PhD Students This page lists our current PhD students. For our recently completed PhD students, click here. Alexandra Ault Proof of the proof: the Printsellers Association and fine art publishing c 1847-1920 Nicholas Babbington Held to Account: British Caricature and the Financial Discourse of the Late Eighteenth Century Jacob Badcock "A Place Called Away”: Agbogbloshie, An Art Historical Study. Will Ballantyne-Reid Derek Jarman, Painter: Activism, Archives and Ephemera Caitrín Barrett-Donlon Revisioning: Art Historical and Museum Approaches to Dance and the Choreography of Yvonne Rainer Cora Chalaby Indeterminacy and Painting: Helen Frankenthaler, Alma Thomas, Joan Mitchell Edward Christie Beyond Eco Art: Mobilising Post-War (Anti-)Modern Art History Against the Climate Crisis Daisy Clery Vija Celmins and the object Tom Cornelius Uncommon Places: Photography in and of the New Western Landscapes, 1969–1982 Ann Coxon New Tapestry: Textile Art in Europe, 1960-1979 Philomena Epps Erotic Objects, Erogenous Zones: Fetishism and Sexual Difference (1957–1986) Bea Gassman de Sousa Nigerian Modernism as an African epistemology Danae Filioti The Relief in Relief: Belatedness in British, Concrete and Constructive Art 1949-69 Glasgow Hardie Uncertain Bodies: The Transient Nature of Colour in Early Modern Italy Alison Harpur Visual Culture and the Council of Ferrara-Florence (1438-1445) Millie Horton-Insch Race, Gender, and Textiles in Eleventh- and Twelfth-Century Britain Amber Husain Psychosomatics of Refusal: British art and biopower, 1982–1998 Catherine Ingrams Immanent forms and latent creatures: artistic networks in Italy, 1947-1958 Murad Khan Ontogeny’s Exhaust: Noise, Race and the Individuation of Thought Jacqueline Mabey This Must Be the Place: Mapping Artistic Kinship and Economic Change in Downtown New York, 1973–1987 Alice Marinelli The 'Caravaggisti' Problem: Replication, Differentiation, Innovation and the Function of Religious Painting in the Picture Gallery Victoria McKenzie A Return to the Soil: An Ecofeminist re-reading through the lens of Blackness of Darwinian Evolutionism Matilde Mosterts de Banfield The Problem with Paxes: Touch, Relationality and Cross-Temporal Comparisons. Anna Mladentseva Daen Palma Huse Transient Visuals: Hand-Held Ephemera in Nineteenth-Century Peru Emilia Pearce The Sound of Seventeenth-Century Netherlandish Painting Elsa Perryman Owens Melted, Singed, Incinerated, Saved: Traumatic Materialities of the Great Fire of London Domenico Pino Printmaking in the Kingdom of the Two Sicilies (1734–1799) Manuela Portales Sanfuentes Thinking the Ornament: Collecting, Classifying and Displaying Decorative Arts in Latin American Museums Caitlin Powell Subtractive Posthumanism: Rethinking Received Notions of the Reproductive Body in Weimar Germany Marina Rovelli Arts of metals in Milan (1450-1499) Kalvin Schmidt-Rimpler Dinh Tracing Afrosurrealism, circa 1930–2020 Zaena Sheehan Porous Bodies: Ecologies of Matter in Contemporary Art. Tania Sheikhan Through the Lens of Fashion: Politics and Identity in Napoleonic Court, 1804-1815 Petra Sikic Gesture and the Body in Early Modern Italy Daisy Silver Consumed by Modernism: Art and Design Encounters within Mexico and California, 1945-1968 Glynnis Stevenson The bleus and the blancs: Political Fractures and Fluidity at the 1889 Exposition universelle Rebecca Van Straten Typing a History of Italian Photography Helena Vilalta Beyond 'Information': Embodied Conceptualism circa 1970 Vladimir Vilde Comparison of Painting Lining Methods for Historic House Environments Daniel Ward So That You Can Live: Art and Politics in Britain, 1982-1996 Kitty Whittell Clear Boundaries: Interfaces and Art from 1965 – 2019 Baylee Woodley Forsaken Femininities: The Long History of Femininity from Medieval to Modern and from Monstrous to Divine
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