Slade School of Fine Art University College London
London WC1E 6BT
Recent projects include 'Going Nowhere 1.5' (a film recording an island that vanishes into the North Sea), 'REEF' (live-video transmitted from a ship as it was deliberately sunk to create an artificial reef), and '0º00 Navigation part II' (a journey tracing the 0º line of longitude across Europe and Africa).
Recent exhibitions include solo-shows at Galerie Polaris (Paris, 2017), Sprinhornhof Kunstverein, (Germany, 2016), Le Musée des Beaux-Arts Calais (France, 2015), ICIA (Bath, UK, 2015), FRAC Basse Normandie (France, 2014), Fabrica (Brighton, UK, 2014), ArtConnexion (Lille, France, 2012), Parkers Box (New York, 2011), The British Film Institute (London, 2009).
Recent group shows include exhibitions at ZK"R, Schloss Biesdorf (Berlin 2017), Asia Culture Centre (Gwanju, South Korea, 2016), Turner Contemporary (Margate, UK 2015), Palais de Tokyo (Paris, 2013), Perth Institute of Contemporary Arts (Australia, 2012), Haus der Kulturen der Welt (Berlin, 2009), Bienal del Fin del Mundo (Argentina, 2009) and the Venice Biennale (2007).
Faithfull was born in Oxfordshire, UK, studied at Central St Martins and then Reading University.
Simon Faithfull's work uses video, performance and drawing to explore and report back from the planet on which he finds himself. Different scales of time and space have become a theme within his investigations - often using his own body as kind of measuring device, or his own subjective and faulty gaze as a recording device.
In August 2016, the exhibition 'Zero' at Sprinhornhof Kunstverein (Germany) brought together the 'Going Nowhere' series, the diptych '0º00 Navigation part 1 and 2' (a journey following the '0º' line across the contours of Europe and Africa) and 'An Expanding Atlas of Subjectivity' (2180 drawings that record small places and events from the last 17 years)
In July 2009 his exhibition at British Film Institute brought together his Escape Vehicle series including the journey of a domestic chair as it travelled to the edge of space beneath a weather balloon. 2011 saw the launch of Limbo his web-based artwork and iPhone App which delivers his drawings live to a world-wide audience and locates the collection of 1200+ drawings within his hand-drawn maps. 2010 saw the completion of the major public art work 'Liverpool-to-Liverpool' - a journey by containership to Nova Scotia documented in 181 drawings permanently etched into the paving and glass of a new public space in Liverpool, UK.
Past work includes Antarctica Dispatches (daily drawings dispatched live from Antarctica), Fake Moon, a nightly intervention at the Big Chill festival and the short film, 13 (commissioned by Channel 4 and Arts Council England).
Simon Faithfull is a Reader in Fine Art, Media (.4) and works across the Slade School of Fine Art with BA/BFA and PhD students.
Faithfull is the supervisor for the PhD research projects of:
Nick Laessing (primary supervisor)
Paul Magee (primary)
Sophie Bouvier Auslander (secondary)
Patricia Townend (secondary)
La No Comunidad2019
La No Comunidad, CentroCentro, Madrid, Spain
THE NO COMMUNITY An essay on loneliness in late capitalism The NO Community proposes to address solitude through a polyhedral view from the questioning of the idea of community, a "non-community" characteristic of late capitalist society whose main feature has to do with the idea of not belonging and breaking the social bond . Through a wide selection of national and international artists, a kind of essay develops around the problem of loneliness at the present time, an analysis that traces its different forms as an epidemic generated from capitalism and its forms of biopolitical separation. The route is not planned in a linear way, but reversible, being able to start from the central cabinet of mirrors and portraits , in which the reflection of the viewer dialogues with a series of portraits and self-portraits of an outstanding selection of artists. From here a series of areas where you can find the consequences of late-capitalism in the form of solitudes, such as the contemporary city , or its counterpoint in the different concepts of periphery that are reflected from the island, space, sea or the consequences derived from the abandonment of the rural. Also the development of technology opens another chapter to the problem of loneliness that links to the section of the ages of loneliness, to move to another of the areas that expands in the idea of border , explored from all angles: immigration and ideology but also disease, seclusion, gender and identity. In this way the proposal offers an overview of loneliness: from the most heartbreaking perspective to the most optimistic visions that come especially from the hand of artists who have commissioned ex-professed works for the exhibition, and who in a way or another offer solutions, gestures or alternative approaches to this problem. Curators: Blanca de la Torre and Ricardo Ramón Jarne Participating artists: Marina Abramovic, Pilar Albarracín, Helena Almeida, Eugenio Ampudia, Vasco Araújo, Artemio, Basurama / Dagoberto Rodríguez (co-founder of Los Carpinteros), John Coplans, Gregory Crewdson, Elena del Rivero, Rineke Dijkstra, Willie Doherty, Gonzalo Elvira, Pepe Espaliú, Simon Faithfull, Joan Fontcuberta, Regina José Galindo, Alberto García-Alix, Miguel Ángel Gaüeca, Anthony Goicolea, Pierre Gonnord, Luis Gordillo, Paul Graham, Nuria Güell, Mona Hatoum, Zhang Huan, Jose Iges, Shell Jerez, Francesco Jodice, Jesper Just, Jürgen Klauke, Sigalit Landau, Eva Lootz, Philip-Lorca diCorcia, Lucia Loren, Rafael Lozano-Hemmer, Cristina Lucas, Esko Männikkö, Juan Carlos Martínez, Boris Mikhailov, Mitsuo Miura, Jorge Molder, Vik Muniz, Markus Muntean & Adi Rosenblum, Shirin Neshat, Marina Nunez, Jorge Perianes, Liliana Porter, Richard Prince,Fernando Sánchez Castillo, Antonio Saura, Cindy Sherman, Laurie Simmons, Trine Søndergaard, Sam Taylor-Wood, Darío Villalba, Antonia Wright.
Macro (Museo d’Arte Contemporanea Roma), Rome, Italy
On 30 September started the experimental project known as Macro Asilo, due to feature at the Macro in Via Nizza for 15 months, until 31 December 2019. The new scheme devised by project curator Giorgio de Finis is going to turn the entire museum into a fully-fledged living organism at once "hospitable" and relational, urging people, skills and disciplines to meet and cooperate in a rationale of constant openness and participation on the part of the city and of the public. To ensure that that happens, admission will be free for everyone. In this project the very idea of the museum seeks to renew itself with the intention of forging a new and prolific relationship between art and the city. The experiment, in that sense, concerns precisely the city's museum of contemporary art, exploring its civic function as an institution operating in the present on the production of skills, sense and knowledge, an institution that uses art to place itself at people's disposal. Macro Asilo is the first piece in the Contemporary and Future Cluster set to become a complementary presence compared to other institutions such as the MAXXI or the Galleria Nazionale, so as to offer the city's residents a rich spectrum of viewpoints and experiences. That is the challenge from which de Finis took his cue, working in close cooperation with the Azienda Speciale Palaexpo which has been managing the museum since 1 January 2018, and with the Sovrintendenza Capitolina which, in its capacity as part of Roma Capitale, maintains responsibility for the conservation and enhancement of the museum's collection, archive and library.
