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COMMENTS 

An interview with the President of the European Court of Human Rights

Dean Spielmann, President of the European Court of Human Rights since September 2012, has served as a Judge in the Court for over a decade. In a recent interview with the UCL Law Society’s Silk v. Brief, highlights of which are condensed in the blog post below, he discusses the evolving role of human rights in Europe, and explores the complicated relationship between the UK and the European Convention on Human Rights.
Dean Spielmann
23 March 2015 More...

Starts: Mar 23, 2015 12:00:00 AM

In Defence of Rights

Philippe Sands, Professor of Law at UCL and practising barrister in international law, and Helena Kennedy, a leading barrister and academic in human rights law, civil liberties and constitutional issues, were members of the 2011 Commission on a Bill of Rights. In highlights from a recent article in the London Review of Books, they discuss how human rights intersect with politics, examine the UK’s strained relationship with the European Convention on Human Rights, and question the possible motivations lying behind the proposed Bill.
Prof. Philippe Sands 
Helena Kennedy
1 April 2015 More...

Starts: Apr 1, 2015 12:00:00 AM

Exploring ‘Exploratory Governance': the Hertie Governance Report 2015

With the Eurozone crisis not yet over, Albert Weale, Professor of Political Theory and Public Policy at UCL, reviews the Hertie Governance Report 2015 as it analyses the key issues facing the European Institutions in terms of economic governance. As ad hoc solutions are found to deal with urgent matters, what does this mean for political accountability and reform in the EU, and what lessons have been learnt?
Prof. Albert Weale
14 April 2015 More...

Starts: Apr 14, 2015 12:00:00 AM

European Film Salons - Portraying Perpetrators: I was a Slave Labourer

Publication date: Nov 13, 2013 04:48 PM

Start: Jun 16, 2014 12:00 AM

16 June 2014
Made for the BBC, arte-France and the Westdeutscher Rundfunk, this documentary is the inside story of an international campaign of former slave labourers, which director Luke Holland helped to initiate. The director will attend the screening.


When:
16 June 2014
7.00pm

Where:
Garwood Lecture Theatre
South Wing

slave labourer

Rudy Kennedy. Still from the film “I Was a Slave Labourer” (1999). © WDR

 

I was a Slave Labourer
(dir. Luke Holland, 74min, UK, 1999)

Made for the BBC's award-winning Storyville strand, arte-France and the
Westdeutscher Rundfunk, 'I Was a Slave Labourer' (74 minutes) is the inside
story of the international campaign, which Luke Holland helped to initiate,
and which ultimately secured $5 billion for over a million, former, forced
and slave labourers. Key protagonists in this dramatic yet intimate account,
are survivors and former slave labourers, Rudy Kennedy and Roman Halter. The
film, broadcast across Europe in the weeks preceding the final settlement,
is credited with contributing to the success of the campaign for belated
justice.

'I Was a Slave Labourer' has travelled internationally, including
screenings to mark Yom Hashoa in Israel; at The Imperial War Museum, London;
the Anne Frank Haus; the Jewish Museums of Paris and Berlin, in Prague, New
York and Taipei and twice at the Berlin Reichstag – on one occasion for MPs
and on another, to mark Germany’s Holocaust Memorial Day.

Luke Holland will attend the screening to discuss the film and the
film-making, as well as his on-going engagement in the unfinished business
of the Third Reich.


Starting this academic year, the European Institute will be hosting a regular Film Salon. During these events, we will screen films produced in and with diverse topics of wider European relevance, in all genres. All screenings are free and will be followed by discussion.

The first season in our Salon Series is dedicated to films in documentary and experimental, semi-documentary formats engaging with the legacy of war. More concretely, the selected films focus not on victims but on perpetrators: on those who did not suffer but commit crimes during war and dictatorship, and the ways both their families and society at large are coming to terms with these acts across the generations.