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2016 Autumn Term
| Date | Speaker | Title |
|
Thursday 13 October |
Joseph Monteyne Associate Professor, University of British Columbia |
James Gillray's Double Vision |
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Thursday 20 October |
Marni Kessler Associate Professor, Nineteenth-Century European Art, University of Kansas |
The Raw Material of Édouard Manet's Fish (Still Life) |
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Thursday 24 November |
Professeur, Université de Quebec, Montréal |
Beyond Caravaggio and Sideways: Jusepe de Ribera between 1610s Caravaggist Frenzy and 2010s Caravaggistmania |
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Thursday 8 December |
Elizabeth Hallam UCL History of Art |
Working with 3D models: materials and design in practices of anatomy and surgery |
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Thursday 15 December |
Isabelle Graw Städelschule Frankfurt and Texte zur Kunst |
'Hi, Here I am, that must be enough'. Painting and Persona in Martin Kippenberger's work |
2017 Spring Term
| Date | Speaker | Title |
|
Thursday 19 January |
Ben Pollit PhD candidate, UCL History of Art |
Framing Fearful Sympathy: the exploratory art of John Webber |
| Thursday 2 February |
Sue Walker Teaching Fellow, UCL History of Art |
Colonising the Capital: Post-Waterloo pleasures in Pierce Egan's Life in London |
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Thursday 9 February |
Erma Hermens Technical Art History Curator, Department of Conservation and Restoration, Rijksmuseum Amsterdam |
Technical art history: deconstructing and reconstructing the act of making |
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Thursday 23 February |
Daniela Bohde Professor in History of Art, Stuttgart University |
Placing Mary Madgalen beneath the Cross: The invention of a tradition |
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Thursday 9 March |
Elena Gorfinkel Senior Lecturer in Film Studies, Kings College London |
Walkers, Sleepers, and Others: Figures of Exhaustion |
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Thursday 16 March |
Rizvana Bradley Research Fellow, UCL History of Art |
The Performative Genealogies of Black Abstraction |
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Thursday 23 March |
Sandra Carvallo Professor, Department of History and Centre for the History of the Body and Material Culture, Royal Holloway, University of London |
Space, Privacy and Gender in the early modern Italian Palace |