Galerie Andreas Schmidt, Florastrasse 61 13187 Berlin
'Deadpan' is a three-person exhibition curated by David Evans in Galerie Andreas Schmidt in Pankow, Berlin. The exhibition features the work of two living artists and one dead. DEADPAN: Buster Keaton Simon Faithfull Tim Knowles
In Pursuit of Elusive Horizons2018
Parafin, 18 Woodstock Street London W1C 2AL
Parafin is delighted to announce a group exhibition, curated by Rebecca Partridge. ‘In Pursuit of Elusive Horizons’ continues a series of exhibitions featuring the same core group of artists, curated by Partridge with various co-curators, including ‘Scaling the Sublime: Art at the Limits of Landscape’, Djanogly Art Gallery, Nottingham (2018), ‘Reason and Emotion: Landscape and the Contemporary Romantic’, Kunstverein Springhornhof, Germany (2013) and ‘Reason and Emotion: Landscape and the Contemporary Romantic’, Baroniet Rosendal, Norway (2012). Pursuing an elusive horizon conjures an image of the romantic figure in a lone and distant landscape, both longing for and questioning the existential relationship between self and nature. A decade ago, to describe an artwork, or an artist, as ‘romantic’ would be to suggest the absurdity of this scene, the romantic hero lost in his own subjective illusion. However, despite the dismissal of subjective states as serious subject for artistic enquiry, the impulse towards feeling and imagination remain. As one of the artists in this exhibition recently remarked, ‘I am, I guess, a wonder junkie’, one of a generation of artists who are increasingly returning to grand narratives and timeless themes, though embraced with a simultaneous sense of distance, critique and irony. Artists: Martin John Callanan, Simon Faithfull, Rebecca Partridge, Katie Paterson, Richard T. Walker
L'ENVOL, OU LE RÊVE DE VOLER2018
La Maison Rouge, 10 boulevard de la bastille f - 75012 paris, France
L’envol is the final exhibition at La maison rouge, which will close its doors for the last time on October 28, 2018. Antoine de Galbert has invited Barbara Safarova, Aline Vidal and Bruno Decharme as co-curators. Together, these specialists in art brut and contemporary art have imagined an exhibition that examines mankind's dream of flying – though without any reference to those who have actually made this dream come true. As always at La maison rouge, the curators have considered the subject matter independently of "categories" to bring together works of art brut, modern, contemporary, ethnographic and folk art. A walk through the various themes reveals a succession of some 200 works, including installations, films, documents, paintings, drawings and sculptures. liste des artistes James K. Anane Dieter Appelt Stephan Balkenhol August Bert Emery Blagdon Lev Borodulin Brassaï François Burland Thomas Cabrera Henri Cartier-Bresson Chucho Lucien Clergue Salvador Dali Henry Darger Gino de Dominicis P. Delbo Charles Dellschau Hélène Delprat Fernand Desmoulin Hervé Di Rosa Janko Domsic Arthur Conan Doyle Simon Faithfull Fantazio Didier Fiuza Faustino Federico Fellini Abbé Fouré Dara Friedman Joseph Gautier Agnès Geoffray Hans Jörg Georgi August Gunkel Cai Guo-Qiang Pierre Henry Robert Herlth Rebecca Horn Eikoh Hosoe Miroslav Hucek Karl Hans Janke Kim Jones Pierre Joseph Ilya et Emilia Kabakov Dong-Hyun Kim Paviz Kimiavi Dimitri Kirsanoff Yves Klein Julius Koller Zdenek Kosek Jacque-Henri Lartigue Urs Lüthi Jan Malik Zelle Manning Jean Manzon Jules-Etienne Marey Fabio Mauri Winsor McCay Georges Méliès Gustav Mesmer Akira Miwa Moebius Peter Moore Sethembile Msezane Melvin Edward Nelson Heinrich Nüsslein Palanc Panamarenko Frédéric Pardo Alan Parker Lucien Pelen Jean Perdrizet Mikhail Prekhner Guillaume Pujolle Philippe Ramette Robert Rauschenberg Royal Robertson André Robillard Auguste Rodin Alexandre Rodtchenko Albert Rudomine Ben Russell Carla Sacrez Yuichi Saito Hartmut Schoen Alfred Sakter Friedrich Schröder-Sonnenstern Koji Shima Shimabuku Roman Signer Jean Ségalat Kiki Smith Ivan Matthew Smith Alfred Statler Johannes Stek Nils Strinberg T. Fogl Ionel Talpazan Vladimir Tatline Mario Terzic Stéphane Thidet Philippe Thomassin Oswald Tschirtner Damian Valdès Dilla Ray Ventura George Widener Joel-Peter Witkin Adolf Wölfli
The Towner, Devonshire Park College Road Eastbourne BN21 4JJ
At Altitude is a selective look at the historical impact and the continuing appeal of the aerial image. Ranging from the exhilarating viewpoints of early aviation to the all-enveloping but flattening vantage point of Google Earth, the exhibition charts these changing perspectives, illustrating how the wonder of the overhead view was transformed through advances in technology as altitudes became higher and horizons more distant. Bringing together works in film, video, photography, sculpture, painting, drawing and installation the exhibition features artists including Jananne Al–Ani, Michael Andrews, Ken Baird, Tacita Dean, Charles and Ray Eames, Simon Faithfull, Mishka Henner, Dan Holdsworth, Kabir Hussain, Peter Lanyon, Christopher R. W. Nevinson, Cornelia Parker, Carol Rhodes and Wolfgang Tillmans, alongside a new installation created by Timothy Prus of the Archive of Modern Conflict and a site-specific commission for Towners Collection by Annabel Howland.
MUMA (Musée d'art moderne André Malraux), Le Havre, France
MuMa's major 2018 spring and summer exhibition "Ocean Imaginings" explores imaginative interpretations of the sea, the ocean and the undersea world in art works from the second half of the nineteenth century and the twentieth century, a period in which attitudes to the marine world were decisively transformed by the new discipline of oceanography. Ocean Imaginings Ensconced in the apt setting of MuMa's building overlooking Le Havre's harbour entrance and seascape, the exhibition itinerary showcases 180 works - paintings, drawings, sculptures, photographs, videos, glass and ceramics - by almost 100 artists including Anna Atkins, Gustave Moreau, Arnold Böcklin, Auguste Rodin, Emile Gallé, Max Klinger, Adolf Hiremy-Hirschl, Jean-Francis Auburtin, Mathurin Méheut, Man Ray, Max Ernst, Brassaï, Jean Painlevé, Philippe Halsmann, Pierre and Gilles, Nicolas Floc’h and Elsa Guillaume.
4th INTERNATIONAL MARDİN BIENNIAL: “Beyond Words”2018
4th INTERNATIONAL MARDİN BIENNIAL, Mardin, Turkey
4th INTERNATIONAL MARDİN BIENNIAL “Beyond Words” is the headline; and “Infinite Sight”, “Body Language”, and “Boundaries and Thresholds” are its subheadings… These subheadings indicate our distinct yet interrelated approaches as curators of the 4th International Mardin Biennial. Each theme is a mechanism affecting, linking and expanding into each other. The language of art under each subheading is formed with the belief that we all can meet there that lies beyond “words” — where we are all called to meet at the 4th International Mardin Biennial to produce meaning beyond words. “Beyond Words” brings together various forms of artistic expression created through the languages of sight, the body and space-making that the artists make visible and raise awareness about. The audience is invited to experience how expression turns into art in places that lie beyond words.
Kunstverein Springhornhof , Tiefe Straße 4, 29643 Neuenkirchen, Lüneburger Heide, Germany
"Expedition Natur" shows works by predominantly Dutch artists who deal with the representation of landscapes and whose working methods are characterized by a specific handling of materials, proportions, perspectives and set pieces. Some approach their subject documentary, others have a researching approach or process representations of familiar subjects and situations. Travels through Germany and abroad provide ideas, images and stories. As explorers, researchers, narrators or inventors, they explore human intervention in nature; sometimes the path is the goal. An exhibition in cooperation with the museum CODA Apeldoorn (NL), curated by Karin Bos (Amsterdam). Artists: Jasper de Beijer, Patrick Bergsma, Karin Bos, DAT (Tammo Schuringa, Claudie de Cleen, Corinne Bonsma), Simon Faithfull, Florian Göttke, Scarlett Hooft Graafland, Lynne Leegte, Jochem op ten Noort, Henk Wildschut, Marjolijn de Wit, Erik Wuthrich
Scaling The Sublime2018
Djanogly Gallery, Nottingham Lakeside Arts, University Park Nottingham, NG7 2RD
This exhibition explores affinities with Romanticism in contemporary art practice, and the continuing fascination of the Landscape Sublime. Drawn to subjects such as mountains, glaciers, the icecaps, forests, the ocean, the moon and the remotest stars, the artists included have found new ways of reflecting on our relationship with the unimaginable forces of nature, even in our age of technological advance and the unprecedented expansion of knowledge. Working across a variety of media and often drawing on expertise from other disciplines through collaboration, these artists embrace the newest processes and techniques as well as traditional methods of image making. The resulting works move through registers of wonder, melancholy, futility and absurdity. Scaling the Sublime includes work by: Martin John Callanan, Simon Faithfull, Tim Knowles, Mariele Neudecker, Rebecca Partridge, Katie Paterson, and Richard T Walker. Curated by Nicholas Alfrey and Rebecca Partridge.
