This 12-month post-professional programme explores the frontiers of advanced architecture and design, with an emphasis on the latest technological advances, particularly computation and robotics.
About the course
The MArch Architectural Design (AD) is a 12-month post-professional programme invested in the frontiers of advanced architecture and design and its convergence with science and technology. Composed of an international body of experts and students, it is designed to deliver diverse yet focused strands of speculative research, emphasising the key role computation plays within complex design synthesis.
On this course you will:
- gain an understanding of the role computation plays in complex design synthesis
- work with an international body of experts and students
- be introduced to highly advanced coding, fabrication and robotic skills, and the latest approaches to AI, CNC fabrication, 3D printing, supercomputing, simulation and interactivity
- have access to B-made, one of the most advanced fabrication workshops in Europe
- have the chance to choose your own field of enquiry from three ‘Labs’: Wonderlab led by Alisa Andrasek; the BiotA Lab led by Professor Marcos Cruz and Richard Beckett; and the Interactive Architecture Lab led by Ruairi Glynn
Who should apply?
We’re looking for recent graduates in architecture, as well as design professionals, who want to be part of a more speculative design environment.
- For key facts and figures, including how to apply, visit the programme overview page
- MArch AD Programme Director: Alisa Andrasek
- History and Theory Coordinator: Professor Stephen Gage
- B-Pro Director: Professor Frédéric Migayrou
- B-Pro Deputy Director: Andrew Porter
Please email any queries to course administrator Indigo Rohrer: email@example.com
- All MArch Architectural Design and B-Pro staff
Professor Frédéric Migayrou
Frédéric Migayrou is Chair, Bartlett Professor of Architecture at The Bartlett School of Architecture and Deputy Director of the National Museum of Art, Centre Pompidou in Paris. He was the founder of the Frac Center Collection and of ArchiLab, the international festival of Prospective Architecture in Orléans. Apart from recent publications and exhibitions (De Stijl, Centre Pompidou, 2011; La Tendenza, Centre Pompidou, 2012; Bernard Tschumi, Centre Pompidou, 2013; Frank Gehry, Centre Pompidou 2014), he was the curator of Non Standard Architectures at the Centre Pompidou in 2003, the first exposition devoted to architecture, computation and fabrication. More recently, he co-organised the exhibition Naturalising Architecture (ArchiLab, Orléans 2013), presenting prototypes and commissions by 40 teams of architects working with new generative computational tools, defining new interrelations between materiality, biotechnology and fabrication. In 2012 he founded B-Pro, The Bartlett’s umbrella structure for post-professional architecture programmes.
B-Pro Deputy Director
Andrew Porter studied at The Bartlett School of Architecture and has collaborated in practice with Sir Peter Cook and Christine Hawley CBE. In 1998 he and Abigail Ashton set up ashton porter architects, they have completed a number of award winning commissions in the UK and prizewinning competitions in the UK and abroad. Andrew is co-leader of The Bartlett’s MArch Architecture Unit 21, and has been a visiting Professor at the Staedel Academy, Frankfurt and guest critic at SCi-Arc, Los Angeles and Parsons New School, New York.
AD Programme Leader, Wonderlab Director, RC1 Tutor
Alisa Andrasek is a director of Biothing and Bloom Games. She is a Reader at The Bartlett, and Professor at the European Graduate School. She has taught at the Architectural Association (AA), Columbia, Pratt, UPenn and RMIT. Her work has been exhibited at the Centre Pompidou, Paris; New Museum, New York; Storefront, New York; FRAC, Orleans; and TB-A21, Vienna. She curated exhibitions for the Beijing Biennial 2006, 2008 and 2010, and is a co-curator of the PROTO/E/CO/LOCICS Symposium in Rovinj, Croatia.
BiotA Lab Co-Director, RC7 Tutor
Richard Beckett is Manager of The Bartlett’s 3D printing centre, RC7 tutor and leader of MArch Unit 20 with Marcos Cruz and Marjan Colletti. He recently co-created Syn.de.Bio with Marcos Cruz. Before studying architecture, Beckett studied physiology and biochemistry and worked as a physical properties scientist. His investigations in to architecture have remained cross-disciplinary, focusing on the impact of biotechnology on architecture and investigations into the use of living or semi-living materials in our built environment.
