Film 'The Whirlpool' shown as part of 'Encompass 360 Digital Dance' was an innovative project which took place between February and July 2012, leading up to performances 19th-21st July 2012. This exciting digital dance project connected people across the world and got them dancing in the run-up to the Olympics. The project worked with hundreds of young people from its base in Shropshire and, via its interactive website, across the globe. The project integrated film and live performance to create a breath-taking show in a huge 21 metre 360-degree digital Cinemax dome, constructed by Igloovision.

4:W - The Outcasting: Fourth Wall Festival grew out of an awareness that more and more galleries were programming artists’ moving image work, but that there was no dedicated platform for this discipline in Wales, nor regular opportunities for public engagement and professional development around it. Festival dates: Oct 1 to Nov 30. Crystal Aquarium screened daily: 15 to 20 October and 19 to 24 November 2012

'One Hundred Foot' is 'a new gathering of filmmakers’ and artists’ 16mm films which will make its debut premier this Sunday, July 15th, 2012 with an inaugural screening at Latitude Festival in Suffolk. As an industry standard, 100 feet of film (approximately 3 minutes) is the given length for a small spool of 16mm film. This given/standard/restraint has been used by artists in the past and remains a pertinent form/format for creating films.'

'Lavish', In the Woods: The Big Screen and Film Gallery Art Film Programme, Latitude Contemporary Art at Latitude Festival, Suffolk.

'Millennium Nomadic': PROGRAM #1 – ‘FROM THE SECRET FILES OF AN IDIOSYNCRATIC FILM CURATOR’ CURATED BY MARIANNA ELLENBERG for Greenpoint, Brooklyn Film Festival, one of three programmes curated as part of the revival of Millennium Film Archives. 'Millennium Nomadic' series of programmes feature works from the current “new era” of Millennium, a time when dozens of artists & filmmakers have joined together to keep this vital space alive. Millennium Film Workshop, the non-profit media arts center and cinema, located in the East Village, has been around since 1965, dedicated to the exhibition, study & practice of avant-garde and experimental film, video, and all technologies of the moving image.

'One Hundred Foot' is 'a new gathering of filmmakers’ and artists’ 16mm films which will make its debut premier this Sunday, July 15th, 2012 with an inaugural screening at Latitude Festival in Suffolk. As an industry standard, 100 feet of film (approximately 3 minutes) is the given length for a small spool of 16mm film. This given/standard/restraint has been used by artists in the past and remains a pertinent form/format for creating films.'

Pop up cinema, Christie’s South Kensington, group screening curated by Aura Satz, part of 'Supersonix', an Exhibition Road Cultural Group 2012 project, celebrating the art and science of sound'. Part of a three-day international conference (in partnership with the Society for Literature, Science and the Arts Europe) bringing together 300 artists, scientists and practitioners in the field of sonic art and science 21-23 Jun 2012.

'Tomorrow's World': group film programme curated by Graham Gussin and Benedict Drew, for the 2011 Peckham and Nunhead Free Film Festival, London.

Legendary UK pianist John Tilbury presents a homage to writer and poet Samuel Beckett. The concert begins with Beckett's 25 minute radio play Cascando and then ...but the clouds... the 1977 12 minute TV film directed by Jayne Parker. John will also perform some of the late poems of Beckett as well as a solo piano piece based and inspired by Beckett's late novella Worstward Ho.

'Soapbox', a performance and film event at Sketch Gallery London.

Film 'Trilogy: Kettle's Yard' selected for the 2nd Australian International Experimental Film Festival, shown in programme: 'Documenting the World, Life and Death'.

'Day and Night' a weekend dedicated to 'live performance art, reigniting the Gallery’s past history of performance with a host of work by an international cast of artists, both emerging and established. Following the Gallery’s recent refurbishment, Night & Day inhabits and explores every corner of the Modern Art Oxford building with live performances, screenings and artists’ talks. Organised in collaboration with the Ruskin School of Drawing & Fine Art, supported by EACEA (Education Audiovisual and Culture Executive Agency), ELAA (European Live Art Archive) and the Austrian Cultural Forum London.'

Group screening.

'Opera, a selection of films by contemporary artist, who have utillised, investigated and celebrated opera and contemporary classical music. Some of the music pieces are originally composed for the films and fascinating collaborations between visual artists and composers emerge in the spatial logic of opera, from anarchic animations to baroque staging of the body via the hysterical clarity of the operatic voice.'

