Slade School of Fine Art
Slade Interim Show 2022
MA/MFA Interim Show
Open to the public 6 - 11 October
Weekdays: 9:30am - 8:30pm
Weekend: 9:30am - 6:30pm
-
Dad Magnets
, Ty Locke, 2022, fridge freezer, paper, magnets,A fridge freezer covered in 734 fridge magnets of my dad holding me as a baby.
©the artist
Ty Locke
Previous Next -
1 ۵ 1
, Sana Iqbal, 2019-2021, 8.5 ft x 5.3 ft (each photograph is 5-inch x 5-inch)We identify ourselves by the choices we make, by the things we choose to keep in our possession and those we discard. Objects because of their tangibility, echo of a user’s persona and reflect the spaces they could or must have once inhabited. They reveal an alternate reality. By creating an archive of found objects from abandoned sites, Sana investigates how socio-political factors play into this identity of a person and that of a nation’s. Furthermore, the contribution of this identity in the concept of ‘other’ which ultimately paves way for creation of boundaries (whether they be imaginary or real).
©the artist
Sana Iqbal
Previous Next -
I'll be seeing you
, Sophie Rogers, May 2022, mixed (laser cut perspex, computer pins, PC cooling fans, metal bolts, LED pin badges)©the artist
Sophie Rogers
Previous Next -
Untitled
, George Richardson, 2022©the artist
George Richardson
Previous Next -
Sounding House
, Isabelle Pead , 2022, steel greenhouse, speakers, sound, mixer©the artist
Isabelle Pead
Previous Next -
Shelf
, Jamie Hammill, Shelf, 2022, hardwood, sisal twine, plywood chair part, wool textile, stainless steel, cinnamon, 100 x 50 x 25 cm©the artist
Jamie Hammill
Previous Next -
Traces to Cavity
, Harry Smithson, 2022, wax, cardboard, mahogany, speakers, cables, synthesiser, 4000 x 1500 x 1000 mm©the artist
Harry Smithson
Previous Next -
No one conjures our dust
, Sofia Bordin, 2021, iron and resin, 210 x 80 x 40Generated through historical and affective research on the Ex Mattatoio in Rome, the sculpture tells a story of intersectional time and the entities who inhabit it.
©the artist
Sofia Bordin
Previous Next -
Obnexious
, John Sant, acrylic on canvas, 35 x 37 inches©the artist
John Sant
Previous Next -
Installation view of 'Articulations' showing 'Compassionate Attention' at The National Festival of Making, Blackburn, UK
, Hannah Leighton-Boyce, 2022, plaster, video, ceramic, greaseproof paper, polystyrene, intaglio print, dimensions variable©the artist
Hannah Leighton-Boyce
Previous Next -
Woman with child
, Antonia Caicedo Holguin, 2022, oil on canvas, 82 x 81 cm©the artist
Antonia Caicedo Holguin
Previous Next -
Undesirable Marks of Time: Breakfast Bowl
, Kate Towsey, 2022, soluble mixed media, motion-sensor water drip, 14 x spoons of porridgeExploring the fragility of memory, domestic objects disfigure in response to their audience.
©the artist
Kate Towsey
Previous Next -
Siren’s soup
, Yeonsu Ju, 2022, oil on canvas, 120 x 100cm©the artist
Yeonsu Ju
Previous Next -
Container
, Yuecen Wang, 2022, oil on paper, 77 x 57 cm©the artist
Yuecen Wang
Previous Next -
“who are they now?”
, Chaney Manshu Diao, 20 Sept 2022, mixed media, text, installation, 35cm (W) x 120cm (L) x 180 cm (H)©the artist
Chaney Manshu Diao
Previous Next -
ANSWER
, Jiayu Sun, 15 September, 2022, video, performance, 7minutes, 40 seconds. 20 seconds of performance after videoAs the phantom limb pain occurred to him every single day, Jiayu decided to embark on a search for the lost part of his body. His journey goes through an imaginary world, reality and cyberspace, whereby he is exploring memories, everyday life, and information remaining on the internet. Finally, Jiayu finds the other part of his body and returns back to the physical world.