Dr Marcos Cruz
BiotA Lab Co-Director, RC7 Tutor
Marcos Cruz is an architect and Reader at The Bartlett School of Architecture. He was the Director of the School from 2011-2014. He leads BiotA Lab and co-leads The Bartlett’s MArch Unit 20 with Marjan Colletti and Richard Beckett, and recently co-created Syn.de.Bio, a forum for bio-digital work at the crossroads of design, biology and engineering. Cruz’s research has focused for many years on the design and creation of innovative environments in architecture, particularly the use of living matter, such as algae and bacteria, in buildings. Cruz has written, taught and exhibited internationally.
Since completing the architecture and design programme at the State Academy of Fine Arts, Stuttgart, Stefan Bassing has been involved in numerous national and international design projects. His work is focused on contemporary design methodologies involving computation and object- orientated research for the capacity to comprehend and respond to architecture at a multiplicity of scales.
Daghan Cam is an architect and a researcher whose work is focused on supercomputing. He holds an MArch degree from the AA. Previously, he worked for Zaha Hadid Architects and taught at AA Visiting Schools and on various other workshops.
Mollie Claypool is a writer, designer and theorist with research interests in mechanisation, production and fabrication, the philosophy of science and computational methodologies. She is a Teaching Fellow in Architectural Design at The Bartlett, where she is the BSc Architecture Programme Leader and runs MArch Architecture Unit 19.
Lisa is currently working with Wilkinson Eyre Architects, London. She graduated from the Architectural Association with a Masters in Architecture and Urbanism. Prior to this, she studied in both New Zealand & Denmark, gaining her BArch from Victoria University Wellington. Lisa has tutored within architecture in New Zealand and has worked in a number of architectural practices both in New Zealand and the United Kingdom.
Natsai Audrey Chieza
Natsai is a designer and researcher at Studio Natsai Audrey, a London-based Design Futures R&D studio working within the realm of living technology, or biodesign. The studio's research and creative endeavours are driven by a desire to develop, prototype and question resilient systems of manufacturing and design-making through the convergence of life science technologies and design craft processes. In addition to a growing portfolio of R&D projects for industry, she is also deeply passionate about her role as an educator in this field, and is always keen to share new ways of thinking and making with students in Design and Architecture. Natsai holds a degree in Architectural Design from the University of Edinburgh, and a Masters from MA Material Futures, Central Saint Martins.
Manuel Jimenez Garcia
Manuel Jimenez Garcia holds an MArch from the AA (AADRL) and has previously taught at the AA, Universidad Politecnica Madrid and Universidad Europea Madrid. As well as teaching on AD, he is Unit Master of MArch Unit 19; co-curator of the Bartlett Plexus and co-founder of Emeidiem, an architecture practice based in London.
Professor Stephen Gage
Report Module Coordinator
Stephen Gage studied at the AA and has worked in the UK and California. He has taught at The Bartlett since 1993, where he is Professor of Innovative Architecture. He has been an external examiner at The University of the Arts and the University of Liverpool; he is part of the RIBA architectural course validation panel.
Soomeen Hahm is a senior designer at Zaha Hadid Architects. Her interests are focused on generative and algorithmic design through the use of computer coding. She is also involved in various educational projects, such as Plethora-project.com – where she is Director for China, as well as being Director of the AA Seoul visiting school.
Dr Guan Lee
Guan Lee graduated with a BSc in Architecture from McGill Montreal, and received a Diploma and MA in Landscape Urbanism from the AA. He holds a PhD in Architecture by Design from The Bartlett School of Architecture. His practice, Grymsdyke Farm, is set in the Chilterns in Buckinghamshire.
Dr Christopher Leung
Christopher Leung trained as an architect at The Bartlett and earned a doctorate from UCL for his work on passive thermal actuators applied to environmental control in buildings. His work explores the relationship between machines, occupants and buildings, and has been published in peer-reviewed journal articles, together with his collaborations in the sixteen*(makers) group.
Gilles Retsin’s work investigates new architectural models which engage increased computational power in design and fabrication. He is interested in the impact of computation on the core principles of architecture – the bones rather than the skin. Prior to founding his own practice, he worked in Switzerland with Christian Kerez, and in London with Kokkugia.
Daniel Widrig founded his studio in London in 2009. After graduating from the AA, Daniel worked for several years with Zaha Hadid. He has received international critical acclaim and has been published and exhibited internationally. He is a recipient of the Swiss Arts Award, Feidad Merit Award and the Rome Prize.
