IAS Vulnerability Symposium: Food Decay - Art, Sensation, Materiality
22 June 2018, 10:30 am–6:00 pm
IAS Common Ground, Ground Floor, South Wing
This symposium considers food as subject matter, metaphor, and material in art, in order to explore the vulnerabilities of artistic form, of art's audiences, and of the category 'art' itself.
Speakers will address the representation of food in art, art criticism, visual and material culture, and literature since the nineteenth century. We seek to explore the sensual complexity of responses to diverse media, in contrast to art historical methodologies and languages that are dominated by concepts of visuality. Speakers will consider still life by Chardin, Courbet, Vollon, and Manet, alongside illustrated gastronomic literature, fin-de-siécle novels, photography, and film. How do these painted, printed, articulated, shot, and digitized representations of the culinary evoke multi-sensory experience in differing, but mutually inflecting ways?
We will approach this question through the concept of decay. In the nineteenth century, critics sometimes claimed that works of art or the figures within them seemed to be decomposing like aging meat or ripening cheese. Often this was to debase art, challenging its claims to temporal endurance and continuing value, suggesting that the materials of art were fragile, vulnerable forms. The organic materiality of paint often seemed particularly unstable. In so doing, critics even suggested that art was capable of threatening the viewer's body, provoking reactions best described through the senses of taste, smell, and touch. Rather than conceiving of the eye as an instrument that functioned at a safe distance, many described it as a vulnerable organ through which the entire body was made subject to harm or injury. Opening out such expressions of ambivalence, anxiety, and disgust creates space to interrogate embodied encounters with art in the present as well as in the past. Whether real or metaphorical, food has played a central role in art, its criticism, and its institutions.
- Jinhee Choi, Reader in Film Studies, King's College London
- Frédérique Desbuissons, Lecturer in History of Art, University of Reims Champagne-Ardenne
- Allison Deutsch, Junior Research Fellow, Institute of Advanced Studies, University College London
- Briony Fer, Professor of History of Art, University College London
- Gustavo Gomez-Mejia, Lecturer in Communication Studies, University of Tours
- Marni Kessler, Associate Professor of Art History, The University of Kansas
- Bertrand Marquer, Lecturer in French Literature, University of Strasbourg
- James Rubin, Professor of Art History, Stony Brook University
Image: Nadar [pseudonym of Félix Tournachon], Nadar jury au Salon de 1857. Paris, Librairie Nouvelle, 1857, p. 40: 'Don't you think the Razzia by M. Loubon looks a bit like spilled meat and cabbage soup?'