Replacement Conference
09 December 2016–10 December 2016, 12:00 am–12:00 am
Event Information
Open to
- All
Location
-
Birkbeck, University of London
Abstract
In a recent film, 45 Years (dir.
Andrew Haigh, 2015), a couple about to celebrate forty-five years of marriage
hear of the recovery of the body of the husband's erstwhile girlfriend - whose
name resembles that of the wife - found perfectly preserved in Alpine ice. This
discovery implicitly affects the two differently: it appears that the husband
is shocked at reminders of lost youth, while the wife is affected by the vivid
idea (supplemented by slides she views) of a rival who pre-existed her and thus
has a permanent kind of precedence. The same effect is experienced by the
unnamed narrator-protagonist of Rebecca (Daphne du Maurier, 1938), who
enters a house and a marriage dominated by her predecessor and the violent
enigma surrounding her. Yet at one point she writes: 'Perhaps
I haunted her as she haunted me; […] Jasper had been her dog, and he ran at my
heels now. The roses were hers and I cut them. Did she resent me and fear me as
I resented her?'
In the face of changing family relations in the west, we have moved rather suddenly from one replacement series to another: one or two centuries ago, replacement children were commonplace as child mortality led to families naming a baby after an earlier sibling that had just died, or - as in Wordsworth's 'We are seven' (1798) - children lived with the dead as well as living among a large group of siblings. Nowadays serial monogamy has created a structure more akin to Rebecca, in which children or adults must contend with others both absent and present, whether living or dead. Thus the structure of replacement, which is always both diachronic and synchronic, has effects both across and within generations and signifies both unruly passion and the attrition of passions lost, exchanged or conserved.
This conference is about modes of personal haunting, looking both forward and back, and may focus on any of the three main positions in the drama of replacement: the 'replacement' child or partner; the never-entirely-dead predecessor; or the effect on the empowered or disempowered person whose desires move between these two others.
Keynote Speakers
Juliet Mitchell
Laura Mulvey
Naomi Segal
Naomi Tadmor
Call for Papers
Please
send proposals for a 20-minute paper (or for a panel of three 20-minute papers)
to the two organisers, Jean Owen (ojean27@yahoo.com)
and Naomi Segal (n.segal@bbk.ac.uk).
Deadline: 30 May 2016. A proposal should
comprise your name, email address & academic affiliation if any; the title,
a 300-word abstract and a 100-word mini-bio.
Further Information
For further information and updates, please visit:http://www.brakc.bbk.ac.uk/calendar/