One Orbit of the Sun2018
Haus am Waldsee, Berlin, Germany
For the seventh “showcase exhibition” at Bikini Berlin Haus am Waldsee presents selected drawings from the current cycle entitled One Orbit of the Sun by British artist Simon Faithfull (b. 1966), who lives and works in Berlin and London. For more than ten years Faithfull has created his sketchbooks digitally instead of on paper. In doing so he combines a practice dating back to the Renaissance period – the recording of fleeting everyday moments – with the latest digital technology. To begin with Faithfull produced drawings on a BlackBerry whereas today he works through a customised app on another smartphone. The sheets on display are print-outs in which the artist captures moments from the period between April 2017 and April 2018. We learn a good deal on the daily routines of a contemporary, internationally active artist who commutes between London and Berlin and is permanently on the move to give lectures or to press ahead with his projects in every corner of the globe. Alongside everyday moments from Berlin and London we find impressions of Iceland, Jordan, the Swiss Alps, Miami Beach, California or the Everglades National Park in the USA as well as Wadi Rum in Jordan. The drawings are never representational. They always show subjective views as traces of a moment of pause. After all, Faithfull could have recorded the moment with the camera in his mobile device. As a draughtsman, however, he deliberately chose the slower medium that draws, most of all, on closer inspection. The question of original and reproduction appears to be answered long since in Simon Faithfull’s work. The printouts in the exhibition come in editions of two, plus a single artist proof. Thus, the artist employs a well-attuned strategy of artistic photography, limiting the print run of his sheets. In doing so he translates the drawing – which utilises the means of the potentially infinite reproduction of the digital net – back into the analogue world of the original – yet one that is no longer singular but, like in photography, simply limited to the smallest possible print run. Until the close of the exhibition on April 14, 2018, Faithfull continued to draw, mostly at the Berlin Zoo. The results were printed and integrated into the show. In that way, the show grew until the annual cycle has been completed. Concurrently, the works were being published on social media.
Océans, Une vision du monde au rythme des vagues.2018
Le Fresnoy Studio National, 22 rue du Fresnoy - BP 80179 59202 Tourcoing cedex - France
Le Fresnoy - Studio national and TBA21-Academy present Oceans - A vision of the world in the rhythm of the waves, an exhibition that explores a different way of looking at the oceans and the world we inhabit. The artists: Doug Aitken - Atif Akin - Darren Almond - Julian Charrière - Édith Dekyndt - Simon Faithfull - Ellie Ga - Tue Greenfort - Ariel Guzik - Newell Harry - Camille Henrot - Alexander Lee - Basim Magdy - Eduardo Navarro - Enrique Ramirez - Sissel Tolaas - Janaina Tschäpe and David Gruber - Ana Vaz - Jana Winderen - Susanne M. Winterling.
The Crisis of the Horizon2018
SMALL PROJECTS, TROMSØ (NORWAY)
The Crisis of the Horizon is an exhibition of lens-based media art including animation, photography and expanded cinematic works, exploring the way aerial views and satellite views provoked a structural modification in the regime of vision, leading to a shift in the human behavior toward the environment. ARTISTS: AGNIESZKA POLSKA EMILIJA ŠKARNULYTĖ JENNY-MARIE JOHNSEN SIMON FAITHFULL
MUCEM (Musée des civilisations de l’Europe et de la Méditerranée), 7 promenade Robert Laffont, 13002 Marseille
The Mediterranean Gallery is getting a new look, and its second section will house a new semi-permanent exhibition. Connectivities tells the story of the great Mediterranean port cities of the 16th and 17th centuries: Istanbul, Algiers, Venice, Genoa, Seville and Lisbon were the strategic sites of power and trade in a Mediterranean that saw the birth of the modern era, between great empires and globalization. Taking The Mediterranean and the Mediterranean World in the Age of Philip II as its foundation, the exhibition follows in the footsteps of historian Fernand Braudel and approaches this 16th and 17th century Mediterranean region not as an object of study with strict chronological limits, but rather as a character with a lengthy story to tell, even extending into the contemporary period. Inviting visitors to leap backward in time, this urban history continues today, through changes to contemporary port territories like the megalopolises of Istanbul and Cairo and the metropolises of Marseille and Casablanca. This exhibition shows expanding cities as places where influxes, connections trade and therefore power converge and intensify... ...Each of these cities is also the subject of some new models, such as the question of informal settlements in Cairo; but also through the work of contemporary artists who enable visitors to immerse themselves in the physical realities of these cities through films, videos and photographs.
PRIVATE CHOICES - Collection Nicole et Olivier G.2017
CENTRALE for contemporary art, Place Sainte-Catherine 44 1000 Bruxelles
11 BRUSSELS COLLECTIONS OF CONTEMPORARY ART The Private Choices exhibition unveils an important aspect of the art field: the collections of contemporary art and the art lovers who initiated it. More than ever, they play a major role in a constantly growing art world. In an era of over-commercialization and globalization of the art market, these enthusiasts invest their time and money in contemporary creation, often without counting. This project highlights 11 Brussels collections that bring together works by Belgian and international artists, renowned artists and young creators, in an attempt to reveal the uniqueness of each. Through choices made in consultation with collectors, part of their vision of art and life is discovered. Collection Nicole et Olivier G. La création au plus proche de l’engagement sociétal. Avec des oeuvres de Brigida Baltar • Stephen Brandes • Vincen Beeckman • Marie José Burki • Detanico & Lain • Simon Faithfull • Aurélien Froment • Hamza Halloubi • Ane Mette Hol • Olga Kisseleva • Michaël Matthys • Léa Mayer • Tom Molloy • Simon Nicaise • Joëlle Tuerlinckx • Regina Viserius • Royal Art Lodge • Marc Wendelski
CODA Museum, Vosselmanstraat 299 7311 CL Apeldoorn, Netherlands
Not all who wander are lost Paradisiacal landscapes and fairytale nature or melancholic, absurd, frightening and alienating. Expedition Nature shows the work of more than twenty artists who illuminate landscape themes in a variety of ways. At the request of CODA, visual artist Karin Bos made a varied, rich selection of artists working in a variety of disciplines. Some approach the landscape in a documentary way, while others react manipulatively or opt for a more scientific approach. Participating artists: When making the selection of artists, the connection with the work of Karin Bos was taken into account. Not only nature and the landscape play a role, but also the human intervention in nature is reflected in the work of various artists. Without exception, the selected works demonstrate an investigative and open attitude of the artists concerned. Karin Bos . Bas Jan Ader . Jasper de Beijer . Patrick Bergsma. DAT (Tammo Schuringa, Claudie de Cleen, Corinne Bonsma) . Elspeth Diederix . Simon Faithfull . Florian Göttke . Scarlett Hooft Graafland . Jean Bernard Koeman . Jeroen Kooijmans . Lynne Leegte . Paul Nassenstein . Jochem op ten Noort . Michael Raedecker . Guido van der Werve . Henk Wildschut . Marjolijn de Wit . Erik Wuthrich
Centro de Arte y Naturaleza (CDAN), Av. Doctor Artero s/n 22004 – Huesca, Spain
On April 26, 1336, Francesco Petrarca wrote La ascensión al Mont Ventoux, a text considered to be the first testimony of an aesthetic view of the landscape in the Western world. This exhibition draws on this story to bring together a series of works by artists, and other visual documents, which propose the act of walking as an aesthetic action or practice, as well as a source of knowledge of the world around us. The fact of walking as a form of intervention in the landscape was born from man's natural need to move, and has become a symbolic action that has allowed human beings to inhabit the world. The exhibition is divided into 10 areas where visitors can read the full story of the humanist, printed on the walls of the museum, along with 75 works by 33 artists from the fourteenth century to the present. All of them are examples of how walking is not only a way of looking at and transforming the landscape, but also a critical tool for understanding the individual and social nature of man. Artists, authors and collectives: Juan de la Abadía El viejo, José Luis Acín, R. Alix, Esteban Anía, Marcos Ávila Forero, José Azor, Javier Broto, Lucien Briet, Ricardo Calero, Enrique Carbó, Pepe Cerdá, Aimé Civiale, Ricardo Compairé, Juan Crego, Declinación Magnética (Aimar Arriola, José Manuel Bueso, Eduardo Galvagni, Juan Guardiola, Irene Grau, Sally Gutiérrez, Julia Morandeira Arrizabalaga, Diego del Pozo, Silvia Zayas), Effi & Amir, Simon Faithfull, Francisco Felipe, Hamish Fulton, Charo Garaigorta, Federico Guillermo Erla, Jules C. Janssen & M. Lamazouère, Richard Long, Eduardo Marco Miranda, Maurice Meys, Julio Nogués, Gerard Ortín, Francesco Petrarca, David Rodríguez Gimeno, Warren de la Rue, Scotter111, Juli Soler i Santaló.
