Bookshelf
A showcase of publications created by staff while serving as full-time members of the department.
Emily C. Floyd
The Mobile Image: Prints and the Shaping of Devotional Networks from Lima to the Andes and Beyond
University of Texas Press, 2025
Jacopo Gnisci et al. (eds.)
A Handlist of The Manuscripts in the Institute of Ethiopian Studies, Volume One: The Gǝ’ǝz and Amharic Materials of the Ethiopian Orthodox Tradition
WipF and Stock 2025
Jacopo Gnisci et al. (eds.)
Manuscript Treasures from Afro-Eurasia: Scribes, Patrons, Collectors, and Readers
De Gruyter Brill, 2025
Kirsty Sinclair Dootson
The Rainbow's Gravity: Colour, Materiality and British Modernity
Yale University Press London, 2023
Rose Marie San Juan
Violence and the Genesis of the Anatomical Image
Penn State University Press, 2023
Cadence Kinsey
Walled Gardens: Autonomy, Automation and Art After the Internet
Oxford University Press, 2021
Iris Moon and Richard Taws (eds.)
Time, Media, and Visuality in Post-Revolutionary France
Bloomsbury, 2021
Past Publications
- Hanna Hölling, Francesca G. Bewer and Katharina Ammann, The Explicit Material: Inquiries on the Intersection of Curatorial and Conservation Culture, Brill, 2019
- Alison Wright, Frame Work: Honour and Ornament in Italian Renaissance Art, Yale, 2019
- Robert Mills, Derek Jarman's Medieval Modern, D.S. Brewer, 2018
- Hanna Hölling, Paik's Virtual Archive: Time, Change, and Materiality in Media Art, University of California Press, 2017
- Andrew Hemingway, Landscape between Ideology and the Aesthetic: Marxist Essays on British Art and Art Theory, 1750-1850, Brill, 2016
- Mechthild Fend, Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850, Manchester University Press, 2016
- Richard Taws and Genevieve Warwick eds., Art and Technology in Early Modern Europe, Wiley-Blackwell, 2016
- Mignon Nixon ed., Mary Kelly (October Files 20), MIT Press, 2016
- Diana Dethloff, Tessa Murdoch, Kim Sloan and Caroline Elam eds., Burning Bright: Essays in Honour of David Bindman, UCL Press, 2015
- Robert Mills, Seeing Sodomy in the Middle Ages, University of Chicago Press, 2015
- David Bindman, Warm Flesh, Cold Marble: Canova, Thorvaldsen and Their Critics, Yale University Press, 2014
- Geraldine Pratt and Rose Marie San Juan, Film and Urban Space: Critical Possibilities, Edinburgh University Press, 2014
- Natasha Eaton, Colour, Art and empire: Visual Culture and the Nomadism of Representation, I.B. Tauris, 2013
- Natasha Eaton, Mimesis Across Empires: Artworks and Networks in India, 1765-1860, Duke University Press, 2013
- Richard Taws, The Politics of the Provisional: Art and Ephemera in Revolutionary France, Penn State University Press, 2013
- Warren Carter, Barnaby Haran and Frederic Schwartz eds., Renew Marxist Art History, Art Books, 2013
- Andrew Hemingway, The Mysticism of Money: Precisionist Painting and Machine Age America, Periscope, 2013
- Briony Fer, Gabriel Orozco: Thinking in Circles, The Fruitmarket Gallery, 2013
- Tamar Garb, Distance and Desire: Encounters with the African Archive, Walther collection, 2013
- Robert Mills and Emma Campbell, eds., Rethinking Medieval Translation: Ethics, Politics, Theory, Boydell & Brewer, 2012
- Mechthild Fend, Melissa Hyde and Anne Lafont, eds., Plumes et Pinceaux: Discours de femmes sur l'art en Europe (1750-1850), Les presses du réel, 2012
- Tom Learner, Rachel Rivenc and Emma Richardson, From Start to Finish: De Wain Valentine's Gray Column, Getty Conservation Institute, 2011
- Mechthild Fend, Les limites de la masculinité: L'androgyne dans l'art et la théorie de l'art en France (1750-1830), La Découverte, 2011
- Tamar Garb, Figures and Fictions: Contemporary South African Photography, V&A Publications, 2011
- Rose Marie San Juan, Vertiginous Mirrors: The Animation of the Visual Image and Early Modern Travel, Manchester University Press, 2011
- David Bindman and Louis Gates eds., The Image of the Black in Western Art, Harvard University Press, 10 volumes, 2010-2015
- Briony Fer, Eva Hesse: Studiowork, Fruitmarket Gallery and Yale University Press, 2009