...but the clouds... - Video 12 minutes 2009, with John Tilbury. ...but the clouds...was written by Samuel Beckett as a television play in 1976 and first broadcast in 1977 on BBC2. The play takes its title from the last stanza of W. B. Yeat's poem The Tower. The script is precise, leaving little room for interpretation. Filming, editing and performance become exercises in following instructions. Beckett has envisaged everything and our role is to carry it out. All the emotion and longing of the central character is expressed in the voice over, and, in our version, in the woman's face.

'The fourth volume in the BFI's British Artists' Films series - produced in partnership with arts documentary makers Illuminations and Arts Council England - features Jayne Parker, an artist who makes moving images for cinema, gallery and television. The DVD surveys Parker's 25 years of filmmaking. Included are one of her earliest animations I Cat, an early live-action work I Dish, the trilogy K., The Pool and Cold Jazz, her dance film with Lynn Seymour and Donald MacLeary The Reunion, and the music films Blues in B-flat and Stationary Music.'

Diversions is Edinburgh’s first festival of experimental film and video, running from 8 - 11 May 2008. This unique new event is presented by Film Studies at the University and Filmhouse. The festival brings together some of the most important experimental film and video works from the 1920s to the present. Over fifty short, medium and feature-length films will be shown, from historical classics to contemporary works from Britain, USA, France and Finland.

One of two films presented by no.w.here as part of SPNM's Sound Source event.

'Sonic Illuminations' is a day exploring sound and moving image at BFI Southbank, aimed at practitioners and everyone interested in film and music. The day will include workshops, panel discussions, live events and screenings. Sonic Illuminations focuses on experimental practices ranging from live music with silent film to film inspired by the structure and feeling of music, featuring contributions from Dominic Murcott and the Trinity College of Music Contemporary Music Ensemble, film collective no.w.here, Robin Rimbaud (aka Scanner), Jon Wozencroft, Jayne Parker & Anton Lukoszevieze, Conor Kelly and David Ryan. The final event of the day features Turner Prize-winning artist Mark Wallinger introducing his film The Lark Ascending with BFI Southbank Artistic Director Eddie Berg. Sonic Illuminations is produced by spnm - promoting new music with BFI Southbank, Anthony Reynolds Gallery, Chelsea College of Art, no.w.here and Trinity College of Music.

'Opera, a selection of films by contemporary artist, who have utillised, investigated and celebrated opera and contemporary classical music. Some of the music pieces are originally composed for the films and fascinating collaborations between visual artists and composers emerge in the spatial logic of opera, from anarchic animations to baroque staging of the body via the hysterical clarity of the operatic voice.' In association with Late at Tate Britain & Birds Eye View Film Festival

A two-part event of video screenings, 16mm film projection and performance brings together internationally recognised film-makers with artists from Stroud and the South West. Performance is central to much of the work: walking backwards as a way of remembering; re-enacting the painting of a wall onto the projected image; playing the piano as an act of remembrance. Many of the films use song or music: a film with live accompaniment on the saxophone; poetry set to song as the starting point for a sequence of short films. From digital archive to recollections recorded on film, this event explores ideas of memory and its association with place.

Media City is an international festival of experimental film and video art presented annually in Windsor, Ontario, Canada since 1994. The festival is a co-presentation of Artcite Inc. (Windsor’s artist-run centre for the contemporary arts) and House of Toast (Windsor’s film and video collective). Each year Media City screens approximately fifty new films and videos in all gauges and formats in its international competition programs. The festival also hosts retrospective screenings and discussions with featured artists and presents installations in Artcite Inc. and other venues.

Two-part film programme of artists' collaborations in performance and dance exploring notions of identity, race and ways of seeing. A touring programme of films launched at the Institute of Contemporary Art, London: screening and panel discussion. Produced by the Independent Cinema Office.

The International Short Film Festival Oberhausen is one of the major international crossroads for the short form, unique in the range of forms and genres it presents to the public, and particularly well known for its spotlight on experiments.

'Man/Cello' an evening music and film with cellist Anton Lukoszevieze and filmmaker Jayne Parker.