CYCLIC JOURNEY - EL VIATGE CÍCLIC2017
GOETHE-INSTITUT BARCELONA Roger de Flor, 224 08025 Barcelona, Espanya
Exhibition commissioned by Herman Bashiron Mendolicchio. Featuring: Penelope Umbrico, Anselm Kiefer, Alejandro Cartagena, Fabrizio Contarino, Tom Carr, Clemens Wilhelm, Miguel Azuaga, Rachel Labastie, Waqas Khan, Pietro Ruffo, Simon Faithfull The debate on the essence and definition of time has fascinated philosophers, scientists and all types of thinkers throughout the history of humanitarianism. Among the various principles, measures and interpretations of time - conceived for different religious, philosophical or scientific visions - the most obvious are linear and cyclical lectures. This exhibition reflects on the concept of "cyclic viatge", on circular and elliptical visions and movements, and on those phenomena and experiences (of predictable vegades, of non vegades) that tend to repeat themselves. The constant rotation of the Earth at the turn of the Sun, the inexorable cycle of life and death, the repetitions of history, periodic migrations, civilizations in ascents and falls, the economic cycles, the incessant processes of creation and destruction, The repetitive succession of wars and wars, cosmologies, the lives of anarchists and tornadoes realised by a multitude of people through all epochs, or ends and all daily routines, are some of the realities that give shape to the concept of "cyclic journey". The project will emphasize the intense, intrinsic, inevitable cycle that affects all humans. Cyclic and linear movements intertwine. Cycles - appetites or large, personal or collective - are constantly and inexorably multiplied. Is there a final destination for cyclic travel?
L’Art Chemin Faisant2017
A group exhibition with the theme of 'path' or 'way'.
Galerie KUB, Leipzig, Germany
"Which sets of relationships, tensions and contradictions exist between categorisations, practices and politics of mobility, territorial border regimes and conceptions of space and identity? Taking a selection of contemporary art works and a set of research documents as starting point, the exhibition IM_MOBILITIES questions the visible and invisible structures of (im)mobility, traces its discourse in the arts and looks at its impact on subject and society."
Counterpoints - Kunst Im Park2017
Schloss Grafennegg, Austria
A series of temporary interventions within the grounds of an Austrian castle.
ZKR Schloss Biesdorf, Berlin
"In Between Spaces, 15 artists examine questions and contradictions found in urban life. The exhibition places work by Gordon Matta-Clark and perspectives on East Berlin into a dialogue with current artistic positions."
The International 3
"WANDERLUST explores the practice of three artists whose work is bound up with ideas of voyeurism, omitted context, ambiguous journeys and seeing the world from a veiled or altered perspective. Blurring genres, and straddling the space between reality and fantasy – WANDERLUST reveals our inherent desire to let our imagination ‘fill in the gaps’ whilst exposing the allure of obscurity."
Somewhere Becoming Sea2017
"In this exhibition of international artists’ work with the moving image, we take a closer look at the ever-changing boundaries between land and sea, exploring Hull’s long-standing prominence as a gateway to the North Sea and beyond. Featuring artists including Simon Faithfull, Lavinia Greenlaw, Nikolaj Bendix Skyum Larsen (with Duncan Pickstock and Mikkel H. Eriksen), Cecilia Stenbom, Ruth Maclennan, Isabella Martin, Esther Johnson (with Jez riley French), Gunnar Jónsson, Nina Sverdvik, Guy Moreton, Christine Clinckx and Alec Finlay (with Hanna Tuulikki and Lucy Duncombe), Somewhere Becoming Sea reflects how expanses of water that divide countries are also channels that connect them."
La Vie Aquatique2017
Regional Museum of Contemporary Art Languedoc Roussillon Midi Pyrenees, Sérignan
"'La Vie Aquatique' explores man's ambivalent relationship with the sea, a place of fantasies, rituals and tales, a place of discovery and glorious conquests, but also of struggles often lost against the immensity of the sea, ocean. From Moby Dick to Twenty Thousand Leagues Under the Seas of Jules Verne, from the marines of William Turner to the Symbolist engravings of Odilon Redon, the sea has not ceased for centuries to inspire artists."
Le Satellite / L’Art contemporain près de chez vous2017
Frac Franche-Comté / Cité des arts / 2, passage des arts / 25000 Besançon, France
Walks, wanderings and other peregrinations Pierre Alféri, Simon Faithfull, Ellie Ga and Hans Schabus The works gathered in the exhibition Balads, Wanderings and Other Peregrinations were born from travels. The artists set out to discover a remote or unusual territory by borrowing the methods or practices of the sailor or skipper or even the scientist. Through a double exploration (of the world and art), they question the notions of space and time.
Does The World Exist, When I'm Not There?2017
Galerie Polaris, Paris
Asia Culture Centre, Gwanju, South Korea
An international group exhibition looking at the influence of pop music on artists and artworks: "Asia Culture Center presents a contemporary art exhibition that explores the point of contact between popular music culture and current art practices. Across these various genres, key words such as ‘Human Rights,’ ‘Zeitgeist,’ ‘Healing Trauma,’ and ‘Sympathy’ are recurrent leitmotifs. Pressing issues of global concern, such as terrorism, refugees, gender inequity, child abuse, war, unemployment, racism, poverty, and cultural tensions are given urgent expression in both the popular music and the contemporary artworks on display in this exhibition."
Galerie im Körnerpark, Berlin, Germany
"The exhibition Linear momentum treats the line in its relation to our movement in urban and rural areas. It therefore approaches the theme less about the genre of drawing, which is traditionally connected to the line, but rather by performative work, collage, wall painting, photography and video. The title Linear Momentum is paradigmatic for the exhibition and reflects a characteristic of the line itself, which as a connection of two points always points to its movement-connected genesis. Temporality and movement are inherent in the line and form the foil before which the selected works can be seen. Linear momentum thus regards the line from a temporal and spatial, a performative perspective."
FRAC Basse Normandie, France
Recent acquisitions from the collection of FRAC Basse Normandie, France.
