PhD Students This page lists our current PhD students. Manon Abt Between Re-imagination and Resignation: The Preservation of Early Computer-Based Artworks (1960-1991) Darya Aloufy Now You See Me: Women Photographing Women in Palestine and Israel Nicholas Babbington Held to Account: British Caricature and the Financial Discourse of the Late Eighteenth Century Jacob Badcock "A Place Called Away”: Agbogbloshie, An Art Historical Study. Cora Chalaby Indeterminacy and Painting: Helen Frankenthaler, Alma Thomas, Joan Mitchell Daisy Clery Vija Celmins and the object Tom Cornelius Uncommon Places: Photography in and of the New Western Landscapes, 1969–1982 Ann Coxon New Tapestry: Textile Art in Europe, 1960-1979 Philomena Epps Erotic Objects, Erogenous Zones: Fetishism and Sexual Difference (1957–1986) Danae Filioti Enchanted Relief: Constructive Women Artists in Britain 1950-1980s Esme Garlake Non-human life in early sixteenth-century Italian art Elliot Gibbons Art, Activism and the AIDS Crisis in Britain (1987-1996) Glasgow Hardie Uncertain Bodies: The Transient Nature of Colour in Early Modern Italy Amber Husain Psychosomatics of Refusal: British art and biopower, 1982–1998 Jacqueline Mabey This Must Be the Place: Mapping Artistic Kinship and Economic Change in Downtown New York, 1973–1987 Colin Zhongping Mao Towards New Materialities: Time-based Media Art in Chinese Socialist Realism from 1976 to 2019 Alice Marinelli The 'Caravaggisti' Problem: Replication, Differentiation, Innovation and the Function of Religious Painting in the Picture Gallery Anna Mladentseva Material–Code–Stack: Conserving Complex Born-Digital Objects and their Infrastructures Stuart Moss Removed and Recontextualized: Monastic Art and the Bavarian Secularisation of 1803 Akin Oladimeji Performance art: contemporary practice by African and Afrodiasporic artists Daen Palma Huse Transient Visuals: Hand-Held Ephemera in Nineteenth-Century Peru Emilia Pearce The Sound of Seventeenth-Century Netherlandish Painting Elsa Perryman Owens Melted, Singed, Incinerated, Saved: Traumatic Materialities of the Great Fire of London Domenico Pino Printmaking in the Kingdom of the Two Sicilies (1734–1799) Manuela Portales Sanfuentes Thinking the Ornament: Collecting, Classifying and Displaying Decorative Arts in Latin American Museums Caitlin Powell Subtractive Posthumanism: Rethinking Received Notions of the Reproductive Body in Weimar Germany Isabelle Sagraves Félix Buhot and the Borders of Print in Nineteenth-Century France Kalvin Schmidt-Rimpler Dinh Symbols and Cymbals: Tracing Afro-Surreal Expressionism, c.1940-80 Zaena Sheehan Porous Bodies: Ecologies of Matter in Contemporary Art. Petra Sikic Gesture and the Body in Early Modern Italy Aoife Stables Women’s Work? Textiles, Power and Identity in Late Fifteenth-Century Castile Glynnis Stevenson The bleus and the blancs: Political Fractures and Fluidity at the 1889 Exposition universelle Henry Tudor-Pole The Adriatic Quattrocento and the art of the Crivelli Rebecca Van Straten Typing a History of Italian Photography Daniel Ward So That You Can Live: Art and Politics in Britain, 1982-1996 Kitty Whittell Clear Boundaries: Interfaces and Art from 1965 – 2019 Baylee Woodley Forsaken Femininities: The Long History of Femininity from Medieval to Modern and from Monstrous to Divine
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