Joan Key: OB/BO Painter Joan Key (words) collaborates with Jayne Parker (film), Christopher Mansell (music), Anton Lukoszevieze (cello), Lore Lixenberg (voice) and David Ryan (clarinet) on a performance that brings together poetry music and film. The South London Gallery’s live art & film programme is an integral part of its visual arts programme presenting an expanded reflection on performance art through event-based projects involving performance, dance, music, film and video. Works range in scale from intimate collaborations to large theatre-based performance and music often created in response to the gallery space, whilst other projects involve the re-adaptation of existing works in response to the unique setting of the high-ceilinged gallery.

Premiere of dance film as part of group screening at Ultima Dance Festival, Cinemateket, Oslo, Norway, 8 October 2002. Curated by Magne Antonsen, Norwegian Centre for the Art of Dance.

'Pandaemonium '98', LUX Cinema, London, film and video festival and exhibition.

Commissioned by The Arts Council and BBC for Dance for the Camera, and choreographed by Ian Spink, the film 'The Reunion' brings together the dancers Lynn Seymour and Donald MacLeary, partnering each other again, for the first time in over thirty years.'The Reunion' explores the shifting power relationship between a man and a woman who meet again after a long separation having shared a difficult and troubled past.

Crystal Aquarium takes its title from the name given to water tanks which were set up on Music Hall stages for underwater performances at the turn of the century. There are four performers in the film - a drummer, a swimmer, an ice skater and a fourth woman. Although the protagonists never appear together they are inextricably bound up by their actions. Meaning is conveyed through movement and its associated sound and the accompaniment of the drummer. The film takes place both above and below water, on ice, and in a room visited by the fourth woman. Crystal Aquarium was awarded the Grand Prize of the City of Oberhausen and a ‘Mention Spéciale’ from FIPRESCI at the 43rd International Short Film Festival, Oberhausen in 1997. It is in the Arts Council Collection.

Commissioned by Carlton TV and the London Production Fund for 'Smoke Screen - Art for Television' represents a huge range of stylistic approaches and subject matter. First screening: February 1997. Also 'Smokescreen - Art for Television': short films commissioned by Carlton TV, organised by Film and Video Umbrella at the NFT, Southbank Centre, London, 14/10/97. Also masterclass screening 'Insights 4: The Whirlpool - A case study' screening and discussion at The Place, London, 30/10/97, as part of 'Dance on Screen'. Also 30/10/97 11.40pm - transmission date for film The Whirlpool, part of Carlton TV's 'Smokescreen - Art for Television'

Commissioned by The Arts Council and BBC for Dance for the Camera, and choreographed by Ian Spink, 'The Reunion' brings together the dancers Lynn Seymour and Donald MacLeary, partnering each other again, for the first time in over thirty years. A group preview screening to an invited audience at the Scientific Societies Lecture Theatre, London, 1/7/97. Arts Council and BBC2 series 'Dance for the Camera Four'.

Crystal Aquarium takes its title from the name given to water tanks which were set up on Music Hall stages for underwater performances at the turn of the century. There are four performers in the film - a drummer, a swimmer, an ice skater and a fourth woman. Although the protagonists never appear together they are inextricably bound up by their actions. Meaning is conveyed through movement and its associated sound and the accompaniment of the drummer. The film takes place both above and below water, on ice, and in a room visited by the fourth woman.

Solo retrospective screening.

MODERNA BY NIGHT 50 years of the internationally renowned Short Film Festival in Oberhausen 26 November at Moderna Museet, Stockholm Film and video by: Jayne Parker, London, Martín Mejía, Gothenburg, Anna Linder, Cecilia Lundqvist, Michel Wenzer, Sten Sandell, David Stackenäs, Stockholm Films by Martin Arnold, Robert Cahen, Marina Grzinic, Takashi Ito, Matthias Müller, Anna Thew, Jan Verbeek, Marika Orenius m.fl. Curator: Catrin Lundqvist, MM, in co-operation with Reinhard W. Wolf, International Short Film Festival Oberhausen, Filmform and the Goethe Institute.

'Experiments in Moving Image' is a major retrospective of experimental work from the ;ate 1960s to date (2004)

Choreographed by Anthony Howell, accompanied by John White’s melodic palindromes and directed by Jayne Parker, The World Turned Upside Down is an episodic dance of bizarre inversions and reversals between people and dogs. Are the dogs performing for the people or are the people performing for the dogs? The World Turned Upside Down is a ‘Dance for Camera’ film, commissioned by the Arts Council and BBC and produced by Sally Thomas for Maya Vision International.

