Data as Culture: Open Day 16 March 2013

Data as Culture: Open Day


Your chance to get hold of issue #3 of Text Trends newspaper.

The Open Data Institute (ODI) and MzTEK invite you to the Data as Culture Open Day.

The Data as Culture collection is set in the offices of the ODI, and aims to bring tangible interventions into the
mass accretion of data around us. This is an opportunity to see the artworks in the collection and speak to the curators and some of the artists.

Informal presentations from 2.30pm – 4pm, refreshments provided.

Find out more about the artists and the collection visit:

Data as Culture: Open Day
16 March 2013, 12pm – 6pm.
Open Data Institute, 3rd Floor, 65 Clifton Street, London, EC2A 4JE

Along Some Sympathetic Lines, Or Gallery, Berlin

Along Some Sympathetic Lines

Along Some Sympathetic Lines

Along Some Sympathetic Lines

Along Some Sympathetic Lines

23 February – 27 April 2013
Opening 7pm, 22 February 2013

Or Gallery, Oranienstr 37, Berlin 10999, Germany

Or Gallery is pleased to present Along Some Sympathetic Lines, an exhibition of artwork by London-based artist Martin John Callanan, and an archive project by curator Liz Bruchet. The exhibition considers the poetic possibilities of data and its documentation, and the tenuous process of making meaning.

Martin John Callanan is an artist researching an individual’s place within systems. Callanan generates and reworks photographs, letters and electronic data into evidence of exchanges – between the individual, the institution and the networks of power that intertwine them. The exhibition presents four of the artist’s series: The Fundamental Units, the result of amassing millions of pixels of data, to photographs, in microscopic detail far beyond the capacity of the human eye, the lowest monetary unit of each of the 166 active currencies of world, only to enlarge and print them to vast scale; Wars During My Lifetime, an evolving newspaper listing of every war fought during the course of the artist’s life; Grounds, an ongoing photographic archive which charts ‘important places’ in the world where security restrictions limit the image to the carpeted, tiled or concrete floors; and Letters 2004-2006, Callanan’s correspondence with various heads of states and religious leaders which implicate them in conversations that question their very rationale of their authority. These acts of excavating, accumulating and visualising data draw out the sympathetic aspects within documentation and in so doing, mark and disrupt the underlying power dynamics.

A second gallery features an archive project by London-based curator Liz Bruchet. The display of ephemera from the personal archive of the curator’s grandfather, a Canadian insurance salesman and aspiring radio presenter, takes its inspiration from a found audio recording – part monologue, part autobiography, and part radio show – made in 1974. Harnessing the impulses of the collector, archivist and biographer, the curator reasserts her role as custodian and caretaker to nurture narratives and give weight to the subjective remnants of one man’s life.

This exhibition is curated by Liz Bruchet.

The exhibition is possible with the generous support of Or Gallery, the National Physical Laboratory, and UCL European Institute.

With thanks to Galeria Horrach Moya, (Hiper)vincles, Whitechapel Gallery, Book Works, David Karl, and Pau Waelder.

Martin John Callanan: On Systems and Processes (de sistemas y procesos) arte_contemporáneo_internacional a

Article and interview with Pau Waelder in the forthcoming issue of #53

Press release international_contemporary_art announces the publication of its issue #53, with the following contents:

• Project #44: Marina Núñez, Necrosis. (2013), digital image.
Cover and 22 inside pages. As always, an exclusive for the magazine (the originals belong to the Collection).
Introductory text: Susana Cendán: Marina Núñez: “Everything has to do with the monsters”.

• Reflections:
– China’s Long March (4/10) (Zhang Fang).
– Meschac Gaba: Trying to change African society (Abdellah Karroum).
– A quantum reflection of Bakalhau (Cod Fish) (Fernando Galán).

• Media Art:
– Martin John Callanan: On Systems and Processes (Pau Waelder).

• Interview:
– Rafa Macarrón: “the solitude of man before the universe inmensity” (Fernando Galán).

• Film:
– Lipsett: a personal dilemma (Jorge D. González).

• Work_and_Word:
– Marco Ayres (Portugal)
– Simón Vega (El Salvador)
– Luis Gordillo (Spain)
– Pipo Hernández (Spain)
– Natxo Frisuelos (Spain)

• Exhibitions:
– The sublimation of detail: José Ferrero (Madrid) (Terry Berne).
– Bunga: beyond space: Carlos Bunga (Santa Mónica, California, USA) (Béatrice Chassepot).
– The descent into Marina Núñez’s hells (Valladolid, España) (Alfonso León).
– Reinterpreting art’s recent history: Roger Gustafsson (Madrid) (Fernando Galán).
– If you like small things: group show (A Coruña, España) (Nilo Casares).

• Museums
– Critical museology (2/2): On the limits of institutional art criticism (and critical museology as established discourse (Jesús Pedro Lorente)

• What’s going on in… Toronto? (John K. Grande).

• Books:
– “La Movida”, counterculture and normalization (La Movida, au nom du Père, des fils et du Todo Vale) (Juan Albarrán). is a 100 % bilingual magazine (English/Spanish) with contributions from the world over, and aimed at the entire world of genuinely contemporary art. focuses on established art as well as the latest creative iniciatives emerging from every corner of the planet. It informs and reflects on topics of interest, but with a fresh language and crisp design which are comprehensible to both specialists and amateurs. It has over 90 specialized collaborators and correspondents covering each and every geographical and thematic area of the contemporary art world.

Framing the digital: materialising new media (31 Jan 2013)

Professor Susan Collins gave a UCL Lunch Hour Lecture about SCEMFA.

How are artists translating or materialising digital works for gallery and physical situations? Professor Collins shows a snapshot of works coming out of the Slade and the Slade Centre for Electronic Media in Fine Art (SCEMFA) over the past decade that explore the material of the digital. This lecture explores a range of groundbreaking perspectives and manifestations.