The Memory Workshop Open Days | UCL Urban Room
15 November 2024–12 December 2024, 4:00 pm–7:00 pm
A series of workshops and conversations about technical, narrative, and ethical considerations when archiving and documenting contested histories and heritage.
This event is free.
Event Information
Open to
- All
Availability
- Yes
Cost
- Free
Organiser
-
UCL Urban Room
Location
-
Urban Room1 Pool StreetLondonE20 2AFUnited Kingdom
Explore the Memory Workshop Open Day events below, please note you need to book a ticket for each event separately:
- 15 November 2024 | 16:00 – 19:00 | Podcasting with Spencer Samuel | Fully Booked
Memory Workshop Session 1: Full studio podcasting with Spencer Samuel
Podcasting is an important medium for storytelling. It is used as an oral history and a place to redress historical injustices. Creatives and academics are increasingly using podcasts to produce discourse and archive the voices of those not normally present in the official record.
This session will bring a full studio podcasting suite into the UCL Urban Room to show students, academics, and creative collaborators how to use the medium as a tool for workshopping histories.
As an open session, we invite participants with entry-level skills and who are interested in historical, heritage and urban issues that relate to social-cultural storytelling.
This event is now fully booked.
- 20 November 2024 | 16:00 – 19:00 | Ethics of co-production with Kara Blackmore
Ethics of co-production with Kara Blackmore
The Urban Room and Memory Workshop are invested in collaborative co-production for research, archiving, and exhibition making. This type of work is often challenging and requires a certain ethical framework to ensure that memories relating to urban, cultural, or political injustices are meaningfully understood. In this session, Dr Kara Blackmore will present the new ethics framework for the Memory Workshop. She will share her experiences as a curator with four different collaborations to date with the Urban Room. Ethics statements and risk assessments will be shared in detail to empower students, artists, academics, and community organisers interested in doing work together.
- 05 December 2024 | 17:00 – 20:00 | HIV story exhibition pop up
HIV story exhibition pop up
Come join us at the Urban Room, UCL East (One Pool Street) for the launch of the new National HIV Story Trust project - HIVstory. Dive into the rich history of the HIV/AIDS epidemic and explore the stories that have shaped our understanding of this important issue. This in-person event promises to be a memorable experience filled with insightful discussions and the launch of a dedicated website and touring exhibtion. Don't miss out on this opportunity to be a part of HIVstory!
This project is supported by The National Lottery Heritage Fund.
- 09 December 2024 | 16:00 – 19:00 | Location beyond geolocation: Digital archiving with Nishat Awan
Location beyond geolocation: a discussion on digital archiving
Architectural practices and research on unsettlement, which uses film, coding, exhibition and collaging. The discussion will focus on the platform, topological atlas and the considerations that researchers and web designers make in co-producing open-access resources. Throughout this session, participants will understand how to relate between lived experiences and map-based digital platforms.
Nishat Awan is Professor of Architecture & Visual Culture and the departmental tutor of Urban Lab's Global Urbanism MASc. Her research focuses on the intersection of geopolitics and space, including questions related to diasporas, migration and border regimes. She is interested in modes of spatial representation, particularly in relation to the digital and the limits of witnessing as a form of ethical engagement with distant places.
- 11 December 2024 | 16:00 – 19:00 | Post-processing with Spencer Samuel
Post-processing with Spencer Samuel
Join us for a fun and interactive workshop where you'll learn about using our Memory Workshop facilities to archive, podcast and more!
Plan your visit
The Memory Workshop Open Days run from 15th November 2024 – 12th December 2024. Visit the Urban Room between 10am – 6pm Monday – Saturday during this time to find out more about the Memory Workshop.
Special events will be hosted during this time exploring specific aspects of collection and digitisation. These events will require a ticket.
About the Memory Workshop
The Memory Workshop is a collecting and digitisation project within the UCL Urban Room. Using lab-based learning, the workshop records oral histories within London and on campus in our mini-studio. Students and partner users of the workshop can digitise vinyl records, VHS and cassette tapes as well as edit their own digital materials. This work is part of Urban Room’s commitment to supporting impactful student research and developing collaborations with artists, residents and organisations around the Olympic Park where UCL East is located.
About the UCL Urban Room
Located at One Pool Street, the public-facing UCL Urban Room hosts events, exhibitions, workshops and engagement with local stakeholders, professional audiences, and the wider public. Exploring the impact of industry, globalisation, regeneration and gentrification on the six Olympic Park boroughs and their people, UCL Urban Room is a partnership between UCL Urban Laboratory, The Bartlett, School for the Creative and Cultural Industries and UCL Library Services: Special Collections.
For more information email urbanroom@ucl.ac.uk.
The events and workshops are curated by Kara Blackmore, Spencer Samuel and Ishbel Tunnadine.
Kara Blackmore
Dr Kara Blackmore is a curator and researcher who works at the intersections of arts, heritage, and social repair. Her practice is informed by long-term collaborations in areas affected by conflict and migration. Kara is the Curator of the UCL Urban Room where she supports experiential teaching, leads exhibition-based research, and fosters community dialogue. She is also the co-curator for the 15th Dakar Biennale (2024) under the theme of The Wake with a special guest curator section entitled We Will Stop When the Earth Roars. In this work she builds on her decolonial and feminist curatorial practice.
Spencer Samuel
Spencer Samuel is a Media Production Technical Manager working in ISD, responsible for managing and overseeing the specialist media spaces and studios within SCCI, including Media Studios, Specialist Computer Cluster rooms, BlackBox in Marshgate and the cinema in Pool Street. With over 20 years of experience in media departments and education (specifically digital media, and film production) Spencer has supported school projects, advised academic teams on practice, overseeing equipment needs for multiple modules, and led practical workshops for media classes.
Previously Spencer taught practical film modules for London Metropolitan University on their film courses. Between 2015-2023, he also worked there as the Senior Technical demonstrator in film & media, where he played a key role in developing and delivering audio-visual specialisms within the faculty. Before leaving, he designed, established and project managed the new London Met film studio. During the pandemic Spencer lead devising new ways to connect and teach media students online. Spencer also ran the broadcast studio at London Met, supporting journalism students in practical media production.
Spencer also has extensive experience as a freelancer on various commercial projects, working with clients such as BBC football league show for IMG, The National Gallery, Royal Academy of the Arts, London Electronic Orchestra and Hot Natured.
Spencer incorporates his rich industry experience into his teaching, aiming to share commercial knowledge to bridge the gap between theory and practice in education, with many of his students going on to earn RTS student awards.
Ishbel Tunnadine
Ishbel Tunnadine is an image-based artist who works with experimental photographic processes and filmmaking, writing, print and film. Her work is often site-specific, exploring the relationship between fiction and memory in the urban fabric of cities, with an interest in grassroots histories and struggle, and the politics of archival practices.
Working collaboratively is central to her art practice. With several years of experience facilitating art and filmmaking workshops in both education and arts such as BFI Film Academy, Studio Voltaire, Wysing Art Centre, Camden Summer School, City and Islington College, and PRU Schools across Bow and Hackney boroughs. She has also worked for Batalha, Centro de Cinema (Porto) as an editor of programming and their publications. Recent art residencies include BRAW Collective, Aqtushetii (Georgia), and involved in research projects as part of Stacion CCA (Kosovo).