Simposium • 1998 • Crosscurrents in Jazz and New Music: The School and Schooling of Stefan Wolpe. Temple University, Philadelphia, 19-21 March. Sponsors: Network for New Music Temple University Department of Music Stefan Wolpe Society

'Performance, Film, The Body', curated by Aaron Williamson for 'Live Culture' at Tate Modern, London. A Live Art Development Agency Event. 27 March – 30 March 2003 Live Culture is a programme of Live Art performances, presentations and an international symposium. It brings together distinguished artists, theorists and curators to consider the cultural value of ‘live’ art practices in the context of Tate Modern’s Collection Displays and more broadly within the visual arts and other cultural spheres. Contributors include Marina Abramovic, Ron Athey, Franko B, Carol Becker, Catherine David, Forced Entertainment, Tim Etchells, Coco Fusco, RoseLee Goldberg, Matthew Goulish, Guillermo Gómez-Peña, Lin Hixson, Amelia Jones, John Jordan, Keith Khan, Yu Yeon Kim, Oleg Kulik, Alastair MacLennan, Hayley Newman, Peggy Phelan, Andrew Quick, Alan Read, La Ribot, and Henry M Sayre.

Sarah Nicolls, winner of the British Contemporary Piano Competition 2000, has commissioned artists to create a multimedia concert exploring the combination of music and film, with premieres by some of Britain's foremost composers. Performing with Sarah will be the singer Lore Lixenberg, Sound Intermedia and film artists Kathy Hinde, Joan Key and Jayne Parker. Visual accompaniment specially created by Joan Key and Jayne Parker for 'Apparition' by George Crumb, performed by pianist Sarah Nicolls and singer Loré Lixenberg.

In the context of the exhibition 'Starting at zero: Black Mountain College 1933-1957', a weekend of events: 'John Cage, Lou Harrison, and Stefan Wolpe: celebrating the composers of Black Mountain College', taking place between 10 and 12 March 2006, celebrates Cage, Harrison, and Wolpe's highly individual styles. Performers include Apartment House, radical vocalist Phil Minton, pianist Katarina Wolpe, daughter of Stefan, and award-winning film maker Jayne Parker.

'Drift': Explorations in Sound Art and Experimental Music. 'The world premiere of DRIFT is part of the 58th Edinburgh International Film Festival's 'Black Box' strand, dedicated to the space 'where film and visual arts collide'. DRIFT is a programme of short films by UK sound artists and film-makers, which reveal the cinematic relationships between sound and image. DRIFT plays with our aural perceptions, featuring along the way bursts of sound art, noise, experimental music, field recordings, soundscapes. After its world premiere in Edinburgh, DRIFT will tour to other venues in Scotland, the UK and internationally. The programme is part of New Media Scotland's ongoing exploration of sound art and experimental music, including radio broadcasts, moving image, publications and occasional live events.'

'Signes de Nuit is an international festival of audiovisual and cinematographic creation and Documentary art featuring experimental and short films. It has been held annually in October in Paris since 2003. It accepts documentary, fiction and experimental films in all formats but no animation. The festival is run by Dieter Wieczorek, film and art critic, curator, philosopher and performance artist, founder of the "Commission of Situation Creation" in Paris.' 'Concept: This project consists in assembling as many international contributions as as possible, while at the same time offering Parisian groups who create short and/or experimental films an opportunity to present their work. Musical/sound contributions and short lectures, theatrical happenings or performances (always short) should also be included to contribute to an animated ambiance of exchange. The works presented at our soiree are not chosen thematically, but by their quality and diversity. Those which take a critical or investigative approach to current cultural realities - social and political - are especially welcome.'

'Signes de Nuit est invité au 11ème FESTIVAL DU CINÉMA EUROPÉEN à Beyrouth / Liban organisé par la Délégation de la Communauté Européenne pour l´ouverture d´un nouveau section de “films de difference”.' Curated by Dieter Wieczorek.

Commencing March 8th 2005 Mumbai and coinciding with International Women's Day, before touring to seven of the biggest cities in India, ending April 30th.