Sous le Soleil Exactement Coucher de Soleil et Lever de Rideau2016
Centre d’Art Bastille (CAB), Grenoble, France
"The mountains around and the city below are cut through the wide windows pierced in the old casemate which houses the Center d'art bastille. But the curtain rises on another vision of the landscape behind the survival blanket that crosses the room through and through (Nicolas Darrot). From the South Pole to the North Pole, cycles and natural phenomena are recomposed. A continuous landscape scrolls through the porthole of an icebreaker for 44 days of shipping (Simon Faithfull). The recording of very low frequencies is retransmitted amplified on microphones arranged in ellipse (Dominique Blais). Sunsets taken from the Internet connect along a horizon line (Jean-Claude Ruggirello). A children's pool is a luminous crater or flying saucer (Mathilde Barrio Nuevo). A planisphere is covered with graphite (Caroline Corbasson). Spatial and temporal distortions create new landscapes, like those hypnotic forms produced by a projector and a reflector (Bertrand Lamarche). The term landscape covers an ambiguity: does it qualify reality or its aesthetic representation? This indecision is constitutive of the landscape and a certain theatricality: it establishes a framework that it transgresses in concert, as lightly demonstrated the postcards of Sigudur Arni Sigurdsson whose elements emerge from the space assigned to them. The artwork shows itself as such in David Coste who creates portraits of space from studio photographs of which only the painted decoration remains. "
Kunstverein Springhornhof, Lüneburger Heide, Germany
A survey-exhibition of recent work by Simon Faithfull, Zero consisted of 7 video works, all 1100+ drawings from the 'Expanding Atlas of Subjectivity' archive and a number of photographic works.
Raversyde Museum, Oostende, Belgium
Innbundet / Ubundet2016
Norske Grafikere, Oslo, Norway
"In this exhibition we see the traces of the history of the artist book. The exploratory illustrations may seem to be the legacy of livres d'artiste, and their autobiographical publications are in the spirit of Marcel Duchamp. Diether Roth's sculptural books can also be mentioned. An important concern for several of the artists in this exhibition is to work with, against and across the language of communication and the book as a symbol. Books also have features like visual sculptures and tactile objects. Seeing artist books from the perspective of graphics gives us access to experience the book's paper, print, construction and content in new ways. These are material books."
Terrain: Land into Art2016
Hestercombe House Gallery, Somerset, UK
"Hestercombe Gallery is proud to present a new exhibition Terrain: Land into Art, bringing together 17 artists who make artworks that respond to the natural world. The show features a series of works from modernism to the present day. Artists include Peter Doig, Kathy Prendergast, Richard Long, Hamish Fulton, Anya Gallaccio and Simon Faithfull alongside more recent works by Gary Hume, John Stezaker, Vicken Parsons, Raphael Hefti and Tim Knowles."
La Criée Centre d'Art Contemporain, Rennes, France
"The collective exhibition L'Épais Réel focuses on the relationships that artists have with the strength of the elements and the tangibility of the world. She questions the necessity of penetrating into the thickness of things so that a work may emerge; The desire to change from immobility to action. Combining disturbed crossings and immobile journeys, she questions the place of sensible experience. Diving or not diving? How does the artist come into contact with things, with what energy, what courage? In what way is the will an artistic medium and how is the experience of form? What is the place of trial and danger?"
Whatever the Weather2015
Ramm Museum, Exeter, UK
"RAMM’s major winter exhibition explores a theme which affects all our lives: the weather. Or more accurately, how weather seems to be constantly changeable, occasionally extreme and always unpredictable. Through a lively mix of historical paintings and prints, artefacts, archives and the work of contemporary artists, the exhibition exposes humanity’s relationship to the elements. It draws on the collections of the Met Office, National Trust, Arts Council Collection and Royal Meteorological Society and RAMM’s own collections."
They Shall Have Stars2015
NN - Contemporary Art Northampton, UK
"They Shall Have Stars is a group show looking to Space, to what may be the home for the ultimate human diaspora and considering our relative position and direction. The title of the show is borrowed from a James Blish novel, the first of his Cities in Flight series in which a new interstellar civilisation occurs. They Shall Have Stars is a title with a grand claim imbued with ambition and an inference of inevitability. We live in a time when science fiction continues to become reality: 2015 saw water found on Mars and the discovery of Exoplanet Kepler-452b, Earth’s closest twin. Data from deep space is regularly received on Earth and even hover boards are now on the market. Each artist in the show is thinking about our place in the universe, from communicating with it, listening to it, pressing at its edges or preparing for a new way of life with work by Simon Faithfull, ELK and Cassini Sound, Joshua WF Thomson and Agnes Meyer-Brandis."
Turner Contemporary, Margate, UK
"What happens when art and risk collide? This autumn, see artists leap into the void, abandon control and push art to the limit as creative risk-taking comes under the spotlight in the first major UK exhibition to explore risk in art. Experience how artists have intentionally embraced the unpredictable and uncontrollable, from chance procedures to political risk; from the power of natural forces to the culture of risk management."
Urban Lights Ruhr2015
City Centre of Hagen, Germany
A series of night-time interventions in the city of Hagen, Germany: "Urban Lights Ruhr illuminates the strongly changing city of Hagen. For a moment artistic interventions guide our view of light and city and offer new perspectives on the familiar. The interventions form a light trail that invites you to stroll, discover and actively participate in a multi-faceted city."
TBC Art Inc, Melbourne, Australia
"This exhibition will bring together five diverse experimental approaches, using a range of media, to explore the potential of a fundamental artistic gesture the drawn line and its relationship with human movement through the city and through the landscape."
In Search of the Miraculous2015
Newlyn Art Gallery, UK
"In Search of the Miraculous is an exhibition of international artists, inspired by and marking the 40th anniversary of the voyage made by Dutch artist Bas Jan Ader, who set sail alone in July 1975 in a 12½ foot dinghy Ocean Wave from Massachusetts to cross the Atlantic to Falmouth, Cornwall, disappearing en route. In Search of the Miraculous includes artists who have not necessarily taken direct influence from Bas Jan Ader but have made works that have a yearning for the sublime, a playful pursuit for new experiences and journeys, or a romantic contemplation of the sea and what may lie beyond the horizon."
ON THE EDGE. Artists in Dialogue with Humboldt University Collections2015
Tieranatomical Theater, Humboldt University, Berlin, Germany
"A six meter long bandworm ... a silver bracelet ... leaf skeleton ... an exploded 'skull ... a dandelion research station ... deep sea creatures These and other unusual things can be seen in a new special exhibition, which offers a fascinating insight into the scientific collections of the Humboldt-Universität of Berlin as seen through the eyes of seven artists from Germany and Great Britain under the title ON THE EDGE: Annie Cattrell, Simon Faithfull, Agnes Meyer-Brandis, Lucy Powell, Andrea Roe, Nicole Schuck and Wolf von Kries."
Walking Sculpture 1967-20152015
de Cordova Sculpture Park Museum, USA
Der Traum vom Fliegen2015
"The dream of flying has always accompanied us. Even when airplanes were still a long way off, people imagined how they could pull birds right through the air and thus overcome unimaginable distances. The Icarus myth is only one among many. With the technical development, Artists visions of flying: "flying has become almost everyday to us, and yet there is still a mystery connected with it, but not so much on the airplane as transport, but on the supposed adventure and the possibilities, the constraints of everyday life escape."
CCCB, Barcelona, Spain
"The exhibition is a conversation between art and literature. It takes as its starting point, the work and the figure of the German writer W.G. Sebald (1944-2001), the author of some of the key books of the turn of the last century, such as The Rings of Saturn and Austerlitz. «Sebald Variations » recreates the dialogue between Sebald and renowned artists and writers who have been invited to take part in the project"
Chercher le Garçon2015
MACVAL, Paris, France
"For the first major event of the year's program of its 10th anniversary, the MAC VAL - Museum of Contemporary Art in Val-de-Marne presents a multidisciplinary thematic exhibition. What defines masculinity today? And how to propose alternatives to the dominant male figure in the patriarchal society? To answer these questions, Commissioner Frank Lamy invites more than one hundred male artists, as many ways of thinking about the cultural models of male representation ... enough to bring down certain accepted ideas, as tenacious as fragile. Acceptance of self and others.
Recif 2, Une Traversée2015
Musée des Beaux Arts Calais, Calais, France
A survey-exhibition bringing together a body of work by Simon Faithfull themed around journeys and the sea - the various works spanning the years 2004 - 20015. This exhibition formed the second part of a two-site solo exhibition (together with 'Recif 1 - Antipode' at Frac Basse Normandie, Caen).
