Slade School of Fine Art
Slade Interim Show 2022
MA/MFA Interim Show
Open to the public 6 - 11 October
Weekdays: 9:30am - 8:30pm
Weekend: 9:30am - 6:30pm
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Untitled
, Indianna Solnick, 2022, mixed media, approx. 15 x10 x 6 cm©the artist
Indianna Solnick
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Door Ajar
, Frederika Dalwood, April 2022, digital collage, 60 x 80 cm©the artist
Frederika Dalwood
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Marey's Chronograms
, Anna Sebastian, graphite on paper, 140 x 130 cm©the artist
Anna Sebastian
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I'll be seeing you
, Sophie Rogers, May 2022, mixed (laser cut perspex, computer pins, PC cooling fans, metal bolts, LED pin badges)©the artist
Sophie Rogers
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Pores
, Corrine Chan, 2021/22, animation, 5:58 mins©the artist
Corrine Chan
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Claudia 2
, Marietta Mavrokordatou, 2022, gelatin silver print, 28 x 17.5 cm©the artist
Marietta Mavrokordatou
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Lion, Lies and Love
, Yuyue He, 2022, documentary film, 1080p, 33mins longThe film starts from a question: “Would you still love me, if I have nothing left?”. It explores love and expectations, fear and understanding from the perspective of social and intimate relationships. This documentary film would like to discuss confusion and anxiety, especially for young people. In the end, the film is looking for the answers about love: If "having nothing left" and "love" can coexist? Or if one has nothing left, is it still possible to continue the love?
©the artist
Yuyue He
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Futures Trading
, Martha Horn, 2022, film, 8 minutes 30 seconds©the artist
Martha Horn
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Sounding House
, Isabelle Pead , 2022, steel greenhouse, speakers, sound, mixer©the artist
Isabelle Pead
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Holding behind the curtain
, Georgia Dymock, 2022, oil on linen, 90 x 90 cm©the artist
Georgia Dymock
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1 ۵ 1
, Sana Iqbal, 2019-2021, 8.5 ft x 5.3 ft (each photograph is 5-inch x 5-inch)We identify ourselves by the choices we make, by the things we choose to keep in our possession and those we discard. Objects because of their tangibility, echo of a user’s persona and reflect the spaces they could or must have once inhabited. They reveal an alternate reality. By creating an archive of found objects from abandoned sites, Sana investigates how socio-political factors play into this identity of a person and that of a nation’s. Furthermore, the contribution of this identity in the concept of ‘other’ which ultimately paves way for creation of boundaries (whether they be imaginary or real).
©the artist
Sana Iqbal
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Father Flying
, Akshay Bhoan, 2022, clay and acrylic©the artist
Akshay Bhoan
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Traces to Cavity
, Harry Smithson, 2022, wax, cardboard, mahogany, speakers, cables, synthesiser, 4000 x 1500 x 1000 mm©the artist
Harry Smithson
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Here Trees Are 45ft Apart
, Junyi Lu, 2022, oil, acrylic, pastel, spray paint, marker, thread, aluminum wires, found objects on canvas; tree models, plastic wine glasses, plasticine, and chains on pub tablessize: 140 x 170 x 70 cm©the artist
Junyi Lu
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No one conjures our dust
, Sofia Bordin, 2021, iron and resin, 210 x 80 x 40©the artist
Sofia Bordin
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Subject to Change
, Jesse Rivers, 2022, acrylic and ink on canvas, 71 cm x 56 cm©the artist
Jesse Rivers
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Primal
, Cheuk Yiu Lo, 2022, cement, wood, PVA, 38 x 44 x 140 cm©the artist
Cheuk Yiu Lo
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Obnexious
, John Sant, acrylic on canvas, 35 x 37 inches©the artist
John Sant
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Undesirable Marks of Time: Breakfast Bowl
, Kate Towsey, 2022, soluble mixed media, motion-sensor water drip, 14 x spoons of porridgeExploring the fragility of memory, domestic objects disfigure in response to their audience.
©the artist
Kate Towsey
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The Red Queue
, Ivan Kashdan, 2022, film, 1 min 22 sec©the artitst
Ivan Kashdan
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Skin Flicks
, Billy Sassi, 2022, 4K digital video©the artist
Billy Sassi
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Prometheus
, Jiayu Zhang, 2020, plaster, wood, lamp, etc©the artist
Jiayu Zhang
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Sympathetic Magic
, Philip Speakman, 2022, HD video and text, 07:04 minutes (looped)©the artist
Philip Speakman
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Untitled
, Ilona Balaga, 2022, ceramics, dimensions variable©the artist
Ilona Balaga
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Shadow of ABC
, Yuuki Horiuchi, 2021, single channel video, 4 min loop©the artist
Yuuki Horiuchi
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Installation view of 'Articulations' showing 'Compassionate Attention' at The National Festival of Making, Blackburn, UK
, Hannah Leighton-Boyce, 2022, plaster, video, ceramic, greaseproof paper, polystyrene, intaglio print, dimensions variable©the artist
Hannah Leighton-Boyce
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Appendage
, Sam Meredith, 2022, cast concrete, 40 x 15 x 10 cm©the artist
Sam Meredith
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Untitled
, Sam Ge, 2022, steel, 150 x 150 x 1900 (mm)©the artist
Sam Ge
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“who are they now?”