Bristol’s Arnolfini Gallery is showing the UK’s first exhibition about the influential Black Mountain College art movement. The exhibition, Starting At Zero: Black Mountain College 1933-1957, traces the founding and subsequent flourishing of a distinctly American artistic tradition, and runs until January 15 2006. It uses a combination of art works and history to explore the college’s influence, regarded as one of the most important artistic experiments of the 20th century. Black Mountain College was founded in 1933 by John Andrew Rice, a disaffected classical academic. Located in North Carolina, it attracted many major figures in the emergent American avant-garde art scene as well as composers, dancers, architects and writers. These included abstract expressionist painters Robert Motherwell, Willem de Kooning and Franz Kline, composer John Cage and influential architect Buckminster Fuller. Stationary Music screened alongside a documentary entitled 'The Fire Within' by M. C. Richards who studied at Black Mountain College.

Nouveau cinéma et art Contemporain

'Stationary Music' awarded 'Honorable Mention' by the festival.

Lumen present Evolution 2006, their fifth series of events, screenings and performances exploring avant-garde approaches to film, video and sound, curated by William Rose and Gregory Kurcewicz.

'THE SUBJECTIVE CAMERA is a series of retrospective screenings of six film artists whose work examines subjectivity with an analysis of film language. Emerging within the context of the London Filmmaker's Co-op during the '80s and '90s, these artists each developed an independent practice that built on and countered the principals of the Structuralist film movement of the '70s. Retrospective screenings by: Jayne Parker, Nina Danino, Alia Syed, Michael Maziere, Sandra Lahire and Sarah Pucill. 25 April - 30 May 2007.

Invited performance within the context of the Haywood Gallery show 'How to Improve the World, Live Art Programme'. Film screening followed by live performance from Anton Lukoszevieze, the cellist featured in the films. Films screened in the gallery: 'Foxfire Eins', 'Blues in B-flat', 'Projection 1' and '591/2 seconds for a string player', versions 1 to 3.

'Nuit Blanche' International Film Festival Paris, is a 'white' evening when galleries and museums across the city stay open for the entire night. 'Strong Women: Vikki Amedume' was part of a programme of works by London based women filmmakers projected from the gallery Miss China Beauty Room, Les Halles, Paris, into the street outside. Curated by Lucy Reynolds.

Regional tour of works shown at the The Times bfi London Film Festival 2005,'Experimenta' programme. Tour dates between April and June 2006.

Programme Stationary Dances' curated by Miranda Pennell for TTV Preforming Arts on Screen festival, Bologna, Italy.

Solo screening 'Renewing Deren's Legacy' part of the Maya Deren season 'Maya Deren: 50 Years On'(4-12 Oct). Followed by 'in conversation' with William Fowler, Curator for Artists' Moving Image at the British Film Institute's National Archive

'Stationary Music' in Mezz#08 Space Memory II - group screening, curated by Louise Fairclough, supported by Stroud Valleys Artspace and the Nunnery. For the first event of the autumn season, Mezz traveled to London (from its home in Stroud) to present an afternoon of artists' films, performance and drawings exploring ideas of memory and its associated place.

'Trilogy: Kettle's Yard' screened at the Australian International Experimental Film Festival in the programme 'Documenting the World, Life and Death'

'Séance for Maya Deren', group screening and panel discussion introducing the Maya Deren season 'Maya Deren: 50 Years On' at the British Film Institute, South Bank, London. With chair and curator of the event, Elinor Cleghorn and film makers Sarah Pucill and Daria Martin.

Presentation of films with talk and audience questions, followed by a performance by free improvising saxophonist Evan Parker.

Oberhausen International Short Film Festival THEME programme: Shooting Animals. A brief History of Animal Film curated by Marcel Schwierin and Cord Riechelmann

Group screening of films by women centred around gender and a re-definition of 'punk' in the digital age. Organized by Marianna Ellenberg.

Tenth Anniversary, The BBC British Short Film Festival.

Choreographed by Anthony Howell, accompanied by John White’s melodic palindromes and directed by Jayne Parker, 'The World Turned Upside Down' is an episodic dance of bizarre inversions and reversals between people and dogs. Are the dogs performing for the people or are the people performing for the dogs? 'The World Turned Upside Down' is a ‘Dance for Camera’ film, commissioned by the Arts Council and BBC and produced by Sally Thomas for Maya Vision International, broadcast on BBC2 9 March 2002.

Interview and Q&A following screening and speaker in international conference: 'Stranger than Cinema' - discourse between Cinematic Structure and Narrative Form.