0º00 Navigation Part II - A Journey Across Europe and Africa2015
A solo show bringing together a body of work that documents the artist's quest to follow the 0º line of longitude, or Greenwich Meridian, first across England, and then further across Europe and Africa.
RECIF 1: Antipode2014
Frac Basse Normandie, Caen, France
The solo-exhibition: 'RECIF 1: Antipode' brings together a body of work by Simon Faithfull themed on journeys, mapping and the sea. This exhibition formed the first part of a two-site solo exhibition (together with Recif 2 - Une Traversée at the Musee des Beaux Arts Calais).
Fabrica, Brighton, Sussex, UK
For the exhibition REEF, the Brioney Victoria, a boat at the end of its working life, was deliberately sunk off the coast of Dorset. 5 cameras mounted on the boat transmitted live as she made a final journey to rest on the sea bed. The exhibition REEF in Brighton uses this footage as the basis for an immersive installation showing the birth of a new artificial reef.
Perduti nel Paesaggio / Lost in Landscape2014
MART, Rovereto, Italy
A survey exhibition exploring landscape and space - the exhibition, curated by Gerardo Mosquera, tackles the subject through the works of over 60 artists from around the world. On display are over 170 photographs, 84 paintings, 10 videos, 4 video-installations, 4 installations, 4 context-specific interventions (Gonzalo Diaz, Takahiro Iwasaki, Glexis Novoa and Cristina Lucas), 1 web-specific project (Simon Faithfull) and 1 artist’s book.
Rotwand gallery, Zürich, Switzerland
A group exhibition looking at ideas of architect and ruin.
SPACES Gallery, Cleveland, USA
DeStilled Lives: curated by Kristin Rogers featuring: David Claerbout, Simon Faithfull, Gary Hill, Isaac Julien, William Kentridge, Margot Q. Knight, Qian Li, Patte Loper, Ethan Murrow, Barbara Polster, Eric Rippert, Kristin Rogers, Jennifer Schmidt
The World Turned Upside Down2013
Meade Gallery, Warwick Arts Centre, UK
An survey exhibition curated by Simon Faithfull and Ben Roberts at the Meade Gallery, Warwick University. Through the work of over twenty international artists, the exhibition examined the legacy of Buster Keaton’s unsettling comedy on conceptual art from the 1930s to the present day. Artists included: Bas Jan Ader, Gordon Matta-Clark, Simon Faithfull, Fischli & Weiss, Ceal Floyer, Brian Griffiths, Emma Hart, Jeppe Hein, Sofia Hultén, Tehching Hsieh, Hayley Newman, Roman Signer, William Wegman, Richard Wentworth, Richard Wilson, John Wood and Paul Harrison, and Erwin Wurm. The conference was chaired by Lisa le Feuvre (head of sculpture studies at the Henry Moore Foundation) and included papers by Dr Paul Cuff (Warwick University), Jonathon Heron (Warwick University) and Peter Kramer (senior lecturer UAE). The exhibition was reviewed in Art Review and Artist Newsletter and received funding from The Henry Moore Foundation.
Nouvelles Vagues - Le Principe Galápagos2013
Palais de Tokyo, Paris
Created by a curatorial collective from Geneva (Maxime Bondu, Gaël Grivet, Bénédicte Le Pimpec and Émile Ouroumov) the exhibtion invests Palais de Tokyo by scattering works throughout the building. The question of the biotope of art’s relationship to the rest of the world is framed by Darwin’s famous examination of the Galápagos archipelago. The observation of this natural milieu, considered as autonomous, allowed Darwin to formalize his theory of natural selection, which he then applied to the rest of the natural world. How does this pertain to the question of art?
Verstand und Gefühl, Landschaft und die zeitgenössische Romantik2013
Kunstverein Springhornhof, Neuenkirchen, Germany
Curated by Rebecca Partridge and Bettina v. Dziembowski - an exhibition looking at contemporary artists working with ideas of the romantic and landscape.
Ulysses, l’Autre Mer2013
FRAC Bretagne, Rennes, France
A group show built around idea of the sea including: Eric Baudelaire, Berdaguer & Péjus, Ursula Biemann, Balthazar Burkhard, Jocelyn Cottencin, Elie Cristiani, Tacita Dean, Gérard Deschamps, herman de vries, Marcel Dinahet, Philippe Durand, Anne Durez, Laurent Duthion, Simon Faithfull, Christelle Familiari, Harrell Fletcher, nicolas Floc’h, Mark Geffriaud, Raymond Hains, Richard Hamilton, Ron Haselden, Guillaume Janot, Emma Kay, Sharon Kivland, Stéphane Le Mercier, Benoît Laffiché, natacha Lesueur, Penny McCarthy, Alexandre Ponomarev, Paola Salerno, Yvan Salomone, Jean-Michel Sanejouand, Sarkis, Alain Séchas, Allan Sekula, Yann Sérandour, Bruno Serralongue, Esther Shalev-Gerz, Robert Smithson, olivier Tourenc, Sébastien Vonier
Institute of Contemporary Interdisciplinary Art, Bath University
Wanderings was in two parts; the first presented the project 'An Expanding of Subjectivity' consisting of 900+ drawings a live printer that then added to this number as when Faithfull made a drawing. The second presented the Video work Going Nowhere2 (a walk through a landscape at the bottom of the sea and series proposals for equally mad-cap schemes. as well
Des Mondes Possibles2013
FRAC Franche-Comté, France
The opening exhibition of the new space for the FRAC Franche-Comte (France). The exhibition was a selection from the FRAC's collection including: Micol Assaël, Richard Baquié, Rosa Barba, Neal Beggs, Nina Beier, Julien Berthier, Etienne Bossut, Robert Breer, Alain Bublex, Balthasar Burkhard, James Lee Byars, Manon De Boer, Philippe Decrauzat, Silvie Defraoui, Simon Faithfull, Mario Garcia Torres, Shilpa Gupta, Jung Hee Choi, Julius Koller, Suzanne Lafont, Vincent Lamouroux, Didier Marcel, Gianni Motti, Jean-Christophe Norman, Hans Schabus, Gregor Schneider, Georgina Starr, Laurent Tixador, Raphaël Zarka
In Between Time Festival, Bristol, UK
A intervention in the night sky for 'In Between Time' live art festival in Bristol.Fake moon was a perplexing apparition - an intense, diffuse ball of light slowly tracing an arc across the city's sky.
Shy Fountain - A Fountain That Only Exists When No-one Is There2013
Cannon's Marsh, Harbourside, Bristol, UK
A permanent public artwork for Bristol Harbour-side, UK. The piece consists of an interactive artwork - a fountain that the viewer might glimpse in the distance but as they try to approach the fountain disappears like a startled animal.
An Expanding Atlas of Subjectivity2012
Pheonix Arts Centre Leicester, UK
A solo exhibition presenting 900+ drawings from the 'An Expanding Atlas of Subjectivity ' project, the specially commissioned 1000+ page bookwork also called 'An Expanding Atlas of Subjectivity' an installation using the plate glass of building and the short animated film '13'.
An Expanding Atlas of Subjectivity2012
ArtConnexion, Lille, France
A solo exhibition presenting 900+ drawings from the 'An Expanding Atlas of Subjectivity ' project and the specially commissioned 1000+ page bookwork also called 'An Expanding Atlas of Subjectivity'
An Expanding Atlas of Subjectivity2011
National Museum, Berlin, Germany
A solo exhibition presenting 900+ drawings from the 'An Expanding Atlas of Subjectivity ' project.
BELFAST EXPOSED PHOTOGRAPHY, The Exchange Place, 23 Donegall Street, Belfast, BT1 2FF, Northern Ireland
Exhibition of work by 4 artists which explores our connection to space and the orbital environment.
Going Nowhere: Simon Faithfull2011
Parker's Box 193 Grand St. Brooklyn, NY 11211, USA
An exhibition bringing together two recent works: 0º00 Navigation and Going Nowhere 2 as well proposals and drawings.
