Manipulating the image

  The photojournalist generally responds to a situation, whereas the studio photographer creates a situation to fit a pre-conceived image. The ultimate control that the photographer has is the manipulation of the image itself. At its most sophisticated, the photographer can take on the role of an director. By combining studio techniques with photo-composites and re-touching, for example, you can achieve the graphic freedom of an illustration yet retain the basic realism of photographic images. Sophisticated image manipulation such as this is found mainly in advertising, where the commercial results justify the often high cost and lengthy  technical work. Combining images: by Sandwiching, Projection, and Multiple exposure PDF: Manipulating the image

Experimental Lighting

  A continuous  light such as a torch or candle can be mixed with flash light to create a composite negative with two exposures. How to get this effect: 1.  Set the camera to multiple exposure. 2.  Use the camera on a tripod with a cable release. 3.  Meter for the flash light (or overhead/daylight in the case of the Picasso or Dance Hall images) and make the 1st exposure. 4.  Then in a darkened space where the torch is the only light source use a long exposure to record the movement of the torch (this could be about 20 seconds for example). 5.  The torch Read more