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‘The Gift of Moscow’: place and identity in the works of Tsvetaeva and Goncharova

06 June 2019, 6:00 pm–8:00 pm

cyclist_goncharova_1913

This event is part of the SSEES Research Student Seminar Series. Join us to hear SSEES research students discuss their projects. On the 6th June, Andreea Rujan with: Russian identity and China and Anna Dmochowksa with: ‘The Gift of Moscow’: place and identity in the works of Tsvetaeva and Goncharova.

This event is free.

Event Information

Open to

All

Availability

Yes

Cost

Free

Organiser

SSEES

Location

Engineering Front Executive Suite 103
Engineering Front Building
TORRINGTON PLACE,
London
WC1E 7JE

This presentation consists of a sample chapter from the research paper ‘Navigating new spaces: representations of urban identity in Russian poetry and painting 1900-30’. The project focuses on peopled cityscapes in the works of Tsvetaeva and Goncharova, Blok and Rozanova, Akhmatova and Petrov-Vodkin, and Mayakovksy and Malevich, examining the relation between character and setting. Pairs of poets and artists have been chosen to further explore the interpenetration of visual and verbal expressions of city life.

The chapter discussed will centre on Tsvetaeva’s ‘Verses about Moscow’ (1916) and her essay ‘Natalia Goncharova’ (1929), as well as various paintings and sketches by Goncharova, including Moscow Street (1909) and Moscow Winter (1910). As the titles indicate, the principal subject is the city of Moscow (both before and after it was reinstated as a capital, following the October Revolution). Tsvetaeva and Goncharova’s depictions of the place in which they were both raised will be closely analysed, whilst their relationship to each other will be considered on a personal level and in terms of the artistic language of their works.

About the Speaker

Anna Dmochowska

PhD Candidate at UCL SSEES

Anna Dmochowska is a research student at the School of Slavonic and East European Studies (SSEES), University College London (UCL), where she also completed her MA and undergraduate degrees. Her background includes comparative literature and Russian art history, and her time studying abroad developed her interest in the Silver Age of Russian Culture.