, Chaney Manshu Diao, 20 Sept 2022, mixed media, text, installation, 35cm (W) x 120cm (L) x 180 cm (H)©the artist
Chaney Manshu Diao
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◻︎4DC4
, Yiwen Li, September 2022, acrylic paint on canvas, 61 x 51 cm, 20.3 x 25.4 cm, 30.5 x 82 cm©the artist
Yiwen Li
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Paper Icon
, C PANNELL, 2022, copy paper, wax,©the artist
C PANNELL
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Playpen Paralysis
, Rosie Kennedy and Robbie Campbell, 2022, still image from 5:00 min video©the artist
Rosie Kennedy
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The Shadow of a Doubt
, Kristian Alanson Bruce, 2022, oil on linen, 34 x 26 in©the artist
Kristian Alanson Bruce
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EGO DEATH
, Christina Cushing, 2022, C-type print, 60 cm × 84 cm©the artist
Christina Cushing
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Untitled
, George Richardson, 2022©the artist
George Richardson
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Landscape
, Yu Li, September 2022, installation, 6 x 82 x 10 cmIn the paradigmatic genre of Chinese education, the expression of thoughts and imagination of distant landscapes.
©the artist
Yu Li
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ANSWER
, Jiayu Sun, 15 September, 2022, video, performance, 7minutes, 40 seconds. 20 seconds of performance after videoAs the phantom limb pain occurred to him every single day, Jiayu decided to embark on a search for the lost part of his body. His journey goes through an imaginary world, reality and cyberspace, whereby he is exploring memories, everyday life, and information remaining on the internet. Finally, Jiayu finds the other part of his body and returns back to the physical world.
©the artist
Jiayu Sun
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How To Fit In
, Eva Bachmann, 2022, (installation) digital photography, household objects, 2.5 m x 3 mHow to Fit In installation refers to resourceful ways when trying to adapt as an outsider.
©the artist
Eva Bachmann
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Substitution Jutsu
, Luyin Cao, 2022, cardboard, artificial grass, branch and clay©the artist
Luyin Cao
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Dad Magnets
, Ty Locke, 2022, fridge freezer, paper, magnets,A fridge freezer covered in 734 fridge magnets of my dad holding me as a baby.
©the artist
Ty Locke
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Lack of Presence
, Camilo Parra, 2022, charcoal on paper, 75 x 75 cm©the artist
Camillo Parra
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Mt.
, Isobel Mei, 2022, video still, 9:50 mins©the artist
Isobel Mei
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untitled
, Andy Wyatt, installation©the artist
Andy Wyatt
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thinking about art when the world is burning
, blithe germ, 2022, plant matter, rocks, paper, screen print on rag, and recovered waste materials©the artist
blithe germ
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Untitled
, Claudia Rose, 2022, various made and found objects. Site specific, dimensions variableA warm hum from somewhere to be far away
©the artist
Claudia Rose
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Odradek 04 (Wearable translation device)
, Federico Arani, 2022, ceramics, prosthetic gelatin, medieval metal artifacts, fabric, brass, rubber.A part of a harness with unclear function and composition, halfway between prosthesis and extension, is left inside the space. A device clearly disconnected from its original time and location, is filled only with its hypothetical potential.
©the artist
Federico Arani
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Cold Fell
, Rachel Irons, July 2022, oak, 150 x 70 mm©the artist
Rachel Irons
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Dinosaur Colour Chart 1993
, Chika Annen, March 2022, printThe chart shows sampling colours of dinosaurs from magazines, “Dinosaur!”, published in 1993.
The visual representation of dinosaurs and their association with cultural/social demands surrounding science have changed over time. Dinosaurs are very particular beings; The evidence of their existence is mere remains and have never been seen as living creatures during human history. Due to their monstrous nature, we are familiarised with their unimaginable appearances, but our impression of these dinosaurs demonstrates the contemporary romanticisation of mythical creatures.©the artist
Chika Annen
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Siren’s soup
, Yeonsu Ju, 2022, oil on canvas, 120 x 100cm©the artist
Yeonsu Ju
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Shelf
, Jamie Hammill, Shelf, 2022, hardwood, sisal twine, plywood chair part, wool textile, stainless steel, cinnamon, 100 x 50 x 25 cm©the artist
Jamie Hammill
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The Other Site
, Yijue Zeng, July 2022, paper, 60 x 60cm; 17 x 10 cm©the artist
Yijue Zeng
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untitled (fleeting though)
, Gabrielle Bejani, 2022, collage on napkin, 30.5 x 32 cm©the artist
Gabrielle Bejani
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Container
, Yuecen Wang, 2022, oil on paper, 77 x 57 cm©the artist
Yuecen Wang
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The Age of Innocence
, Hannah Uzor, 2022, acrylic on canvas, 120 x 150 cm©the artist
Hannah Uzor
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Quick Change
, Lydia Merrett, 2022, oil on canvas, 140 x 90 cm©the artist
Lydia Merrett
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Seabed
, Raphaella Pester, 2022, gouache on grid paper, 29.7 x 42 cm©the artist
Raphaella Pester
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Woman with child
, Antonia Caicedo Holguin, 2022, oil on canvas, 82 x 81 cm©the artist
Antonia Caicedo Holguin
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