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Showing 15 Projects from Grant Museum of Zoology:
Families handling specimens
Natural History Public Engagement Bootcamp
The Natural History Public Engagement Bootcamp is a four week course tailored specifically to supporting early career researchers and postgraduate students who carry out research on the natural environment and are interested in public engagement. The four sessions that comprises the course will be interactive and provide practical opportunity to explore the variety of ways in which researchers can interact and involve public groups. The Natural History Public Engagement Bootcamp aims to:Increase and develop postgraduate students’ skills relevant to public engagementDevelop postgraduate students’ knowledge and attitudes to enable them to embed public engagement into their research activityBuild a community of peer support between students attending the courseEnable the creation and enhancement of internal and external networks between students, staff and organisationsCreate and enable opportunities to experiment with, reflect on, evaluate and learn from different types of public engagementThe course is developed in collaboration with the Discovery and Learning team at ZSL. Course outline:Session one will provide a background of what public engagement with research and context for developing participants’ skills around public engagement.  Session two will allow participants to meet practitioners and hear first-hand experiences of public engagement and understand the importance of communication and practical tips on public speaking.Session three will revolve around critical reflection of examples of public engagement with research and will provide practical skills looking at activity formats.Session four will provide practical skills where participants can plan and implement their ideas around public engagement with their research and understand the importance of evaluation.   Deadline for applications close on Sunday 21 January 2018. If you would like to join in the training please fill out the application form and return it to Dean Veall 
Graphic using a patterned image of the Earth and the text 'Performing Planet Activism'
Performing Planet Activism
Performing Planet Activism is a strand of intimate UCL performances, workshops and interactions exploring some of the pressing environmental issues of the climate crisis. Events and activities bring together UCL research, climate activism and artistic interpretation in unique ways that inspire action and create space for dialogue.Performing Planet Activism launched with a 10-day series of events in January and February 2023, engaging with topics including the possibilities of a better Earth future, the science behind the declining UK farmland pond, the heritage and mythology of the river Fleet, the ways in which British bat species use echo, public participation in urban spaces, colonial capitalist mining practices, and the challenges and potential of island nations.Participants included Shybairn Theatre; composer Heloise Tunstall-Behrens, UCL climate scientists Professor Ilan Kelman and Dr Peter Irvine, Fleet Primary School and writer Robert Macfarlane; poets Chris Redmond, Madi Maxwell-Libby and Amina Atiq, musicians Alice Boyd, Tom Fisher and Dot.i. and scientist Helen Greaves; artist Oliver Cloke; Global Generation Fellows of Story Garden; activist and researcher Nikolett Puskás and artist Hector Dyer; Echo Choir director Sarah Latto and artist/anthropologist Hermione Spriggs; writer/performer Meg Hodgson and London Mining Network; and Hot Poets (Chris Redmond and Liv Torc) and educator/researcher Catalina Spataru.Watch the filmYouTube Widget Placeholderhttps://youtu.be/KCB2pKTf4ec Full list of past eventsTheatre Making & Climate Activism Workshop - Tuesday 31 January 2023, 9.30am (free - PhD students and early career researchers only)This free workshop for PhD students and early career researchers will be led by ShyBairn Theatre, who will share their practice of collaborating with UK climate activists and academics.Read our Q&A with the 'Theatre Making & Climate Activism' teamThe Work of Many Hands - Wednesday 1 February, 7.30pmThis three-act performance seeks to imagine the possibilities of a better Earth future, and has been co-created by composer Heloise Tunstall-Behrens, UCL climate scientists Professor Ilan Kelman and Dr Peter Irvine, and writer Robert Macfarlane.The Secret Life of Ponds Workshop: Creating Water-Inspired Poetry - Thursday 2 February 9.30amWorking with performance poet Chris Redmond and scientist Helen Greaves, this introductory workshop will introduce the science behind the declining UK farmland pond and offer creative routes in to these ideas through poetry.The Secret Life of Ponds Workshop: Creating Music from the Sounds of the Pond - Thursday 2 February 2pmLed by sound artist Tom Fisher and scientist Helen Greaves, this workshop inspired by underwater pond sounds will introduce the Borderlands Granular iPad app to create dynamic and organic 'sound environments' and compositions.The Secret Life of Ponds Performance: Poetry, Music and Freshwater Science - Thursday 2 February 7pmJoin us for an evening of poetry, music and freshwater science in an exploration of the declining UK farmland pond and their extraordinary biodiversity.Family Event: Creativity around Climate Change: Wind Power - Saturday 4 February (free)How do we understand the changing world around us? Working in small groups, families will be on a search and find mission for ways to creatively harness wind energy.Hidden Rivers of London - Tuesday 7 February 7pmJoin Global Generation Fellows of Story Garden, a thriving community garden behind the British Library, as they share personal water-based memories, reveal the heritage of the river Fleet, and explore its mythology. The performance is followed by a creative writing workshop.Our Place in the Game: Public Engagement through Live Performance Workshop - Wednesday 8 February 9.30am (free - PhD students and early career researchers)This workshop for PhD students and early career researchers interested in the climate crisis and public participation in urban spaces will explore Our Place in the Game, an on-site performance project.Read our Q&A