Welcome to the UCL European Institute, UCL's hub for research, collaboration and information on Europe and the European Union. We are part of the Institute of Advanced Studies.
The decision of the Supreme Court that Article 50 TEU cannot be invoked without Parliamentary approval means the Government must consider the form of such an Act without delay, argues Jeff King in a post first published on the UK Constitutional Law Association Blog.
Jeff King (UCL Laws)
24 January 2017
Starts: Jan 24, 2017 12:00:00 AM
Theresa May's long-awaited Brexit speech must be understood as an aspiration, rather than a roadmap, since its realisation requires the consent of other parties and the removal of important contradictions, argues Benjamin Martill.
17 January 2017
Starts: Jan 17, 2017 12:00:00 AM
Uta Staiger, Executive Director of the
European Institute, comments on the German political and media responses after the Christmas market attacks, in a piece originally published by the New Statesman.
20 December 2016 More...
Starts: Dec 20, 2016 12:00:00 AM
European Film Salons - Portraying Perpetrators: I was a Slave Labourer
Publication date: Nov 13, 2013 04:48 PM
Start: Jun 16, 2014 12:00 AM
16 June 2014
Made for the BBC, arte-France and the Westdeutscher Rundfunk, this documentary is the inside story of an international campaign of former slave labourers, which director Luke Holland helped to initiate. The director will attend the screening.
Rudy Kennedy. Still from the film “I Was a Slave Labourer” (1999). © WDR
I was a Slave Labourer
(dir. Luke Holland, 74min, UK, 1999)
Made for the BBC's award-winning Storyville strand, arte-France and the
Westdeutscher Rundfunk, 'I Was a Slave Labourer' (74 minutes) is the inside
story of the international campaign, which Luke Holland helped to initiate,
and which ultimately secured $5 billion for over a million, former, forced
and slave labourers. Key protagonists in this dramatic yet intimate account,
are survivors and former slave labourers, Rudy Kennedy and Roman Halter. The
film, broadcast across Europe in the weeks preceding the final settlement,
is credited with contributing to the success of the campaign for belated
'I Was a Slave Labourer' has travelled internationally, including
screenings to mark Yom Hashoa in Israel; at The Imperial War Museum, London;
the Anne Frank Haus; the Jewish Museums of Paris and Berlin, in Prague, New
York and Taipei and twice at the Berlin Reichstag – on one occasion for MPs
and on another, to mark Germany’s Holocaust Memorial Day.
Luke Holland will attend the screening to discuss the film and the
film-making, as well as his on-going engagement in the unfinished business
of the Third Reich.
Starting this academic year, the European Institute will be hosting a regular Film Salon. During these events, we will screen films produced in and with diverse topics of wider European relevance, in all genres. All screenings are free and will be followed by discussion.
The first season in our Salon Series is dedicated to films in documentary and experimental, semi-documentary formats engaging with the legacy of war. More concretely, the selected films focus not on victims but on perpetrators: on those who did not suffer but commit crimes during war and dictatorship, and the ways both their families and society at large are coming to terms with these acts across the generations.