Fruehsorge | Galerie für Zeichnung | Contemporary Drawings, Heidestr. 46-52 (Gebäude 6) 10557 Berlin, Germany
A group exhibition bringing together the work of 6 artists who work with drawing and animation.
Several Interruptions: 15 Years of the Slade Centre for Electronic Media in Fine Art2011
North Lodge, Gower Street, UCL
Seven, sequential solo presentations to celebrate 15 years of the Slade Centre for Electronic Media in Fine Art in 2011. One work exhibited: 'Each Long Second' 2006, (880 x 850 cms, A0 photocopies, tape) a double-sided paper representation of the imagined flow of internet information, made to be endlessly manipulated and re-configured to produce different three dimensional maps/representations of virtual space.
Liverpool to Liverpool2010
Liverpool Lime St Station, Lime Street Liverpool, UK L1 1JD, UK
Traveling by container-ship, train and bus, 181 digital drawings record the daily details of a journey from Liverpool (UK) to Liverpool (Nova Scotia). Making an average of six drawings a day, the minutia and randomness of travel is described in a way that builds to become an elliptic graphic essay - describing the dislocation of one person along the historic paths of trade and exodus. The permanent public A permanent artwork for the city of Liverpool was unveiled in 2010 - the drawings etched into the paving and glass of a new public site at the centre of Liverpool (UK).
Simon Faithfull: Recent Findings2010
Harris Museum, Preston, UK
A survey exhibition that brought together a selection of Faithfull's video works, drawings, installation and proposals from the previous 4 years.
Voyages Extraordinaires - Simon Faithfull & Christoph Keller2010
CRAC Alsace, France
Two parallel solo exhibitions presenting the work of two artists who use travel and exploration as themes within their practice.
British Film Institute Gallery, 21 Stephen Street London W1T 1LN, UK
An exhibition that brings together for the first time the complete Escape Vehicles series - made over a period of 10 years from 1995 - 2006.
SKULPTURENPARK BERLIN_ZENTRUM KUNSTrePUBLIK e.V. Köpenicker Str. 36-38 10179 Berlin, Germany
Mobile Research Station no.1 - one of six sculpture commissions for the Skulpturenpark Berlin Centrum.
Haus am Waldsee, Ort Internationaler Gegenwartskunst, Argentinische Allee 30, 14163 Berlin, Germany
In Transit: Launch of the Love/Hate Arts Trail2008
North Kensington, London
Simon Faithfull - Video Works2008
Galerie Polaris, Paris
An exhibition bringing together three video works by the artist Simon Faithfull.
Parker's Box 193 Grand St. Brooklyn, NY 11211, USA
An exhibition presenting the body of work made on a two month journey to Antarctica traveling with the British Antarctic Survey on an Arts Council fellowship.
Cell Project Space, 258 Cambridge Heath Road, London E2 9DA, UK
An exhibition presenting the body of work made on a two month journey to Antarctica traveling with the British Antarctic Survey on an Arts Council fellowship.
Stills Gallery, Edinburgh
An exhibition presenting the body of work made on a two month journey to Antarctica traveling with the British Antarctic Survey on an Arts Council fellowship.
Centre for Contemporary Art, Glasgow
Aspex Gallery, Portsmouth, UK
Video installation of the work '30km' - the video footage recording a journey from a face to the edge of space.
Art Space, Imperial College London
Cell Project Space, London
Wollaton Hall, Nottingham
Art for the people (a collaborative project)2003
Turner Centre, Margate, Kent
The Map is Not The Territory III2003
James Hockey Gallery, Surrey Institute of Art and Design, Surrey
Images FestivalSalle del Castillo (Images Festival), Vevey, Switzerland
A lecture presenting an overview of the artist's practice.
The publication: ‘Does The World Exist, When I’m Not There?’ was commissioned by Kunstverein Springhornhof and published by Laconic. The book examines the triptych of video-works by Simon Faithfull ‘Going Nowhere’ (1995, 2011 & 2016) and includes a new essay: ‘The Possibility of an Island’ by Joy Sleeman – looking at the latest work ‘Going Nowhere 1.5′.
a short essay on the work of Simon Faithfull for the publication: Does the world exist when I'm not there? the going nowhere trilogy: 1995-2016 by Simon Faithfull
An artist's talk given in connection with the exhibition 'Zero' af Kunstverein Springhornhof, Germany - looking at the theme of 'nowhere' within the artists solo exhibition at Springhornhof.
A panel discusion between Gary Hill and Simon Faithfull, moderated by Johan Nowak of DNA gallery, Berlin, looking at artist's video-making practice.
An artist's talk looking at a body of work that traces the 0º Meridian across England, Europe and Africa.
An artist's talk looking at the body of work presented at the Musee des Beaux Art, Calais.
A collection of 116 drawings that constitute every 'thing' that Simon Faithfull has drawn over the last 14 years.
Using the basis of a journey made by the artist on a container-ship from Liverpool to Canada - the presentation discuses perceptions of the old and new world, travel and the empty endless spaces of the sea.
Programmed by Ben Roberts and Simon Faithfull run alongside their exhibition 'The world Turned Upside Down' the conference was hosted by Warwick Universities’ ‘Warwick Arts Centre’ and chaired Lisa le Feuvre of The Henry Moore Institute. The day included talks, performances and films which together examine the legacy of Buster Keaton and his influence on conceptual art practice. The conference included papers by Dr Paul Cuff (Warwick University), Jonathon Heron (Warwick University), Peter Kramer (senior lecturer UAE), Ruth Proctor and Simon Faithfull. With screenings by Robin Deacon followed by An evening of artist's performances from William Hunt, Angus Braithwaite and Jefford Horrigan.
An artwork in the form of a bespoke hand-sewn bookwork. Wandering the world over the last 11 years, Simon Faithfull has consistently made drawings on an electronic device that record his presence in a particular place, at a particular moment, somewhere on the surface of the planet. Whenever a new drawing is made it is now immediately dispatched out to the world via the Limbo drawing service but it is also automatically added to an ever-growing, online database. Each version of An Expanding Atlas of Subjectivity is a paper archive that captures one particular moment from this database. Each time a new book is ordered the latest drawings are always added so that no two books will ever be the same. The bookwork makes physical the body of work that has accreted over these years - manifesting a personal atlas of the world, mapping time and space, as experienced by one individual, on an ongoing basis.
An image of mine, '9/10ths" (2005, digital drawing on digital photograph) was used to illustrate one chapter of the Moby Dick Big Read. A cast of 270 people including Tilda Swinton, Simon Callow, Sir David Attenborough, Stephen Fry, Benedict Cumberbatch, as well as community leaders and young people, have created an incredible digital version of Herman Melville’s prophetic masterpiece, which was first published in 1851. Accompanying each chapter are artworks from artists including Anish Kapoor, Gary Hill, Susan Hiller, Matthew Barney, Mark Wallinger, Gavin Turk et al The project is being co-curated by Dr Philip Hoare, artist in residence at Plymouth University’s Marine Institute, and Angela Cockayne from Bath Spa University, and is hosted by Peninsula Arts at Plymouth University.
Using the style of the Alfred Wainwright’s pictorial guides to the Lakeland Fells Pictorial Guide to Kings Cross (Unreliable) is book that describes a walk not through the scenic and romantic landscape of the Lake District but through the tatty, historic and sometimes seedy environs of Kings Cross. The guide is an entirely subjective, idiosyncratic (and therefore somewhat unreliable) account of the area from one person’s limited perspective. The book describes a walk that starts at the Slade School of Fine Art (the artist’s current employer) and meanders its way slowly towards the new building of Central St Martins art school (the artist’s Alma Mater). The book uses the author’s idiosyncratic pixilated drawings, hand drawn maps and anecdotal writing to describe a flavor of a small part of London.
Artists' walking projects that tend towards the absurd.