with the 'Our Place in the Game' teamEcho Sounding in the Grant Museum: a bat-based voice and listening workshop - Wednesday 8 February 6pmThis experimental workshop explores the medium of echo. Beginning with simple vocal exercises and scores for deep listening, and inspired by British bat species, we will work together to open our senses.Moonface - Thursday 9 February 6.30pmThis live solo theatre show uses clowning to explore colonial, capitalist mining practices and how the models created on Earth are being utilised to inform the future of interplanetary travel. The performance is followed by a series of short talks.The World Is an Island - Friday 10 February 7pmPart performance, part exhibit, part exploratory poetry workshop, The World Is an Island is a transformative​​ 90-minute adventure into science fact and poetry power.Family Event: Creativity around Climate Change - Flower Power and Petal Prints - Saturday 11 February (free)How do we understand the changing world around us? Learn about the power of the sun for plant life and make petal prints from leaves and flowers. 
qrator
QRator
A groundbreaking collaboration between UCL Centre for Digital Humanities, UCL Centre for Advanced Spatial Analysis, and UCL Museums and Collections at the Grant Museum of Zoology developed QRator, an innovative new form of digital interpretation that empowers museum visitors to engage directly with curators and each other in a two-way conversation using social media.   [[{"fid":"3393","view_mode":"xl","fields":{"format":"xl","field_file_image_alt_text[und][0][value]":"c_ucl_gmz_matt_clayton_0513_29.jpg","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"xl","field_file_image_alt_text[und][0][value]":"c_ucl_gmz_matt_clayton_0513_29.jpg","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"2558","width":"3505","class":"media-element file-xl"}}]]QRator was an iPad-based digital interpretation system that allowed visitors the to Grant Museum of Zoology to be a curator and share their views on displays of specimens about science in society and museum practice today. Visitors can input their thoughts on the display directly onto the iPad creating a digital ‘living’ label that subsequent visitors can read and respond to in real time which then become part of the display itself. The traditional form of the museum is often one way: intended to instruct visitors in a one-sided communication; a form of interaction which tends to alienate visitors and distance curators from the needs and interests of the public they serve. QRator develop a means of empowering museums visitors to think of exhibits as social objects, and discuss them interactively with curators and other visitors. One of the first current questions was entitled Conserve or Display? Asking visitors to consider the following:“How do we balance the needs of our specimens and the desires of our visitors? Most objects on display are irreversibly damaged by exposure to light, dust and fluctuations in temperature and humidity. The longer they are on display the shorter they will last. Instead, specimens in storage will last longer without requiring conservation treatment and care; however, visitors would not be able to readily see the specimens. Without specimens there wouldn’t be a museum.”Other questions included: Ecology or Exploitation - Is ecotourism an answer to local environmental and biodiversity conservation?Should we only be conserving things that have a potential human benefit?Should we clone extinct animals?Can we lie about what a specimen is or where it came from?Is domestication ethical?Do you find skeletons, taxidermy or specimens in fluid more interesting?Over the four years QRator was on display at the Grant Museum the project aimed to create new kinds of content, co-curated by the public, and museum staff, that enhanced museum interpretation, public engagement and established new connections to museum exhibit content.Researching QRatorThe research project investigated these questions: can visitors to a museum be trusted to engage and answer challenging questions posed by a curator? Is it possible to elicit a dialogue between visitors and curators that encourages interpretation and analysis of objects, using digital methods?Using the QRator iPads and QR codes in the Grant Museum and on the QRator website the research team found that visitors engaged in complex dialogues regarding provenance, as well as moral issues around acquisition, retention and display.Launched as part of the rehousing of the Grant Museum in 2011 by 2013, it had received over 4,300 comments, or one for every three visitors, compared to the miniscule numbers who wrote in the visitor book or spoke to staff.Impact of QRatorThe museums and heritage sector immediately recognised the valuable contribution QRator makes to the visitor experience, without feeling intrusive or gimmicky. In 2012, it won an UK Museums and Heritage Award for Excellence 2012 in the Innovation category as "…impressive in the way it encourages participation within museums but also, importantly, in maintaining that participation beyond the walls of the museum when visitors have returned home".[[{"fid":"10463","view_mode":"large","fields":{"format":"large","field_file_image_alt_text[und][0][value]":"The team at the Museum and Heritage awards","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"The QRator team accepting the Innovation award at the 2012 Museum and Heritage Awards ","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"link_text":null,"type":"media","field_deltas":{"1":{"format":"large","field_file_image_alt_text[und][0][value]":"The team at the Museum and Heritage awards","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"The QRator team accepting the Innovation award at the 2012 Museum and Heritage Awards ","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"attributes":{"height":"1888","width":"2837","class":"media-element file-large"}}]]In 2012, the research team was invited to trial QRator at the Imperial War Museum's A Family in Wartime exhibition in both IWM North and IWM Lambeth. The project, which used interactive touch screens and social media to enter into digital conversations with each other and the curators, received over 26,000 comments from visitors to the two sites. 
