culture references, incorporating colourways from fashion advertising and television series such as the period drama Bridgerton. Working from digital moving images, contemporary pigments, and frenetic 'colour beginnings' in multiple sketchbooks; I want to pursue my own experience of memory and place to create a feeling of sensory pleasure and spatial uncertainty in the work.