Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union.
Juncker’s nomination was not a sudden, not an unexpected and not even a distinct event. Neither does it spell
an end to the European Council’s dominance in constitutional politics or
make EU reform less likely.
Dr Christine Reh
2 July 2014
Starts: Jul 1, 2014 12:00:00 AM
As a closer look at the European
Parliament Elections in Central and Eastern Europe suggests, it may be
non-voting, rather than populist protest voting, which could prove the
long-term threat to sustainability of the EU’s troubled democratic
Dr Sean Hanley
2 June 2014 More...
Starts: Jun 2, 2014 12:00:00 AM
Despite “shocks” & “earthquakes” that took place at the national
level, the European Parliament remains mainly pro-EU. Why did the rise of Eurosceptics not make more of an impact, and what do the results mean for the 8th European Parliament?
27 May 2014 More...
Starts: May 27, 2014 12:00:00 AM
European Film Salons - Portraying Perpetrators: I was a Slave Labourer
Publication date: Nov 13, 2013 4:48:03 PM
Start: Jun 16, 2014 12:00:00 AM
16 June 2014
Made for the BBC, arte-France and the Westdeutscher Rundfunk, this documentary is the inside story of an international campaign of former slave labourers, which director Luke Holland helped to initiate. The director will attend the screening.
Rudy Kennedy. Still from the film “I Was a Slave Labourer” (1999). © WDR
I was a Slave Labourer
(dir. Luke Holland, 74min, UK, 1999)
Made for the BBC's award-winning Storyville strand, arte-France and the
Westdeutscher Rundfunk, 'I Was a Slave Labourer' (74 minutes) is the inside
story of the international campaign, which Luke Holland helped to initiate,
and which ultimately secured $5 billion for over a million, former, forced
and slave labourers. Key protagonists in this dramatic yet intimate account,
are survivors and former slave labourers, Rudy Kennedy and Roman Halter. The
film, broadcast across Europe in the weeks preceding the final settlement,
is credited with contributing to the success of the campaign for belated
'I Was a Slave Labourer' has travelled internationally, including
screenings to mark Yom Hashoa in Israel; at The Imperial War Museum, London;
the Anne Frank Haus; the Jewish Museums of Paris and Berlin, in Prague, New
York and Taipei and twice at the Berlin Reichstag – on one occasion for MPs
and on another, to mark Germany’s Holocaust Memorial Day.
Luke Holland will attend the screening to discuss the film and the
film-making, as well as his on-going engagement in the unfinished business
of the Third Reich.
Starting this academic year, the European Institute will be hosting a regular Film Salon. During these events, we will screen films produced in and with diverse topics of wider European relevance, in all genres. All screenings are free and will be followed by discussion.
The first season in our Salon Series is dedicated to films in documentary and experimental, semi-documentary formats engaging with the legacy of war. More concretely, the selected films focus not on victims but on perpetrators: on those who did not suffer but commit crimes during war and dictatorship, and the ways both their families and society at large are coming to terms with these acts across the generations.