©the artist
Jiayu Sun
Previous Next -
The Shadow of a Doubt
, Kristian Alanson Bruce, 2022, oil on linen, 34 x 26 in©the artist
Kristian Alanson Bruce
Previous Next -
untitled
, Andy Wyatt, installation©the artist
Andy Wyatt
Previous Next -
Door Ajar
, Frederika Dalwood, April 2022, digital collage, 60 x 80 cm©the artist
Frederika Dalwood
Previous Next -
Lack of Presence
, Camilo Parra, 2022, charcoal on paper, 75 x 75 cm©the artist
Camillo Parra
Previous Next -
How To Fit In
, Eva Bachmann, 2022, (installation) digital photography, household objects, 2.5 m x 3 mHow to Fit In installation refers to resourceful ways when trying to adapt as an outsider.
©the artist
Eva Bachmann
Previous Next -
Futures Trading
, Martha Horn, 2022, film, 8 minutes 30 seconds©the artist
Martha Horn
Previous Next -
Odradek 04 (Wearable translation device)
, Federico Arani, 2022, ceramics, prosthetic gelatin, medieval metal artifacts, fabric, brass, rubber.A part of a harness with unclear function and composition, halfway between prosthesis and extension, is left inside the space. A device clearly disconnected from its original time and location, is filled only with its hypothetical potential.
©the artist
Federico Arani
Previous Next -
Quick Change
, Lydia Merrett, 2022, oil on canvas, 140 x 90 cm©the artist
Lydia Merrett
Previous Next -
Holding behind the curtain
, Georgia Dymock, 2022, oil on linen, 90 x 90 cm©the artist
Georgia Dymock
Previous Next -
Landscape
, Yu Li, September 2022, installation, 6 x 82 x 10 cmIn the paradigmatic genre of Chinese education, the expression of thoughts and imagination of distant landscapes.
©the artist
Yu Li
Previous Next -
Shadow of ABC
, Yuuki Horiuchi, 2021, single channel video, 4 min loop©the artist
Yuuki Horiuchi
Previous Next -
Mt.
, Isobel Mei, 2022, video still, 9:50 mins©the artist
Isobel Mei
Previous Next -
The Age of Innocence
, Hannah Uzor, 2022, acrylic on canvas, 120 x 150 cm©the artist
Hannah Uzor
Previous Next -
Pores
, Corrine Chan, 2021/22, animation, 5:58 mins©the artist
Corrine Chan
Previous Next -
thinking about art when the world is burning
, blithe germ, 2022, plant matter, rocks, paper, screen print on rag, and recovered waste materials©the artist
blithe germ
Previous Next -
The Red Queue
, Ivan Kashdan, 2022, film, 1 min 22 sec©the artitst
Ivan Kashdan
Previous Next -
Dinosaur Colour Chart 1993
, Chika Annen, March 2022, printThe chart shows sampling colours of dinosaurs from magazines, “Dinosaur!”, published in 1993.