Digital Culture, Climate Change, and the Poles Jane Marsching, Andrea Polli. First published in the UK in 2012 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the ... ISBN 978-1-84150-478-0 EISBN 978-1-84150-659-3 Printed and bound by Latimer Trend & Company Ltd, Plymouth.
Catalogue for the exhibition: Macht (Rohkunstbau XVIII) in Schloss Marquardt (Potsdam-Marquardt)
Liverpool to Liverpool tells the story of an epic journey by Simon Faithfull from Liverpool, UK, to Liverpool, Novia Scotia. Faithfull made about six drawings a day throughout his journey, documenting the minutiae of daily life on land and sea, from Liverpool to Liverpool, with his Palm Pilot. This book includes 181 digital drawings, and Faithfull’s often wry, imagist commentary on the landscapes he was passing through and the humans he encountered – from English Liverpudlians crouched under umbrellas to Canadian Liverpudlians with moustachioed lips and pick-up trucks – as he drew them.
This book of interviews tracks the work of artists in the field of new media art in order to consider the massive changes and developments over a relatively short period of time. They are also a celebration of the ten years that the online resource for curators of new media art, CRUMB, has been publishing interviews and other research. The artists featured in this book range across the contemporary arts. They have been working away, not in the centre or the periphery, but in the nodes of this networked field of new media art.
A survey of the projects commissioned for Skulpturenpark Berlin-Zentrum between 2006 - 2010
Catalogue for the exhibition: There is no Road: The Road is Made by Walking
Catalogue for Deep North, Transmediale
This publication highlights a number of Simon Faithfull’s journeys; all of which take us, in one way or other, to the edge of nothingness. Charted with images from the projects, including video-stills, photographs and Faithfull’s own trademark drawings, the journeys are evocatively retraced in four specially commissioned essays by Robert Macfarlane, Alain de Botton, Philip Hoare and Lisa Le Feuvre, plus an introduction by Steven Bode. Emphasising the pivotal place of film and video within Faithfull’s practice, ‘Going Nowhere’ is an indispensable point of entry into this artist’s distinctive and inventive work.
Catalogue for the Bienale: Il Bienal del Fin del Mundo, Ushuaia, Argentina
Catalogue for the: New Forest Pavilion: 52nd La Biennale di Venezia
La Biennale di Venezia. esposizione internationale #39;arte, Robert Storr ... Marketing and Sponsorship Francesco di Cesare Marzia Cervellin Paola Pavan President's office and General Manager's office ... La Biennale di Venezia Ca' Giustinian San Marco 1364/a 30124 Venezia www.labiennale.org isbn 978-88- 317-9256 ...
Lost is a sculpture made with the ghosts of absent objects, an inventory of missing things. Over a period of 39 years many things have been lost but continue or continued to exist in the world without their former owner. A simple but extensive inventory, Lost is a book that catalogues these objects and the strange stories of their individual departures. In June 2006, Lost was deliberately left around the town of Whitstable, on the south-east coast of England. The publication appeared each day on benches, in pubs, by the seashore and on the various forms of public transport that were leaving the area (trains, planes and buses). The 500 copies of Lost distributed around Whitstable were individually numbered and ﬁnders were encouraged to record their discovery on a website before releasing the book back into the world. To see the paths that this ﬁrst release of books made through space and time please visit www.simonfaithfull.org/lost
Travelling to Antarctica on RSS Ernest Shackleton from RAF Brize Norton via Ascension Island and the Falklands, Simon Faithfull recorded the displaced and disorienting world he encountered by filming the view out of his cabin porthole and with daily Palm Pilot drawings, transmitted each day to email inboxes around the world. Combined with diary entries and notes, these drawing and films have been incorporated into a series of lectures presented in Edinburgh, Helsinki, Norwich, Berlin and London.
A small selection of plausible/implausible suggestions.
Mobile Research Station No.1’ was a sculpture commissioned for Skulpturenpark Berlin_Zentrum in 2009 – a work that deliberately expands the notion of a static sculptural object. The object was a curious hybrid – half high-tech Antarctic Research Station (such as Faithfull visited in 2005 with the British Antarctic Survey) and half rusty-broken-dumpster. Using a standard builder’s skip as its basis, the station nevertheless formed a luxurious, white-leather/brushed-aluminium ‘thinking-space’. Located in a wilderness at the heart of Berlin where the Berlin wall used to be, the strange apparition acted as the base for a set of eccentric of researchers. Over the summer of 2009 Faithfull invited 6 artists to occupy his research station and initiate the station’s research programme with their investigations into this wilderness. The invited artists were Annika Lundgren (artist and lecturer at Valand School of Fine Art, Gothenburg, Sweden), Nick Crowe and Ian Rawlinson (artists and lecturers at Goldsmiths University and Manchester Metropolitan University respectively), Martin John Callanan (artist and teaching fellow at Slade School of Fine Art), Esther Polak (artist based in Amsterdam Netherlands) and Katie Paterson (currently artist in residence at the Wellcome Trust Sanger Institute, Cambridgeshire). The two months of short artist’s residencies then culminated in an evening of ‘research presentations’ where the artists gave papers outlining their ‘research’ to an outdoor audience. The research findings were also published live through the research stations’ blog and later, documentation from ‘Mobile Research Station No.1’ was presented as part of Faithfull’s solo exhibitions: 'Recent Findings' at the Harris Museum, Preston (2010) and 'Wanderings' at ICIA, Bath University (2013). The project featured in the Walther Konig publication Skulpturenpark Berlin_Zentrum (2010) and was one of the projects focused upon in the interview with Faithfull by Axel Lapp in A Brief History of Working with New Media Art (The Green Box, 2012).
The public perception of climate change is strongly influenced by the media and the arts, including the work of filmmakers, photographers, cartoonists, etc. Climate change is a showcase for notable differences in public perception between Europe and USA – both in terms of the understanding of climate change science and its causes, and of the actions that ought to be taken. This symposium aims to examine the shaping of perceptions of climate change within Europe and the United States, and ask: ‘what is the role of the media and the arts in determining this perception and enabling an appropriate response to climate change?’
A performative lecture describing one persons displacement along lines of trade and exodus.
A performative lecture discussing man's often tragic lust to escape the shackles of gravity.
Tracing Mobility was a symposium exploring different perspectives between global and individual mobility, between physical and virtual movement: How do we navigate in the digital age, where are online and offline world are rapidly moving? How important is actual movement in space if we can reach any point on earth using digital technology? To what extent do the new mobile media alter our perception and our way of thinking?
Alain de Botton and Simon Faithfull gave papers discussing the nature of travel and how the journey is utilized in art.
Presentation of video artwork Escape Vehicle no.6 as part of the ESA conference in Berlin http://www.congrex.nl/07a04/spaceart.asp
The Role of Contemporary Art in Antarctica
Overview of exhibitions at Kunsthalle Fribourg, Switzerland
Simon Faithfull shows five silent video-works accompanied with live improvised scores by Heleen Van Haegenborgh (grand piano), Anna Vavilkina (organ) and Florian Tippe (bass clarinet)
'Manoeuvres Towards 0" was a performative lecture which looked at the history, allure, and possible evaporation of the place called “Nowhere.”
Buster Keaton was one of formative filmmakers of the early 20th Century but is also, arguably, one of the most important sculptor/performance-artists of the last century. Within the worlds Keaton created for the camera, the protagonist (played by Keaton himself) seems always to be pitted against a hostile universe. Everything he builds collapses, everything that can go wrong, does go wrong. Slapstick as an art-form relies upon our empathy for a character caught in a heroic but pointless battle with Entropy. The artistic inheritors of Keaton's world lies not in film but more in the work of contemporary artists such as Bas Jan Ader, Roman Singer, Robert Smithson and above all else Gordon Matta Clark. Within the lecture 'Buster Keaton & The 2nd Law of Thermodynamics' Faithfull will attempt to explain (for his own enlightenment) the mechanics of entropy and how this force becomes the major protagonist in the work 'Splitting' by of Gordon Matta Clark and the short film 'One Week' by Buster keaton.