Institute of Advanced Studies (IAS)


VIRTUAL — PPV: Birzhastation by PiraMMMida.life — Danarti with Ana Chorgolashvili

04 November 2020, 4:00 pm–5:00 pm


This session presents a new issue of 'Danarti'. Birzhastation is PiraMMMida’s Georgian operation, realised within the framework of Tab 2020: The Tbilisi Biennale of Architecture

This event is free.

Event Information

Open to







Michal Murawski, Maria Mileeva, Denis Maksimov and David Roberts in collaboration with Ana Chorgolashvili and David Brodsky
m.mileeva@ucl.ac.uk; denis@avenirinstitute.info


Presentation of The 13th edition of DANARTI. This edition was made in the framework of project - ACT UP - organized by Dekabristen e.V.

Ana Chorgolashvili works as an art historian / architecture researcher / curator. She is involved in various local and international art projects and exhibitions. Ana, together with the local curator, Elene Abashidze and art historian Irine Djordjadze, is a founder of an independent, interdisciplinary, bilingual publication Danarti. In Collaboration with Gio Sumbadze, Ana is the co-founder of U.R.L (Urban Research Laboratory). In 2015, in collaboration with the Book Art Center, Ana published a guidebook for Soviet Modernist Architecture of Tbilisi. In 2018, Ana edited a special issue of Danarti – Buildings Are not Enough – which was devoted to the Tbilisi Architecture Biennial. In 2020, together with a Czech artist Barbora Gallova, Ana launched Community Radio Tbilisi – an online media platform.  

Zoom Link

Language: Georgian

About Birzhastation

Birzhastation is an archaeological exploration of the neoliberal ideology of architectural transparency in the post-socialist world (and in the global “wild capitalist” reality of the 21st century).

Birzhastation - named in a fiddly, imaginative cocktail of Georgian, Russian and English - represents an archi-ethnographic exploration of the possibilities and pitfalls of nice-sounding ideas (transparency, openness, horizontality, togetherness, the commons) in a time of an ideological crisis, and amid a global rise of the new types of militarized police regimes. While in many countries of the world we are still naively enamoured by architectural transparency as a metaphor of political openness and economic honesty, in Tbilisi - the city, in which ex-President Misha Saakashvili built “anti-corruption” all-glass police stations - people tend to be more cautious. One of the aims of Birzhastation is to encourage the rest of the world to learn about Tbilisi’s political-aesthetic experience.

Birzhastation is located on the territory of the Soviet-era “Academic City” (Akademgorod) and merges with the contextual importance of the place.

The shape and the features of Birzhastation – symmetrical, horizontal, neutral, rectangular, experimental, semi-transparent, dramatically-lit – echo the typology of the besedka (the word comes from Russian беседа, which means conversing), one of the  simple architectural elements  of numerous Soviet cities, villages, micro-districts, parks and courtyards. Besedka is a place for gathering, communicating, playing, social condensation; and represents one of many types of Birzha. Birzha itself is a Georgian word designating a site for social togetherness that groups together many different forms, characteristics and ideas and is usually located in creatively-adapted public spaces. Birzhas are typically self-organized by people themselves.

The former Academic City, in turn, is a place that well reflects the failures as well as success and afterlives of both Soviet (socialist) and post-Soviet (neoliberal) systems. This is a place of the collapse of vertical ideologies. Since the 1990s, under the extreme conditions of Wild Capitalism, this chaotically developed area has combined elements of 1930s Stalinist Soviet architecture, the unrealized idea of the Academic City itself (1960s and 1970s architecture) and the remains of some slums and barracks.

Rendering of Birzhastation (under construction) by David Brodsky

In the framework of TAB, Birzhastation will host an active programme of discussions, debates and libations (physically and online) to create a zone of openness, publicness, intimacy, perversion, wildness, commonality, and collective social condensation, inspired by the Georgian practice of Birzha – which stands in opposition to the pseudo-transparency (pseudo-prozrachnost) of the neoliberal ideology of architectural transparency in the post–socialist world. The program will also feature a discussion on all-glass police stations built throughout Georgia during Saakashvili’s Presidency. These buildings were supposed to symbolise total transparency and the struggle against corruption and police brutality. Rejecting the pseudo-prozrachnost of police space, our Birzhastation will thus be a site of Post-Pseudo-Prozrachnost (PPP). The online and physical space of Birzhastation  will also be open for local interventions.  

Birzhastation is the Tbilisi incarnation of PiraMMMida, an online/IRL exhibition realised in 2020-21 by PPV (Perverting the Power Vertical), a London-based University College art and research platform (www.pirammmida.life). Documentation of the project will be co-published by TAB and piraMMMida (online and as part of the forthcoming piraMMMida book) .

Partners/co-sponsors: UCL School of Slavonic and East European Studies; UCL FRINGE Centre for the Study of Social and Cultural Complexity; UCL Bartlett School of Architecture; Courtauld Institute of Art, University of London; TAB (Tbilisi Biennale of Architecture)

Tbilisi Architecture Biennial is co-funded by the Creative Europe Programme of the European Union

Please find further information here.