Digital image of coloured shapes forming larger shapes
Queer Zoo
The human desire to classify is perhaps at its strongest when it comes to natural history, as we group and order the world around us into discrete categories. However, the way we organise and display nature is unnatural and at odds with the blurred edges and continuous variation of real nature. How does this relate to practices in which LGBTQ+ people self-classify?Co-produced between the UCL Urban Lab, Queer Zoo used the Grant Museum's collection, taxonomic practice of natural history and George Mazzei's 1979 article 'Who's Who at the Zoo' - that first introduced an animal naming system for gay men- as inspiration for an evening that looked at the way in which LGBTQ+ people order themselves. In a series of performances, readings, interventions and provocations from artists and academics, Queer Zoo interogated the practice of classification in more detail. Over the course of the evening with an audience of over 200 people we looked at the history and the development of categories of sexual orientation and gender identity/roles—‘homosexual’, ‘LGBT’, ‘queer’, ‘dissident’ etc. and discussed the use of ordering systems that are increasingly reductive and based on physical attributes and sexual preferences reflecting.Queer Zoo sought the help of Dr. Sharon Husbands and her irrepresible style, to invite the audience to participate in discussions of how the changing conceptions of the body, social media, cultural and societal pressures are impacting and shaping both individual LGBTQ+ community identity.As the inaugural event of the newly formed LGBTQ+ Research Network, Queer Zoo asked participants to debate and name the inititaive,   
kanagroo painting by George Stubbs
Strange Creatures
When new regions are explored and the species in them are discovered, how does the wider world experience these animals? By examining the world of animal representations, Strange Creatures: the art of unknown animals explores how imagery has been used to bring newly discovered animals into the public eye. From the earliest days of exploration, visual depictions in artworks, books, the media and even toys have been essential in representing exotic creatures that are alien to people at home. [[{"fid":"7799","view_mode":"xl","fields":{"format":"xl","field_file_image_alt_text[und][0][value]":"Painting of a kangaroo by George Stubbs","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"%3Cp%3EThe%20Kongouro%20from%20New%20Holland%20(Kangaroo)%2C%20George%20Stubbs%2C%201772%20(C)%20National%20Maritime%20Museum%2C%20Greenwich%2C%20London%3C%2Fp%3E","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"xl","field_file_image_alt_text[und][0][value]":"Painting of a kangaroo by George Stubbs","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"%3Cp%3EThe%20Kongouro%20from%20New%20Holland%20(Kangaroo)%2C%20George%20Stubbs%2C%201772%20(C)%20National%20Maritime%20Museum%2C%20Greenwich%2C%20London%3C%2Fp%3E","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"800","width":"1200","class":"media-element file-xl"}}]] Strange Creatures centres upon George Stubbs’ painting of a kangaroo, which was created following Captain Cook’s first Pacific “Voyage of Discovery”. It is Europe’s first painting of an Australian animal and became the archetype for how people imagined this iconic species for decades. This painting was recently saved for the nation after it was initially sold to an overseas buyer. This resulted in a government export bar before Royal Museums Greenwich raised the funds to keep it in the UK.  Strange Creatures from many anglesPalaeontologists and historians of science, exploration and art from across University College London investigate the theme of animal representation from the perspective of their own disciplines to create a diverse exhibition among the Museum’s permanent displays. Strange Creatures represents a chance to see Stubbs’ artwork among other animal depictions from the time of their earliest European encounters.The story of how the first European encounter came to be is also explored - if Cook's ship hadn't wrecked on the Great Barrier Reef in 1770 the relationship between Europe and Australian wildlife could have been very different. One of Cook's own hand-written journals is put on display. The exhibition includes a number of animal artworks on display were created by people who had never seen these animals in the flesh – including a sixteenth century copy of Dürer’s famous armoured