Women of Tomorrow? Female Film Professionals in Pre-revolutionary Russia
01 February 2021, 6:00 pm–7:30 pm
A Russian Cinema Research Group seminar on the roles played by female film professionals in early Russian film history, with Dr Anna Kovalova. Convened by Philip Cavendish and Rachel Morley (UCL SSEES).
This event is free.
The role played by female film professionals in early Russian film history did not attract much attention from contemporary film critics, journalists, and film scholars, and it remains an under-studied aspect of the early Russian cinema industry. For example, in Semen Ginzburg’s book The Cinematography of Pre-revolutionary Russia (Kinematografiia dorevoliutsionnoi Rossii, 1963), a photo gallery of film pioneers includes twelve portraits, all of which are of men. In the 1916 guide All the Cinematography (Vsia kinematografiia), the balance is slightly different: there are five portraits of women, but they all depict actresses. This approach seems logical in its own way, as men were indeed the key figures in early Russian film production. However, women were also active in various early cinema professions, working not only as actresses, but also as screenwriters, directors, producers, theatre owners, pianists, editors, assistants and mechanics. Indeed, a number of them played a significant role in the history of early cinema and their contribution should not, therefore, be neglected or minimized. This talk seeks to address this gap by focusing on the work of Elizaveta Thiemann, the first female film director in Russia. Researching this field is challenging, however, as very little was written about these women in the 1910s. This talk will therefore also discuss the methodological difficulties inherent in investigating the contribution that female film professionals made to early Russian cinema.
Dr Kovalova’s talk will be followed by questions from and discussion with the audience.
Registration is free but essential via Zoom.