B-Pro is the School of Architecture’s incubator for new and emerging professional practice, and the overarching structure for its MArch Architectural Design and MArch Urban Design post-professional programmes.
Attracting high-calibre staff from all over the world and led by Chair of School Professor Frédéric Migayrou, B-Pro includes a number of research ‘Labs’ dedicated to advanced experimentation in architectural and urban theory.
B-Pro Director: Professor Frédéric Migayrou
B-Pro Deputy Director: Andrew Porter
MArch AD Programme Director: Alisa Andrasek
MArch UD Programme Director: Mark Smout
- About The Bartlett School of Architecture
- one of the most influential, exciting and innovative architecture schools in the world
- located within the UK’s largest multidisciplinary faculty of the built environment, in one of the world’s top universities
- the UK’s highest-rated department for architectural research (REF 2008, 2014), and ranked the best British school of architecture by AJ100 for 13 consecutive years
- based in a new building at 22 Gordon Street in central London, close to world-leading architectural, engineering and creative practices, many of them partners. From 2017/18 we will also have new high-volume facilities for experimentation, making, and performance at Here East in Hackney Wick, East London
- host to students from over 40 nations, many of them among the most sought-after in the world for their drive, creativity, and skills
- the school where students have won a total of 6 Bronze, 3 Dissertation, and 10 Silver RIBA Presidents medals
The MArch Architectural Design programme offers a number of research-focused Clusters and Labs, all of which allow students to pursue a rigorous approach to architecture within a speculative and creative environment. Browse the sections below to find out more.
- RC1: Daghan Cam and Andy Lomas
Wonderlab is invested in the search for and materialisation of the rare, the unseen and the unexplored. It believes that the poetic and aesthetic magic of wonder can be analysed, synthesised, engineered and designed. Architecture’s ‘superpower’ has always been the creative synthesis of a multitude of elements. Historically, the most successful architecture has managed to capture cultural conditions, utilise technological advancements and answer to the pressures and constraints of materials, economics, ecology and politics. Today, this synthesis is increasingly open and accelerated with the introduction of computation and the evolving landscape of production. Design is the crucial agency for uncovering patterns and direct engagement with complexity, and this has never been more important.
- RC2: Maj Plemenitas
Our architectural interest is driven by rigorous research, focused on cross-scale design. This novel approach is interested in the development of the expanded design range, with capacity to engage with highly complex conditions and contexts beyond the effective range of traditional design practice. We utilise nonlinear, scale-specific relationships on multiple design and performative levels.
- RC3: Ruairi Glynn, Jessica In, Matt Jacob, Yuri Suzuki
Moving to MArch Design for Performance & Interaction (DfPI) in 2017
- RC4: Manuel Jimenez, Vincente Soler, Gilles Retsin
Research Cluster 4 is interested in an architecture which is fundamentally digital, both as a design process and as a physical artefact. Thinking about architecture in a digital way means that we have to think about every element, part or particle as a bit of data that can be computed. This year RC4’s main aim is twofold : to scale up discrete fabrication processes to 1:1 building-scale prototypes, and to develop complete architectural proposals. Scaling up discrete assembly processes with an order of magnitude requires highly engineered parts, with a specific materiel organisation and structural behaviour.
Download this year's brief:
- RC5: Adam Holloway, Guan Lee
RC5 and RC6 work together as one research laboratory: Material Architecture Lab.
Material Architecture Lab conducts its research in two distinct areas: material innovation and material application.
Historically, new materials in architecture rarely emerge, but their impact is considerable. The fabric of our cities and landscapes is testament to what prevails and endures. Innovation of materials does not necessarily mean invention of the new. Traditional materials can be refashioned by altering the way they are processed or utilised.
Our method of inquiry is hands-on, set firmly in the realms of empirical tests of matters and fabrication on an architectural scale. Development of material science also goes hand in hand with technological shifts. As a research laboratory, our interest in material is mediated not only through experimentation with the current advancement in computation design and digital fabrication, but also applicability tested in the construction industry through live projects.
We encourage students to be adventurous in questioning established modes of production. The nature of our experimentations is grounded in cyclical processes of making prototypes with rigorous and iterative refinements of products or processes.
- RC6: Stefan Bassing, Soomeen Hahm, Daniel Widrig
See RC5 above.
