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Design for Manufacture MArch

This 15-month Master's course will teach students how to place their design skills in the context of pioneering developments in construction, fabrication, assembly and automation (including robotics).

About the course

On this course you will:

  • develop, learn and innovate with advanced manufacturing processes, including robotics for fabrication and assembly, 3D printing, CNC milling, water jet, 3D scanning and laser cutting.
  • have access to large-volume space for 1:1 prototyping at Here East in close proximity to complimentary disciplines and expertise in civil engineering, computer science, architectural computation, environmental design and performance design. 
  • work collaboratively to design and prototype elements, such as furniture systems, structures and enclosures, set within the context of contemporary challenges such as sustainability, production, cost, and assembly.
  • work with B-made, The Bartlett Manufacturing and Design Exchange, our state-of-the-art fabrication resource staffed by experts in craft, making, manufacturing and robotics.
  • have access to simulation and fabrication software within a new experimental factory-based environment
  • contextualise design innovation and design practice within theoretical discourse on architectural and engineering design, digital design, automation and industrial processes. 
  • participate in the triennial FABRICATE conference.

Programme summary

There is an abundance of advanced design and engineering tools in the UK that an elite workforce develop and deploy to export their expertise worldwide. Yet there is currently a shortage of skilled workers at the point of production tasked with delivering increasingly sophisticated and challenging projects by clients, in line with rising expectations on quality and regulation.

The Design for Manufacture Masters course aims to prepare a new professional workforce of highly skilled, creative and adaptable experts, with tacit and explicit knowledge in design, engineering, material behaviour, analogue and digital craft, and advanced systems operations.

This course will expose students to new forms of advanced design and engineering methodologies  – such as robotics and 3D scanning – that are currently reinventing core approaches to shaping, making and refitting the built and manufactured environment. 

MArch Design for Manufacture staff

Programme Director

Professor Bob Sheil is Professor of Design through Production and Director of The Bartlett School of Architecture, UCL, where he has been based for over 20 years. He is a founding partner of sixteen*(makers) and began his academic career at The Bartlett School of Architecture workshop from where he also led an undergraduate design unit with Nick Callicott from 1997-2003. Between 2003 and 2014 he led MArch Unit 23 initially with Zoe Smith and Graeme Williamson of Block Architects, then later with Kate Davies and Emmanuel Vercruysse of LiquidFactory.

 Among numerous articles and papers, Bob is the editor of Manufacturing the Bespoke (Wiley, 2012) and has edited three issues of AD: High Definition: Zero Tolerance in Design and Production (Wiley, 2014), Protoarchitecture: Analogue and Digital Hybrids (Wiley, 2008) and Design through Making (Wiley, 2005). His built work includes sixteen*(makers) award- winning 55/02 Shelter at Kielder Water and Forest Park, Northumberland, UK (2008), designed and fabricated in collaboration with Stahlbau GmbH. He is co-founder and co-Chair of the FABRICATE conference and books, and was the instigator of the MArch Design for Manufacturing Programme.

Deputy Programme Director

Peter Scully has 15 years of hands-on experience in industry at the intersection of design and manufacturing within the realms of public art, engineering and architecture. He joined UCL in 2012 as Technical Director of The Bartlett Manufacturing and Design Exchange (B-made), connecting the facilities to UCL Robotics in 2016 as founding members.

Throughout his career Peter has taken a leading role in establishing multiple advanced manufacturing facilities in multiple sectors with special focus on the exploration and delivery of established and disruptive technologies in design and manufacturing. He has successfully delivered high threshold design and technology projects for the V&A, Museum of Art and Design New York, and the Royal Academy, London. He will act as lead advisor on the strategic delivery of projects on the Design for Manufacture programme, supporting staff and students in ther engagment with the School’s extensice resources.

Design Tutors RC101

Jelle Feringa is a co-founder of Odico Formwork Robotics and EZCT Architecture and Design Research. The work of the practice is widely exhibited, including at exhibitions at the Mori Art Museum, Tokyo, Archilab, Orléans and The Barbican, London and is part of the permanent collection at the Centre Pompidou, Paris.

While developing his PhD thesis at Hyperbody, Delft University of Technology, Jelle established a robotics lab at the RDM innovation dock in the Rotterdam harbour in 2011. This research provided the technological foundation for Odico Formwork Robotics. Since then, Odico has produced fabrication technology and is involved in the realisation of several high-profile construction projects, including the Zaha Hadid Architects’ Opus in Dubai and Winton Math Gallery at the Science Museum. Jelle is an open-source developer, and a long-term contributor of the pythonocc CAD kernel project. Jelle is fascinated by stereotomy and powertools. Jelle is Chief Technology Officer of Aectual, where he focuses on driving forward the technology for tailor-made building products on a mass scale.

Matthijs la Roi is from the Netherlands and is an experimental architect based in London. He studied architecture at the Delft University of Technology, where he graduated Cum Laude. Matthijs currently works as an architect at Heatherwick Studio in London where he is involved with the design of the Google Mountain View campus in California. He previously worked at LAVA (Laboratory for Visionary Architecture) in Stuttgart, Germany where he was project architect for the design of the Philips Lighting headquarters in Eindhoven, Netherlands. Matthijs has won various architectural competitions such as the Belgian Monument competition in 2016 with his proposal ‘Museum of Hospitality’. The museum, located in Amersfoort, The Netherlands, is scheduled to open in 2019.

