Dr Sarah Young
- Joined UCL
- 1st Aug 2007
My research has developed in two main strands, but with overlapping themes. I initially focused on the novels of Dostoevsky, researching the intersection of narrative and ethics. My first book, Dostoevsky's 'The Idiot' and the Ethical Foundations of Narrative (Anthem, 2004) examined the relationship of the author, narrator and characters, and the role of character in shaping the text. I have also researched the significance of spiritual belief to this novel, from connections with biblical theology to the appearance of Buddhist motifs. I have recently returned to this strand of my research, in a new digital cartography project, Mapping St Petersburg (www.mappingpetersburg.org). Mapping the Petersburg geography first of Dostoevsky's Crime and Punishment, and then of Gogol's Petersburg tales, the aim of this project, which is still under development, is to explore the different spatial dimensions of literary works, to enable comparison and understanding of how place creates narrative.
The second strand of my research, begun under a Leverhulme Fellowship, examines narratives of incarceration. I began this project because of my fascination with the short stories of Varlam Shalamov, a writer who spent 17 years in the Stalinist Gulag. His work remains central to my research, but I have broadened my scope to incorporate the connections between narratives of the Soviet period and those (generally seldom studied or even read) works by prisoners and exiles in the pre-revolutionary era. Dostoevsky comes back into focus here, in his fictionalized memoir Notes from the House of the Dead, which is the most influential text for all Russian prison/labour camp writing. I have published a number of articles on both nineteenth- and twentieth-century narratives, and am currently working on a book manuscript.
The presence of Dostoevsky is not the only connection between these two projects. An interest in the spatial dimension equally informs both; I have recently published an article on the motif of mapping space in Shalamov's stories, and am working on both a cartography of his Kolyma Tales and a network map of his stories. The theme of performance has also run through my research; it is central to my ideas about The Idiot, and to a forthcoming article on the depiction of criminals in labour camp naratives. I am also working on an article on street performance in Crime and Punishment, which has developed from my work on Mapping St Petersburg.
SERS1011 The Making of Modern Russian Culture (BA)
SEEE2010 Tales of the Unexpected: The Supernatural and Fantastic in Literature, 1800-1930 (BA)
SERS2020 The Person, Love and Utopia in Russian Thought (BA)
SERS2023 Identities in Nineteenth-Century Russian Literature (BA)
SERS4010 Russian Literature in Revolution: Experiments in Form, 1917-53 (BA)
SERS4012 Dostoevskii: Narrative, Ethics and Identity (BA)
SEESGR04 The Nineteenth-Century Russian Novel (MA)
SEESGE86 Literatures of Rupture: Modernism in Russia and Eastern Europe (MA)
I have supervised PhD students on topics relating to Gulag literature and narratives of Siberian exile, trauma and memory. In addition to these subjects, I also welcome the opportunity to supervise doctoral research on Dostoevsky, nineteenth-century literature, and Petersburg.
- University of Nottingham
- Doctorate, Doctor of Philosophy | 2001
- University of Manchester
- Other higher degree, Master of Arts | 1997
- Trinity College Cambridge
- First Degree, Bachelor of Arts (Honours) | 1993
I began studying Russian at school, and got hooked on Russian literature after an early encounter with Gogol's Nose.
A degree in Russian and French at Trinity College, Cambridge, including
a year studying in Moscow and Minsk, was followed by a brief period
translating books on chess theory from Russian. After studying for my
Masters in European Languages and Culture at the University of Manchester, I was supervised for my PhD by
Malcolm Jones at the University of Nottingham, resulting in a thesis on
the role of character in the structuring of the narrative of
Dostoevsky's The Idiot. This later became my first book, Dostoevsky's 'The Idiot' and the Ethical Foundations of Narrative.
I subsequently held a Leverhulme Special (Early-Career) Research Fellowship at the University of Nottingham (2001-3), and also taught at the University of Leeds. From 2005-7, I taught nineteenth- and twentieth-century Russian literature and social thought at the University of Toronto, before joining the Russian department at SSEES in September 2007.
I am currently working on a book manuscript on narratives of prison, hard labour and exile, and on a new digital project on the geography of the Petersburg text in the nineteenth century. I write a blog about my research and teaching at www.sarahjyoung.com.