- RC7: Richard Beckett, Marcos Cruz, Chris Leung, Javier Ruiz
BiotA Lab is an innovative design research platform that merges architecture, biology and engineering. The lab explores new modes of simulation and production in architecture, as well as advances in the fields of synthetic biology, biotechnology, molecular engineering and material sciences, and looks at how these subjects are shaping an increasingly multidisciplinary approach to environmental design. The result is a new sense of materiality, new hybrid technologies and unprecedented living forms that are redefining not only building design, but our whole built environment.
BiotA Lab work is produced between the design studio and laboratory, where innovative building systems are developed with the help of advanced computation. Modelling and simulation tools are implemented in parallel to material testing and organic growth in real laboratory conditions, providing feedback and data for the fabrication of construction components and prototypes.
Image: Bioreceptive Calcerous Composites (RC7)
- RC8: Daniel Kohler
Download this year's brief:
Director: Alisa Andrasek
“‘A new generation of artists writing genomes as fluently as Blake and Byron wrote verses, might create an abundance of new flowers and fruit and trees and birds to enrich the ecology of our planet. Most of these artists would be amateurs, but they would be in close touch with science, like the poets of the earlier Age of Wonder.’ Freeman John Dyson, referencing The Age Of Wonder by Richard Holmes
Wonderlab is invested in the search for and materialisation of the rare, the unseen and the unexplored. It believes that the poetic and aesthetic magic of wonder can be analysed, synthesised, engineered and designed. Architecture’s ‘superpower’ has always been the creative synthesis of a multitude of elements.
Historically, the most successful architecture has managed to capture cultural conditions, utilise technological advancements and answer to the pressures and constraints of materials, economics, ecology and politics. Today, this synthesis is increasingly open and accelerated with the introduction of computation and the evolving landscape of production. Design is the crucial agency for uncovering patterns and direct engagement with complexity, and this has never been more important.
Wonderlab’s main area of expertise is in innovating new computational territories for applications in design and fabrication processes. Principal research trajectories include simulation and GPU-run supercomputing, in which large quantities of data allow us to traverse scales and disciplines, embed micro into macro, from the scale of material science to design applications at scale.
By encoding matter with algorithmic parameters – now widely practiced in the sciences and many industries such as automotive – we are working with what could be called 'materialisation prior to materialisation', designing not only form but possible material states, before they are materialised. Through its work with simulation, Wonderlab demonstrates how we can now design to a previously unimaginable level of performance and simultaneously uncover truly fresh aesthetic possibilities of this new ‘increased resolution’ fabric of architecture.
One of Wonderlab’s main missions is to evolve thinking on what architecture and design could be. We aim to re-imagine the possibilities of architectural design research, engaging with territories that are not traditionally considered to be in the domain of architecture.
Within the Lab we have gathered some of the most exciting emerging design talent working with a myriad of multidisciplinary technologies. Daniel Widrig is well known for his work with fashion designer Iris van Herpen and product design work with Zaha Hadid Architects. Gilles Retsin is published worldwide for his contributions to large-scale 3D printed houses.
The work of the Lab’s staff is held within the permanent collections of museums such as the Centre Pompidou in Paris and the New Museum in New York. Wonderlab also includes emerging talent in history and theory such as Mollie Claypool, and theoreticians and historians associated with the lab include Professor Mario Carpo, Professor John Frazer and Dr Luciana Parisi. A carefully curated combination and breadth of diverse talent in Wonderlab makes this the largest Lab in B-Pro at The Bartlett and an incredibly exciting place to be.
Apart from our own research, Wonderlab is engaged in constantly evolving the culture surrounding such work, through theoretical and curatorial activities, examples of which are prolific event series such as Bartlett Plexus and n_Salon, or external events we have curated or actively shaped such as Proto/e/co/logics International Architecture Symposium, ACADIA, ENHSA and the Beijing Biennial, amongst others. It has active agency within a larger international network of architects, designers, philosophers, mathematicians, epistemologists and scientists.
Prospective students are invited to directly participate in wonder and new discoveries when they enter into uncharted territories of design under the guidance of our staff. Those who have studied in Wonderlab have gone on to successfully work in a wide range of employment, from top London practices such as Zaha Hadid Architects, Grimshaw and Foster + Partners, as well as continuing their research at PhD level as researchers at The Bartlett, and other universities worldwide.
