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Inexpensive Plugins And Effects Packs For Final Cut

Add a nostalgic look to your next movie using Nostalgia Suite ($49). Choose from 10 vintage color presets or even create one of your own. Add a natural, organic lens flare to your footage with the included Flare Builder, a powerful light flare tool. Choose from 13 different real light flares. Control the opacity and color of the flares to give it a strong or subtle look. Nostalgia also comes with a choice of 4 different slide effects and a slide sound effect. With Screen Stitch ($49), you can choose from 36 different split screen effects right from the convenience of your Read more

How To Remotely Control Your Mac Using Simple AppleScripts

If you’re lucky to have two or more Macs in your home or office, you no doubt find occasions where you would like to remote control a Mac either from another room or from another part of the country. You probably know that you can use the Shared feature to remotely control another Mac on the same network. But by creating some simple AppleScript commands you can control a remote Mac much faster, alleviating the need to open the Shared screen feature. If you have never worked with AppleScript before, don’t fret. The following Mac remote control scripts are very Read more

Manipulating the image

  The photojournalist generally responds to a situation, whereas the studio photographer creates a situation to fit a pre-conceived image. The ultimate control that the photographer has is the manipulation of the image itself. At its most sophisticated, the photographer can take on the role of an director. By combining studio techniques with photo-composites and re-touching, for example, you can achieve the graphic freedom of an illustration yet retain the basic realism of photographic images. Sophisticated image manipulation such as this is found mainly in advertising, where the commercial results justify the often high cost and lengthy  technical work. Combining images: by Sandwiching, Projection, and Multiple exposure PDF: Manipulating the image

How Camera Materials Work

  This chapter discusses how our light-sensitive camera materials work, especially colour films. It traces the way that ingenious principles have been put into practice and compares how films record relative to the way our eyes see subjects directly. So the chapter begins by describing how eyes and brain receive and interpret the sensation of colours and comparing this with the far more fixed chemical response of colour films. Differences between seeing and photographing are important to grasp in order to control results. … PDF: How Camera Materials Work  

Colour Photographic Printing

  The colour processing that we shall be using is the subtractive method. Using the subtractive filters of yellow magenta and cyan. In practise you will only use two filters at any one time, as a third filter will simply reduce the effect of the other two.  In practise you will only use the filters magenta and yellow. …see full text PDF: Colour Printing   Min Test Strip  Print Size Exposure: Aperture – start at f8, First Test Strip: 5,10,20,40  sec, Adjust aperture to target 20  sec exposure… see full text A ring-around chart for neg/pos colour printing Filtration data shows what  to subtract from present filter settings Read more

The View Camera

  Cameras and Accessories View cameras come in a variety of sizes, ranging in inches  from 2 1/4″ x 3 1/4″ up to 11 x 14 formats. There are larger models, but those are usually used only for special-purpose photography because of  the limits imposed  by  their massive size and weight. The two most popular sizes are 4×5  and 8 x 10. All monorail cameras are modular  in  design. These can be specifically configured in terms of bellows, monorail length, and type of back and front components to serve  a wide variety of photographic needs.  … PDF: Cameras and Accessories   Definitions The view camera is unique because its lens and back are Read more