rhinoceros, medieval accounts of exotic creatures, fake “dragon” specimens created from dried fish by sailors, contemporary knitted craft taxidermy and twenty-first century reconstructions of dinosaurs. Together they explore how unknown animals are communicated to the wider public. Events programme We invited adults and families to delve deeper into the themes of Strange Creatures with a programme of events that accompanied the exhibition. Strange Creatures After Hours[[{"fid":"7827","view_mode":"xl","fields":{"format":"xl","field_file_image_alt_text[und][0][value]":"men in front of Stubbs' painting of a kangaroo ","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"xl","field_file_image_alt_text[und][0][value]":"men in front of Stubbs' painting of a kangaroo ","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"600","width":"1200","class":"media-element file-xl"}}]]The night owls amongst you can join the bats, aardvarks, hedgehogs and other nocturnal specimens to enjoy Strange Creatures After Hours. Animals have been presented in bizarre and the incredible ways, come take another look at the natural world with our film night, late opening, open mic night, talks and drawing sessions.  Animal ShowoffComedyFriday 20 March, 6.30-9.30pmThe team behind Science Showoff presents a very special discovery edition of their anarchic open mic night at the Grant Museum, Animal Showoff. Join us for an evening of demos, jokes, talks, music and more. ANYONE can perform ANYTHING, the only rule is it has to be about the animal kingdom.Skippy the Bush KangarooFilm ScreeningTuesday 24 March, 6.30-9pm“What’s that Skip, the kids are trapped down the old mine-shaft?” Our film night is heading down under as historian of Biology and film-buff Professor Joe Cain introduces his favourite episodes of  Australian TV series Skippy the Bush Kangaroo.Draw it Like StubbsDrawingTuesdays 21 April, 12 May, 2 June, 6.30-9pmCould you recreate an animal from just the writings of drunken sailors that compared to other animals? That’s what George Stubbs did. Join us for a fun evening of light-hearted drawing of animals based on contemporary and historical descriptions.  Can you draw it like Stubbs did?Strange Creatures LateLate openingSaturday 16 May, 6.30-9.30pmAn evening of art, performance, games and live taxidermy will bring to life the Strange Creatures exhibition in this very special late opening. Great Grant Knit-a-ThonWorkshopTuesday 19 May, 10am-10pmInspired by Strange Creatures co-curator artist Ruth Marshall’s knitted skin of a Tasmanian tiger, we have set the knitters of London the challenge of knitting some of our strange creatures, IN JUST 12 HOURS! Bring your knitting needles to ‘stitch one purl one’ for an hour over lunch or alternatively come after work and be inspired to join in over a glass of wine while you view the exhibition. DINOSAURS! of Victorian London TalkTuesday 23 June, 6.30-9pmWhen the Crystal Palace dinosaur models were unveiled in 1854, they took the world by storm igniting the original Dinomania. These beastly models were the first anyone had ever seen of dinosaurs and unsurprisingly left a lasting impression.   Professor Joe Cain as he shares how these models, still on display today, were important in shaping the public’s perceptions of dinosaurs. Looking at Strange Creatures: A Travellers’ Tails seminar Saturday 13 June, 10am-3.30pm[[{"fid":"7807","view_mode":"xl","fields":{"format":"xl","field_file_image_alt_text[und][0][value]":"Painting of a snipe","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"%3Cp%3ESnipe%20at%26nbsp%3BBollo%20Bridge%20Road%2C%20London%20W3.%20(C)%20ATM%3C%2Fp%3E","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"xl","field_file_image_alt_text[und][0][value]":"Painting of a snipe","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"%3Cp%3ESnipe%20at%26nbsp%3BBollo%20Bridge%20Road%2C%20London%20W3.