Wonderlab is building a network of industry collaborators from diverse areas such as the visual computing industry, advanced research labs of very large engineering companies, the film industry, business innovation and architecture. We are immersed in what is believed will bring massive revolution to many fields: the investment of the industry into robotics and artificial intelligence. We are also extending our collaboration to other research labs, especially in compatible scientific territories, such as computation, material science, robotics and nanotechnology, at UCL and beyond. We actively seek pilot projects as real materialisation opportunities to put the Lab’s advanced research to the test and accelerate innovation.
Clusters 1, 4, 5 and 6 are part of Wonderlab.
Director: Professor Marcos Cruz
Co-Director: Richard Beckett
BiotA Lab is an innovative design research platform that merges architecture, biology and engineering. It is based at the Bartlett School of Architecture at University College London, one of the world’s leading research universities. The Lab explores new modes of simulation and production in architecture, as well as advances in the field of synthetic biology, biotechnology, molecular engineering and material sciences, and how these subjects are leading towards an ever-increasing multidisciplinary approach to environmental design. The result is a new sense of materiality, new hybrid technologies and unprecedented living forms that are redefining not only building design, but our whole built environment.
Members / Collaborations
BiotA Lab is run by Professor Marcos Cruz (Director) and Richard Beckett (Co-Director) and an interdisciplinary group of teachers and researchers. Current members include Dr Chris Leung (design and research engineering), DR Guan Lee (design and manufacturing / Grymsdyke Farm), Vicente Soler (design and robotics), and Javier Ruiz (design and simulations); and for the EPSRC-funded research Prof Bill Watts (environmental design and engineering / Max Fordhams) and Dr Sandra Manso (biology and material science / UPC Barcelona).
BiotA Lab also integrates students of RC5 and RC7 in the MArch Architectural Design programme, as well as PhD-by-Design students who form part of an international network of experts in environmentally led design and novel applications of advanced biotechnologies in architecture. Regular critics include leading academics such as Prof Frederic Migayrou (B.Pro Bartlett / Centre Pompidou Paris), Dr Martyn Dade-Robertson (Arch ID University of Newcastle), Alisa Andrasek (Wonderlab Bartlett / Biothing), Andrew Porter (Bartlett / Ashton Porter), Dr Yael Reisner (Yael Reisner architects), Manuel Jimenez (m(a)dM design), amongst many others; while thesis supervision is provided by Professor Mario Carpo (Bartlett), Natsai Audrey Chiesa (Central Saint Martins and UCL), Dr Brenda Parker (UCL Biochemical Engineering), Dr Sean Hanna (Bartlett Space Syntax), Oliver Wilton (Bartlett), and Paul Bavister (APL).
Academic collaborations of BiotA also involve ArchID Lab at the University of Newcastle UK; C-Biom.A at the Institute of Advanced Architecture of Catalonia / IaaC Spain; REX Lab at the University of Innsbruck Austria; and Grymsdyke Farm.
BiotA Lab work is produced between the design studio and laboratory where innovative building systems are developed with the help of advanced computation. Modelling and simulation tools are implemented in parallel to material testing and organic growth in real laboratory conditions, providing feedback and data for the fabrication of construction components and prototypes.
Students and researchers design, grow and build bio-digital prototypes that explore a new ecological model for architecture, responding to specific climates based upon the relationship between environmental conditions and the interfacial properties of materials with mircro-organisms. In opposition to the traditional complexities and highly costly ‘green architecture’, BiotA explores an alternative symbiosis between buildings and nature that is more computationally sophisticated, and far less costly for buildings in high-dense cities.
Current research Computational seeding of bioreceptive materials is an EPSRC funded project in the UK done in collaboration with industrial partner Laing O’Rourke. It relies on the advisory support of the British Precast Federation; Multiphase Flow and Porous Media Research Group / University of Manchester; green walls specialists Biotecture; and the UCL Centre for Nature-Inspired Engineering, UCL Institute of Making, UCL Algae and B-Made; along with expertise in landscape architecture, urban planning and environmental design.
Opportunities / Dissemination
Members of the BiotA Lab develop unique skills that bridge innovative computational design, materials, fabrication and laboratory protocols. This makes former students and researchers highly desirable in a wide range of architectural practices and laboratories with a particular focus on computational, ecological and bio-integrated design. The cross-collaborative nature of the work allows BiotA Lab students to work individually as cutting edge designers and as part of greater teams that are exploring new design agendas that respond to the increasing environmental challenges in our cities.
