Using the style of the Alfred Wainwright’s pictorial guides to the Lakeland Fells Pictorial Guide to Kings Cross (Unreliable) is book that describes a walk not through the scenic and romantic landscape of the Lake District but through the tatty, historic and sometimes seedy environs of Kings Cross. The guide is an entirely subjective, idiosyncratic (and therefore somewhat unreliable) account of the area from one person’s limited perspective. The book describes a walk that starts at the Slade School of Fine Art (the artist’s current employer) and meanders its way slowly towards the new building of Central St Martins art school (the artist’s Alma Mater). The book uses the author’s idiosyncratic pixilated drawings, hand drawn maps and anecdotal writing to describe a flavor of a small part of London.

An artwork in the form of a bespoke hand-sewn bookwork. Wandering the world over the last 11 years, Simon Faithfull has consistently made drawings on an electronic device that record his presence in a particular place, at a particular moment, somewhere on the surface of the planet. Whenever a new drawing is made it is now immediately dispatched out to the world via the Limbo drawing service but it is also automatically added to an ever-growing, online database. Each version of An Expanding Atlas of Subjectivity is a paper archive that captures one particular moment from this database. Each time a new book is ordered the latest drawings are always added so that no two books will ever be the same. The bookwork makes physical the body of work that has accreted over these years - manifesting a personal atlas of the world, mapping time and space, as experienced by one individual, on an ongoing basis.

Digital Culture, Climate Change, and the Poles Jane Marsching, Andrea Polli. First published in the UK in 2012 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the ... ISBN 978-1-84150-478-0 EISBN 978-1-84150-659-3 Printed and bound by Latimer Trend & Company Ltd, Plymouth.

Catalogue for the exhibition: Macht (Rohkunstbau XVIII) in Schloss Marquardt (Potsdam-Marquardt)

This book of interviews tracks the work of artists in the field of new media art in order to consider the massive changes and developments over a relatively short period of time. They are also a celebration of the ten years that the online resource for curators of new media art, CRUMB, has been publishing interviews and other research. The artists featured in this book range across the contemporary arts. They have been working away, not in the centre or the periphery, but in the nodes of this networked field of new media art.

Liverpool to Liverpool tells the story of an epic journey by Simon Faithfull from Liverpool, UK, to Liverpool, Novia Scotia. Faithfull made about six drawings a day throughout his journey, documenting the minutiae of daily life on land and sea, from Liverpool to Liverpool, with his Palm Pilot. This book includes 181 digital drawings, and Faithfull’s often wry, imagist commentary on the landscapes he was passing through and the humans he encountered – from English Liverpudlians crouched under umbrellas to Canadian Liverpudlians with moustachioed lips and pick-up trucks – as he drew them.

A survey of the projects commissioned for Skulpturenpark Berlin-Zentrum between 2006 - 2010

Catalogue for the exhibition: There is no Road: The Road is Made by Walking

This publication highlights a number of Simon Faithfull’s journeys; all of which take us, in one way or other, to the edge of nothingness. Charted with images from the projects, including video-stills, photographs and Faithfull’s own trademark drawings, the journeys are evocatively retraced in four specially commissioned essays by Robert Macfarlane, Alain de Botton, Philip Hoare and Lisa Le Feuvre, plus an introduction by Steven Bode. Emphasising the pivotal place of film and video within Faithfull’s practice, ‘Going Nowhere’ is an indispensable point of entry into this artist’s distinctive and inventive work.

Catalogue for Deep North, Transmediale

Catalogue for the Bienale: Il Bienal del Fin del Mundo, Ushuaia, Argentina

Catalogue for the: New Forest Pavilion: 52nd La Biennale di Venezia

La Biennale di Venezia. esposizione internationale #39;arte, Robert Storr ... Marketing and Sponsorship Francesco di Cesare Marzia Cervellin Paola Pavan President's office and General Manager's office ... La Biennale di Venezia Ca' Giustinian San Marco 1364/a 30124 Venezia www.labiennale.org isbn 978-88- 317-9256 ...

Travelling to Antarctica on RSS Ernest Shackleton from RAF Brize Norton via Ascension Island and the Falklands, Simon Faithfull recorded the displaced and disorienting world he encountered by filming the view out of his cabin porthole and with daily Palm Pilot drawings, transmitted each day to email inboxes around the world. Combined with diary entries and notes, these drawing and films have been incorporated into a series of lectures presented in Edinburgh, Helsinki, Norwich, Berlin and London.

Lost is a sculpture made with the ghosts of absent objects, an inventory of missing things. Over a period of 39 years many things have been lost but continue or continued to exist in the world without their former owner. A simple but extensive inventory, Lost is a book that catalogues these objects and the strange stories of their individual departures. In June 2006, Lost was deliberately left around the town of Whitstable, on the south-east coast of England. The publication appeared each day on benches, in pubs, by the seashore and on the various forms of public transport that were leaving the area (trains, planes and buses). The 500 copies of Lost distributed around Whitstable were individually numbered and finders were encouraged to record their discovery on a website before releasing the book back into the world. To see the paths that this first release of books made through space and time please visit www.simonfaithfull.org/lost

A small selection of plausible/implausible suggestions.

A performative lecture describing one persons displacement along lines of trade and exodus.

A performative lecture discussing man's often tragic lust to escape the shackles of gravity.

The public perception of climate change is strongly influenced by the media and the arts, including the work of filmmakers, photographers, cartoonists, etc. Climate change is a showcase for notable differences in public perception between Europe and USA – both in terms of the understanding of climate change science and its causes, and of the actions that ought to be taken. This symposium aims to examine the shaping of perceptions of climate change within Europe and the United States, and ask: ‘what is the role of the media and the arts in determining this perception and enabling an appropriate response to climate change?’

Alain de Botton and Simon Faithfull gave papers discussing the nature of travel and how the journey is utilized in art.

Presentation of video artwork Escape Vehicle no.6 as part of the ESA conference in Berlin http://www.congrex.nl/07a04/spaceart.asp

The Role of Contemporary Art in Antarctica

Overview of exhibitions at Kunsthalle Fribourg, Switzerland

Tracing Mobility was a symposium exploring different perspectives between global and individual mobility, between physical and virtual movement: How do we navigate in the digital age, where are online and offline world are rapidly moving? How important is actual movement in space if we can reach any point on earth using digital technology? To what extent do the new mobile media alter our perception and our way of thinking?