%20(C)%20ATM%3C%2Fp%3E","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"600","width":"1200","class":"media-element file-xl"}}]]Take a closer look at some strange creatures with our seminar study day and find out more about how art has been used to communicate unknown animals to the world. Over the course of the day you’ll hear from some of our exhibition co-curators, have a private viewing of Strange Creatures and get up close to some of our amazing specimens. Speakers include Professor Markman Ellis, Head of the School of English and Drama, Queen Mary University London, Sarah Wade, PhD Student and Dr. Bob Mills, Department of History of Art, UCL and ATM street artist. Download a full copy of the seminar programme. Show 'n' Tell[[{"fid":"7835","view_mode":"xl","fields":{"format":"xl","field_file_image_alt_text[und][0][value]":"person looking at museum specimens","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"xl","field_file_image_alt_text[und][0][value]":"person looking at museum specimens","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"600","width":"1200","class":"media-element file-xl"}}]] We have invited the co-curators of the Strange Creatures exhibition to showcase an object from the Museum’s collection of 68,000 to share their Strange Creatures research.   DinosaursFriday 8 May, 1–2pmDr. Andrew Cuff shares his cutting edge research reconstructing dinosaurs from just the fossils of these extinct giant reptiles.  Tastes just like…Friday 22 May, 1–2pmThe first encounters with the willdlife of the Virginia colonists in the 16th Century were on the plate, find out more about Misha Ewen’s research on the experiences of these first colonists.  Australian encountersFriday 5 June, 1–2pmThe first European settlers of Australia encountered an unbelievable world, join Professor Margot Finn as she shares her research on their experiences. Iron and BoneFriday 12 June, 1–2pmFind out more about PhD student Kelly Freeman’s research on the surprisingly beautiful art of the Victorian zoology museum.Family events[[{"fid":"7831","view_mode":"xl","fields":{"format":"xl","field_file_image_alt_text[und][0][value]":"creating works of art with a family member ","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"xl","field_file_image_alt_text[und][0][value]":"creating works of art with a family member ","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"600","width":"1200","class":"media-element file-xl"}}]]We have rifled through our drawers and searched through our cabinets to bring out some of our strangest creatures. Join us to take part in free, fun, hands-on, art and specimen-based activities.Creating Strange Creatures Saturdays 25 April, 23 May, 27 June, Drop-in 1–4pmThe Museum has many amazing animals on display but some have to be seen to be believed. Come along and be inspired by the natural world to create your own animal artwork with a Museum artist inspired by George Stubbs’ painting of the kangarooKangaroos and co. Tuesday 26– Saturday 30 May, Drop-in 1–4.30pmBandicoots, quolls, wombats and devils: Australia is home to a world of remarkable animals. Join us to take part in our fun hands-on specimen-based activities as we celebrate the wonderful world of marsupials.People behind Strange CreaturesThe exhibition was curated by Jack Ashby (Grant Museum of Zoology, part of UCL Culture)Contributing researchers: Chiara Ambrosio, Joe Cain and Simon Werrett (UCL Science and Technology Studies)Andrew Cuff and Anjali Goswami (UCL Genetics, Evolution and Environment)Bob Mills and Sarah Wade (UCL History of Art)Misha Ewen and Margot Finn (UCL History) Travellers' TailsThe exhibition is the first stage of a tour of the Stubbs painting which will see it travel to The Horniman Museum and Gardens; The Captain Cook Memorial Museum, Whitby; and the Hunterian Museum, Glasgow.It forms part of a collaboration between these three museums, the Grant Museum and the National Maritime Museums in a project called Travellers' Tails. The project aims to bring together artists, scientists, explorers and museum professionals to investigate the nature of exploration in the Enlightenment era, how the multitude of histories can be explored and experienced in a gallery, heritage and museum setting, and to question what exploration means today. Travellers' Tails is supported by the Heritage Lottery Fund and the Art Fund.[[{"fid":"7823","view_mode":"medium","fields":{"format":"medium","field_file_image_alt_text[und][0][value]":"Logos from RMG, HLF and Art Fund","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"},"type":"media","field_deltas":{"1":{"format":"medium","field_file_image_alt_text[und][0][value]":"Logos from RMG, HLF and Art Fund","field_file_image_title_text[und][0][value]":"","field_caption_heading[und][0][title]":"","field_caption_heading[und][0][url]":"","field_caption[und][0][value]":"","field_caption[und][0][format]":"limited_html","field_float_left_right[und]":"none","field_file_image_decorative[und]":"0"}},"link_text":null,"attributes":{"height":"200","width":"1088","class":"media-element file-medium"}}]]
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