Design Tutors RC102

Gary Edwards is an architectural designer and researcher.  After his graduation from The Bartlett, he joined the London office of Arup, focusing on building design in multidisciplinary teams.  Gary is a member of the Arup Digital Design Development Group involved in defining standards and workflows for OpenBIM. He has teaching experience at The Bartlett and Architectural Association, specialising in machine vision, robotics and fabrication. He has a passion for free and open source software and is actively engaged in its development communities.

Christopher Leung trained as an architect at The Bartlett and has experience in private practice on a variety of building types. He returned to The Bartlett to complete industry-sponsored research into thermal actuators for passively dynamic façades, earning a doctorate for his work. He is a lecturer in architecture at The Bartlett with experience teaching in Architectural Design BiotA and Interactive Architecture Labs as well as on the MSc/MRes Architectural Computation programme. His research focuses on variable performance façades and innovations possible using actuators and mechanisms through design and manufacture.

Christopher Leung is also the Skills Module Coordinator on the programme.

Structural Engineering Consultant

Tim Lucas is a London based structural engineer. He is a partner at Price & Myers, where he joined after graduating from Leeds University in 1996. His early projects included the Dublin Millennium Bridge, which won in an international competition. After a year at Arup, he returned to establish Price & Myers Geometrics in 2001. Tim has designed a wide variety of innovative structures for buildings and bridges along with a significant number of both large and small-scale artworks, including Slipstream by Richard Wilson RA in Heathrow airport.

Tim's work employs digital design and manufacturing technology to examine structural performance and design structures with the fabrication process in mind. He worked as client, engineer and main contractor for his Corten steel house in Kew, which was designed by Piercy & Co and won and an RIBA National Award along with an Institution of Structural Engineers Award.  In 2015, Tim was the recipient of the IABSE Milne Medal, which is awarded to an individual engineer for excellence in structural design, both in the overall concept and in the attention to detail in their work. He is lecturer in Structural Design at The Bartlett  and will advise MArch Design for Manufacture students on structural engineering aspects of their work. 

Contextual Theory Coordinator

Professor Stephen Gage studied at the Architectural Association where he was greatly influenced by the work of Cedric Price and Gordon Pask. He then worked with a UK Government research group. After working with Stephen Mullin who had started his own practice, he became a partner in a design and build company in California where he gained hands-on experience of working with timber. In 1973, he joined the Douglas Stephen Partnership where he led the design team for a number of buildings, mostly in the medical field. He taught at the Architectural Association from 1976 until 1993 in various capacities. He started teaching at The Bartlett in 1993 where he led Diploma Unit 14 (the Bartlett Interactive Architecture Workshop), became Director of Technology and reengaged with theoretical research.  He is currently external examiner at the Danish Schools of Architecture and at the Architectural Association in London. 

Contextual Theory Tutors

Barbara Campbell-Lange is an architect with a London studio who studied at The Bartlett School of Architecture, the Architectural Association, Cooper Union, New York, and Cambridge University. She has worked in both public and private sectors, for the construction industry, the engineering profession and for six RIBA Gold Medallists. From 2009 until 2016 she explored teaching-as-research at the Architectural Association as a unit master, then as Head of Teaching. Since 2013 she has been participating in the MPhil Architectural and Urban Design programme at Cambridge University and since 2007 she has been supervising PhDs in Painting and Photography in the Fine Art Research programme at the Royal College of Art. She was editor of An Engineer Imagines by Peter Rice (1995) and author of Paris (1997), John Lautner: Disappearing Space (1999/2005) and A Book of Hours, forthcoming for Copy Press.

Ruby Law is a multi-disciplinary designer based in London. She was trained at the University of Hong Kong and Massachusetts Institute of Technology before completing her Master's of Architecture degree at The Bartlett. Ruby currently works at Studio Seilern Architects, where she is leading a performing arts centre in the UK and a concert hall in Andermatt as a Project Architect. She previously worked at Heatherwick Studio in London and Zaha Hadid Architects in Beijing. Her experience covers a wide range of scale from furniture and product design to masterplanning. Ruby is interested in fabrication and material engineering. Her work has been exhibited in Hong Kong, Rome, Venice, and London. She has founded her own design brand producing ceramics homeware and various casting prototypes. 


Affiliated practices and institutes

Our staff are very closely linked to several practices and institutions both outside of and across UCL, in particular: 

  • Arup
  • Buro Happold
  • Foster + Partners
  • Laing O’Rourke
  • Price & Myers
  • ScanLAB Projects
  • UCL Civil, Environmental and Geomatic Engineering (CEGE)
  • UCL Institute for Environmental Design and Engineering (IEDE)

    Who should apply?

    Candidates with enthusiasm for hands-on fabrication from diverse backgrounds in architecture and engineering, design and craft, product design, art and sculpture.


     

    design manufacturing engineering architecture