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Chinese film evening, 17/01/2017: Inner Senses (Yidu kongjian 异度空间), dir. Law Chi-leung (Luo Zhiliang) 罗志良, 2002.
A Hong Kong psychological horror movie starring Leslie Cheung (Zhang Guorong 张国荣), exploring themes of hallucination, clinical depression, psychological trauma and suicide. More...
The film that inaugurated the 'Sixth Generation' of Chinese cinema. More...
Based on the life and career of Pei Yanling 裴艳玲 – a famous female performer of male roles in Hebei opera – Huang Shuqin's 黄蜀芹 extraordinary Woman Demon Human (Ren gui qing 人鬼情, 1987) has been acclaimed as China's first feminist film. More...
in a Digital World [FURTHER UPDATE]
7–9 November 2016, UCL Institute of Advanced Studies (IAS) 'Common Ground', Ground Floor, South Wing, Wilkins Building, UCL.
Convened and curated by Vivienne Lo, UCL CCHH.
Wednesday 2 November, 5pm, Darwin Building B15. Find out about the unique fully funded 1-year interdisciplinary Master’s programme in China Studies at Peking University from 2015–2016 Yenching Scholar (and UCL History graduate) James Ashcroft, and Yenching Academy Associate Dean Professor John L. Holden.
Patrizia Liberati 李莎
Patrizia Liberati graduated in Chinese studies from SOAS in 1990. Since then she has lived in Beijing, and for the last twenty-six years she has been working for the Cultural Office of the Italian Embassy. She holds an MA in Comparative Theatre Studies from the Chinese Central Academy of Drama. Patrizia lectures in Chinese film and the body at Peking University Medical School, and for two years running, she has organised film showings and directors' Q&A sessions for Peking University Medical Humanities Week.
During 2012 she was the main consultant on the Centre’s response to UCL’s Grand Challenges programme. We showed four films related to the UCL Grand Challenges themes: Gu Changwei’s Love for Life, Gu Chuan’s Kekexili, Wei Te-sheng’s Warriors of the Rainbow, and Zhang Meng’s The Piano in the Factory, with Q&As with the directors. For UCL’s 2013 Festival of the Arts, on 14th May, she arranged a showing of Xu Haofeng’s The Sword Identity, followed by a discussion with the director about the changing representation of the body in martial arts films.
Patrizia is also an award-winning literary translator, best known for her translations of the novels of Nobel laureate Mo Yan 莫言.
Mo Yan 莫言, ll supplizio del legno di sandalo [檀香刑/Sandalwood Death] (Torino: Einaudi, 2005).
Yan Lianke 阎连科, Servire il popolo [为人民服务/Serve the People] (Torino: Einaudi, 2006).
Mo Yan, Le sei reincarnazioni di Ximen Nao [生死疲劳/Life and Death are Wearing me out] (Torino: Einaudi, 2009) – Premio Elsa Morante.
Mo Yan, Cambiamenti [变/Change] (Roma: Nottetempo, 2011).
Mo Yan, Le rane [蛙/Frog] (Torino: Einaudi, 2013).
Liu Zhenyun 刘震云, Io sono Liu Yuejin [我叫刘跃进/My name is Liu Yuejin] (Milano: Metropoli d'Asia, 2015).
Mo Yan, Quarantuno colpi [四十一炮/Pow!] (Torino: Einaudi, February 2017).
Jia Pingwa 贾平凹, Lao sheng [老生/Old man].
(with Silvia Pozzi), Caratteri – journal of Chinese contemporary literature in Italian translation (Beijing: People's Literature Press).
Page last modified on 29 sep 16 11:09 by Penelope Barrett