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CCHH News & Events

Faces of Hong Kong: New Short Documentary Films

Curated by Tammy Cheung (張虹). Presented by Prof. Chris Berry (KCL Film Studies) in association with Visible Record (Hong Kong)
Time: 6.30 pm, Wednesday 20 March
Place: Nash Lecture Theatre (K2.31), King’s College London, Strand, WC2R 2LS
The event is free and open to all, but registration via eventbrite is essential. More...

Call for papers: Healthcare in China, a medical-humanities perspective

Interdisciplinary workshop jointly convened by Oxford Brookes University and Peking University HSBC Business School UK Campus, Friday 14th June 2019. https://www.brookes.ac.uk/hss/events/healthcare-in-china---a-medical-humanities-perspective/ More...

Body Mirrors: transcultural reflections on an Edo medical puppet

An international, interdisciplinary workshop led by Shan JIANG 姜姗 (Peking University; UCL IAS), in conversation with Vivienne Lo (UCL History), Man GU 顾漫 (China Academy of Chinese Medical Sciences; NRI), Ronit Yoeli-Tlalim (Goldsmiths) and Isabelle Lawrence (Science Museum).
More...

Acu-Moxa and Qi 氣: a UCL IAS Talking Points seminar

with IAS visiting research fellow Dr Shan Jiang 姜姗, and respondents Dr Vivienne Lo and Dr Nancy Holroyde-Downing.
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Chinese New Year Festivities

Celebrate the New Year of the Pig with CCHH in the Refectory (UCL Wilkins Building, Lower Ground) on Monday 4 February 2019, from 6pm onwards. More...

Chinese Food Philosophy: A Recipe for Life

Vivienne Lo (UCL CCHH), Bee Wilson and Ching-He Huang in conversation with Donald Sloan.
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Madness in Paris, Paris in Madness: The City, Emotions and the Insane at the Dawn of Mass Society

A History of Psychological Disciplines Seminar with Professor Jean-Jacques Courtine (University of Auckland, NZ / QMUL.
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Movement Matters: Dance, Kinaesthesia and the Avant-Garde

A workshop-performance event to mark the paperback edition of Irina Sirotkina and Roger Smith, The Sixth Sense of the Avant-Garde: Dance, Kinaesthesia and the Arts in Revolutionary Russia (Bloomsbury, December 2018).
More...

Chinese Film and the Medical Humanities workshop

4 March 2014

In the context of the UCL initiative for the creation of a Chinese Medical Humanities, on the 22nd and 23rd February,2014, the collaborate workshop (with Peking University [PKU] Institute of Medical Humanities and King's College London [KCL]) convened international experts to reflect on the use of film in teaching the Medical Humanities. 

Chinese Film and Medical Humanities workshop crop

Building on the experience of an existing UCL/PKU course on Film and the Body taught together with experts across the three institutions, we explored the potential of film for speaking to the challenges of the discipline. The workshop anticipates a larger conference to be held across the institutions involved, looking at the future of the teaching of Medical Humanities in and about China and what it can contribute to the wider field.* It is envisaged that the proceedings of both workshop and conference will generate publications and online open access teaching materials.

*Medical Humanities in China, Peking University Institute for Medical Humanities, University Health Science Center 15-17th October, 2015, Convenors Prof. Guo Liping (PKU) and Dr Vivienne Lo (UCL). Download a flyer here.

Film and the Chinese Medical Humanities
Workshop programme

Saturday 22nd February 2014, Garwood Lecture Theatre UCL


9am Welcome Address


9.15–1.00: Old Age and Dying

Patrizia Liberati
(PKU/Italian Embassy) presents Gaosu tamen, wo cheng baihe qu le 告诉他们,我乘白鹤去了  (Fly with the Crane), directed by Li Ruijun 李睿珺, 2012.
Michael Clarke (KCL) presents Feiyue laoren yuan飞越老人院 (Full Circle: no home for old men), directed by Zhang Yang 张扬, 2011.
Guo Liping
(PKU) presents Sha sheng杀生 (Design of Death), directed by Guan Hu 管虎, 2011.

Lunch

2.003.30 Medical Hagiographies
Marta Hanson (John Hopkins) on Wu Youke
Vivienne Lo (UCL) on Bianque and Hua Tuo
Penelope Barrett (UCL) on Li Shizhen

3.30–5.30: Disability
Lai Lili (PKU) presents Suan Ming 算命 (Fortune Teller), directed by Xu Tong, 2010.
Patrizia Liberati
presents Gan qing dong wu 感情動物 ( Sentimental Animal) written and directed by Quan Wu, 2011.

6.00: The Comodified Body: Prostitution in Amoy
Patrizia Liberati presents Chang’e嫦娥 (Sauna on the Moon), directed by Zou Peng, 2011. This film has not passed the Chinese censors and is shown with special permission of the directors and distributors.

Dinner for Participants 9pm @ China City, Upper Woburn Place (just north of Russell Square)


Sunday 23rd February 2014, Garwood Lecture Theatre UCL


9.00 – 12.30: Pathologising the Male Body

Derek Hird
(U. of Westminster) presents Donggong xigong 東宮西宮 (East Palace, West Palace), directed by Zhang Yuan.
Howard Chiang
(U. of Warwick) presents on剑雨 Jianyu (Reign of Assassins), 2010, directed by John Woo and 龍門飛甲 Longmen feijia (The Flying Swords of Dragon Gate), directed by Tsui Hark and Jacob Cheung, 2011.
Hongwei Bao
(U. of Nottingham) presents Shenglai tongzhi 生来同志 (Cures that Kill), directed by Xiaogang Wei, 2011.  

12.30– 1.30 Acupuncture Anaesthesia
Leon Rocha (Cambridge University) presents Wuying deng xia song yinzhen无影灯下颂银针 (Song of Acupuncture Treatment), directed by Sang Hu 桑弧 (1916-2004), 1974 with reference to Chung Kuo 中國 (China) directed by Michelangelo Antonioni, 1974.

Lunch

2.30-3.15 Hong Kong's James Bond: How a Chinese Male Gynaecologist and Female Hua Tuo Play with Chinese Medicine and Masculinity
Marta Hanson presents Tainei mishen linglingfa大內密探零零發 (Forbidden City Cops lit. the Imperial Secret Agent 008), directed by Stephen Chow 1996 (Hong Kong) and Guochan linglingqi國產零零漆 (From Beijing with Love/lit. Made in China: 008), directed by Stephen Chow, Anita Yuen and Law Ka-Ying, 1994.  

3.15 – 4.15 The Forensic Gaze
Vivienne Lo
presents Wuxia 武俠 (Dragon), directed by Peter Chan, 2011.

4.15-5.15 Student Presentations

5.15 Roundtable: On the role of film in translating the MHs into practice
Chair: Asher Tlalim (NFTS)

Page last modified on 04 mar 14 14:55 by Penelope Barrett