The content I am drawn to, tends to embrace the fugitive, immaterial, or ethereal. My practice utilises multiple craft-biased channels, in order to materialise these fleeting observations. I often document phenomena refracted by the urban environment, permeating the domestic. My research orbits pop cultural & art historical content which, in turn, harbour traces of a much wider philosophical and scientific debate. A fascination with the tropes of science-fiction has become an internal filter for the quasi-ecclesiastic, supernatural imagery I favour. I aim to situate my practice as a syncretic testbed, where ideas and processes coexist and cross-pollinate.