a few points/questions/responses:

Any questions can be sent to slade.reaction@ucl.ac.uk

---

Select question to see complete text

---

Marion Kalmus :
Q. 1.
If you come from a philosophical perspective which sees art not as a discrete object which acts upon others, but as a process in which the viewer and artist alike take part in; then this perspective on Neural Networks is potentially an interesting idea when applied to art production.

---

Richard Brown: Here are some burning issues: (I will no doubt think of more):

How can the field of interaction move on from questions about interface and programmming?

---

Jonathan Rabagliati:
Is the interactive element merely a stimulus to activate an on/off switch or progression mechanism. Or is it such that interaction of the viewer in itself is a vital component of the work?

---

Simon Yuill:
observation:
A noticable trend in spectatorship since the emergence of mass media has been that strategies of authorship previously developed within the avant-garde have moved into mainstream forms of spectatorship.

---

Carey Young's burning Q's

Does the notion of 'virtual community' have a limited lifespan, and if so, why?

---