Work produced in the BiotA Lab is also regularly exhibited and presented in international events, including Syn.de.Bio (2014), Biofabricate (2015), Biosalon (2015) and the forthcoming Ecobuild in London (2016). Projects have been disseminated in publications such as The Atlantic, Co-Design / Fast Company Magazine, B.Pro catalogues and the forthcoming edition on architecture as synthetic biology in Architecture Quaterly / Cambridge University Press.
- Interactive Architecture Lab
Director: Ruairi Glynn
The Interactive Architecture Lab is a multidisciplinary research group interested in the behaviour and interaction of things, environments and their inhabitants. Areas of current research include adaptive responsive environments; kinetic design and robotics; multisensory interfaces; wearable computing and prosthetics; the ‘internet of things’; performance and choreography. Situated within the new 15-month Masters programme, MArch Design for Performance & Interaction (DfPI), the Lab gives students an opportunity to exploit the potential of new sensing, computation, networked and responsive technologies to imagine, build and test new spaces of interaction.
- See more videos from the Interactive Architecture Lab on Vimeo.
The Bartlett School of Architecture provides an exciting critical environment within which to question the social, environmental and spatial impact of emerging interactive technologies. The course welcomes people from all backgrounds to participate: in recent years it has attracted students not only from architecture and urban design but also product, fashion and graphic design, dance, mathematics, computing, environmental engineering, robotics and digital media. We like to describe the environment of the Lab as ‘anti-disciplinary’, encouraging freedom for the students and staff alike, to develop their own unique methods of working, their own unique agendas, and ultimately to create a new generation of creative leaders who can design, code, make and think imaginatively about the future of the built environment.
Bridging the worlds of computational and interaction design with kinetic and spatial design, the Lab has gained an international reputation for building provocative experimental work.
Student projects are widely published in design and technology publications. Recent examples include:
- William Camilleri & Danilo Sampaio: Designboom, Vice, Creative Applications
- Syuko Kato & Vincent Huyghe Gizmodo, WMMNA
- William Bondin: Architizer, Mashable, Wired
- Ollie Palmer: BBC, New Scientist, Dazed
- Chryssa Varna: Creator Project, Suckerpunch
- Ling Tan: Dezeen, Protein
- Felix Faire: Creative Applications, Gizmodo
- Lin Zhang and Ran Xie: CNET, PSFK
- Bijing Zhang & Francois Mangion:We Make Money Not Art, FastCompany
Many students’ projects go on to be exhibited in festivals and gallery exhibitions, recent examples include Kinetica Art fair, Royal Academy of Arts 'Sensing Spaces', FutureEverything, Alpha-ville, Moogfest, and Hyperlink at Tate Modern.
Together with Lab staff, students annually publish work in international peer-reviewed conferences including ACADIA, RobArch, SimAUD, aCAADe and journals including Architectural Design, Volume, Kyberneties and Cybernetics & Systems.
Beyond the Lab
Where our graduates go after the programme, is set by the agenda they develop within their time at the Lab. Annually graduates go onto work for well known global architecture firms such as Foster + Partners, Zaha Hadid and Thomas Heatherwick, and we also see many go on to work for renowned interaction design firms, such as Troika, Jason Bruges Studio, Superflux and Umbrellium who work with innovative technology companies like Google, Samsung, and Nike. For those interested in further academic opportunities beyond graduation, students regularly win funded doctoral study awards and have taken teaching positions at leading schools of architecture and design. Outside the Lab, regular socials bring alumni together with current students to share expertise, develop future projects and build a thriving community.
Core skills training
To design, code, make and think imaginatively about the future of the built environment, students are instructed in a fundamental set of skills, some common to architectural design education, such as 3D modelling, simulation and digital fabrication, others coming from further afield, including coding, electronics, robotics, lighting and environmental engineering, material science, cognitive psychology, and performance arts.
The Interactive Architecture Lab works closely and regularly collaborates with London’s world leading design practices, engineering firms and research institutions. A selection of them includes Foster + Partners; Arup Foresight & Innovation; Buro Happold; Alma-nac Architects; Marshmallow Laser Feast; Create London; Studio Roso; the Royal Academy of Arts; Tate Modern; Kings College Centre of Robotics Research; Textile Futures Research Centre, Central School of Speech & Drama; Medical Research Council; Engineering & Physical Sciences Research Council; and the BBC.