- Tamar Garb, The Body in Time: Figures of Femininity in Late Nineteenth-Century France, University of Washington Press, 2008
- Tamar Garb, The Painted Face: Portraits of Women in France, 1814-1914, Yale University Press, 2007
- David Bindman, Stephen Hebron and Michael O'Neill, Dante Rediscovered: From Blake to Rodin, Wordsworth Trust, 2007
- Mechthild Fend and Daniela Bohde, eds., Weder Haut noch Fleisch: Das Inkarnat in der Kunstgeschichte, Gebr. Mann Verlag, 2007
- Andrew Hemingway, ed., Marxism and the History of Art: From William Morris to the New Left, Pluto Press, 2006
- Frederic Schwartz, Blind Spots: Critical Theory and the History of Art in Twentieth-Century Germany, Yale University Press, 2005
- Tom Gretton (foreword), David Bindman (introduction), Slade Prints of the 1950s, University College London, 2005
- Alison Wright, The Pollaiuolo Brothers: The Arts of Florence and Rome, Yale University Press, 2005
- Briony Fer, The Infinite Line: Re-Making Art after Modernism, Yale University Press, 2004
- David Bindman, Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century, Cornell University Press, 2002
- Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926-1956, Yale University Press, 2002
- David Bindman, Frédéric Ogée and Peter Wagner eds., Hogarth: Representing Nature's Machines, Manchester University Press, 2001
- Briony Fer, On Abstract ArtYale University Press, 2000
- David Bindman, The Divine Comedy: William Blake, Bibliothèque de l'image, 2000
- Patricia L. Rubin and Alison Wright, Renaissance Florence: The Art of the 1470s, National Gallery, 1999
- Andrew Hemingway and William Vaughan eds., Art in Bourgeois Society 1790-1850, Cambridge University Press, 1998
- Tamar Garb, Bodies of Modernity: Figure and Flesh in Fin-de-Siecle France, Thames & Hudson, 1998
- Alison Wright and Eckart Marchand eds., With and Without the Medici: Studies in Tuscan Art and Patronage 1434-1530, Ashgate, 1998
- Frederic Schwartz, The Werkbund: Design Theory and Mass Culture Before the First World War, Yale University Press, 1996
- David Bindman, Roubiliac and the Eighteenth-Century Monument: Sculpture as Theatre, Yale University Press, 1995
- Tamar Garb, Sisters of the Brush: Women's Artistic Culture in Late Nineteenth-Century Paris, Yale University Press, 1994
- Tamar Garb, Sisters of the Brush: Women's Artistic Culture in Late Nineteenth-Century Paris, Yale University Press, 1994
- Diana Dethloff ed., Drawing: Masters and Methods: Raphael to Redon, Royal Academy of Arts, 1992
- Andrew Hemingway, Landscape Imagery and Urban Culture in Early Nineteenth Century Britain, Cambridge University Press, 1992
- David Bindman, Shadow of the Guillotine: Britain and the French Revolution, British Museum, 1989
- Jill Lloyd, Primitivism and Modernity in the Art of Die Brucke and Emile Nolde before 1914, 1988
- John White, Studies in Late Medieval Italian Art, Pindar Press, 1984
- John White, Studies in Renaissance Art, Pindar Press, 1983
- Tom Gretton, Murders and Moralities: English Catchpenny Prints 1800-1860, British Museum, 1980
- William Vaughan, German Romantic Painting, Yale University Press, 1980
- Deborah Howard, Jacopo Sansovino: Architecture and Patronage in Renaissance Venice, Yale University Press,1975
- William Vaughan, Caspar David Friedrich 1774-1840, Tate Gallery, 1972
- Frank Whitford, Eduardo Paolozzi, Tate Gallery, 1971
- Frank Whitford, Expressionism: Movements of Modern Art, Hamlyn, 1970
- Angelina Ottino della Chiesa, introduction by Leopold Ettlinger, The Complete Paintings of Leonardo da Vinci, Weidenfeld and Nicolson, 1969
- Ettor Camesasca, introduction by Leopold Ettlinger, The Complete Paintings of Michelangelo, Weidenfeld and Nicolson, 1969
- John White, Art and Architecture in Italy 1250-1400, Penguin Books, 1966
- Ernst Gombrich, Norm and Form: Studies in the Art of the Renaissance, Phaidon, 1966
- Leopold Ettlinger, The Sistine Chapel before Michelangelo: Religious Imagery and Papal Primacy, Clarendon Press, 1965