The visual representation of dinosaurs and their association with cultural/social demands surrounding science have changed over time. Dinosaurs are very particular beings; The evidence of their existence is mere remains and have never been seen as living creatures during human history. Due to their monstrous nature, we are familiarised with their unimaginable appearances, but our impression of these dinosaurs demonstrates the contemporary romanticisation of mythical creatures.©the artist
Chika Annen
Previous Next -
Skin Flicks
, Billy Sassi, 2022, two channel digital video, 17 minute loop©the artist
Billy Sassi
Previous Next -
Marey's Chronograms
, Anna Sebastian, graphite on paper, 140 x 130 cm©the artist
Anna Sebastian
Previous Next -
◻︎4DC4
, Yiwen Li, September 2022, acrylic paint on canvas, 61 x 51 cm, 20.3 x 25.4 cm, 30.5 x 82 cm©the artist
Yiwen Li
Previous Next -
Claudia 2
, Marietta Mavrokordatou, 2022, gelatin silver print, 28 x 17.5 cm©the artist
Marietta Mavrokordatou
Previous Next -
Cold Fell
, Rachel Irons, July 2022, oak, 150 x 70 mm©the artist
Rachel Irons
Previous Next -
Untitled
, Claudia Rose, 2022, various made and found objects. Site specific, dimensions variableA warm hum from somewhere to be far away
©the artist
Claudia Rose
Previous Next -
Untitled
, Ind Solnick, 2022, mixed media, approx. 15 x10 x 6 cm©the artist
Ind Solnick
Previous Next -
Untitled
, Ilona Balaga, 2022, ceramics, dimensions variable©the artist
Ilona Balaga
Previous Next -
Appendage
, Sam Meredith, 2022, cast concrete, 40 x 15 x 10 cm©the artist
Sam Meredith
Previous Next -
Sympathetic Magic
, Philip Speakman, 2022, HD video and text, 07:04 minutes (looped)©the artist
Philip Speakman
Previous Next -
EGO DEATH
, Christina Cushing, 2022, C-type print, 60 cm × 84 cm©the artist
Christina Cushing
Previous Next -
Primal
, Cheuk Yiu Lo, 2022, cement, wood, PVA, 38 x 44 x 140 cm©the artist
Cheuk Yiu Lo
Previous Next -
The Other Site
, Yijue Zeng, July 2022, paper, 60 x 60cm; 17 x 10 cm©the artist
Yijue Zeng
Previous Next -
Subject to Change
, Jesse Rivers, 2022, acrylic and ink on canvas, 71 cm x 56 cm©the artist
Jesse Rivers
Previous Next -
Untitled
, Sam Ge, 2022, steel, 150 x 150 x 1900 (mm)©the artist
Sam Ge
Previous Next -
Paper Icon
, C PANNELL, 2022, copy paper, wax,©the artist
C PANNELL
Previous Next -
Lion, Lies and Love
, Yuyue He, 2022, documentary film, 1080p, 33mins longThe film starts from a question: “Would you still love me, if I have nothing left?”. It explores love and expectations, fear and understanding from the perspective of social and intimate relationships. This documentary film would like to discuss confusion and anxiety, especially for young people. In the end, the film is looking for the answers about love: If "having nothing left" and "love" can coexist? Or if one has nothing left, is it still possible to continue the love?
©the artist
Yuyue He
Previous Next -
untitled (fleeting though)
, Gabrielle Bejani, 2022, collage on napkin, 30.5 x 32 cm©the artist
Gabrielle Bejani
Previous Next -
Seabed
, Raphaella Pester, 2022, gouache on grid paper, 29.7 x 42 cm©the artist
Raphaella Pester
Previous Next -
Substitution Jutsu
, Luyin Cao, 2022, cardboard, artificial grass, branch and clay©the artist
Luyin Cao
Previous Next -
Here Trees Are 45ft Apart
, Junyi Lu, 2022, oil, acrylic, pastel, spray paint, marker, thread, aluminum wires, found objects on canvas; tree models, plastic wine glasses, plasticine, and chains on pub tablessize: 140 x 170 x 70 cm©the artist
Junyi Lu
Previous Next -
Father Flying
, Akshay Bhoan, 2022, clay and acrylic©the artist
Akshay Bhoan
Previous Next -
Playpen Paralysis
, Rosie Kennedy and Robbie Campbell, 2022, still image from 5:00 min video©the artist
Rosie Kennedy
Previous Next -
Prometheus
, Jiayu Zhang, 2020, plaster, wood, lamp, etc©the artist
Jiayu Zhang
Previous Next
