History of Art Timeline

The UCL History of Art department began awarding degrees in the subject in 1965, but the presence of the History of Art in the university goes back much further, even beyond the founding of the Slade School of Art in 1870. 

The first person to give lectures on the History of Art in the College was the remarkable figure of Gottfried Kinkel, a German émigré who had been professor of art history at Bonn University, but whose active participation in the revolution of 1848 had caused him to be jailed under a life sentence. He was sprung from Spandau prison by a devoted student disguised as a guard, and he made his way to London where his romantic presence and exploits made him a public figure. He was a compelling figure and a charismatic lecturer, but he excited the jealousy of Karl Marx who saw him as a threat to his leadership of the German community in exile. In 1853 he gave a series of lectures on medieval art at UCL which were an enormous success and brought in crowds of admirers. Marx, who evidently attended the lectures, was sarcastic about them and claimed that Kinkel gave the lectures without payment ‘in the hope that he will be able to worm his way into the post of Professor of Aesthetics at London University’. 

This did not happen and there is no evidence that the history of art was taught again before the foundation of the Slade. History of art in some form was taught to art students from the foundation of the school, but it was only at the beginning of the 20th century that notable figures began to teach there. D.S. McColl taught the subject from 1903-09, and in the latter year the famous critic Roger Fry was employed to teach a course entitled ‘The Appreciation of Design in the History of Art’ in a position he held until 1914. These were part-time lecturers, mainly employed elsewhere, but in the 1920s the Slade Professor Henry Tonks felt the need for a stronger presence for the subject, to complement his own emphasis on traditional drawing methods. He was able to convert an endowment left by Sir Edwin Durning-Lawrence in 1914 into a chair in the History of Art. Durning-Lawrence himself had no recorded interest in the subject; he was famous only for his passionate belief that Shakespeare could not have written the plays under his name, and he wrote books claiming Francis Bacon as the true author. The first holder of the chair was Tancred Borenius, known as ‘the Flying Finn’, who remained professor until his death in 1947. 

He was succeeded in rapid succession by two of the most eminent art historians of the century, Rudolf Wittkower and Ernst Gombrich, who both gave notable lectures to Slade students, notes for which are still preserved in the Department. They also brought in outside lecturers such as Isaiah Berlin, and younger scholars of note including Francis Haskell and Michael Kitson. Gombrich was succeeded by another German émigré, Leopold Ettlinger, and it was he who, in 1965, set up a separate Department of the History of Art, teaching a BA in the subject and several combined honours degrees with other subjects, while continuing to provide teaching to Slade students. Under his successor, the distinguished Italian Renaissance scholar John White, the Department expanded considerably, consisting by the time of his retirement in 1990, of nine teaching staff. Expansion continued under his successor David Bindman, under whose headship was introduced the current MA programme, Core Courses for the BA and MA, and the History of Art and Material Studies (HAMS) course. He was succeeded in succession by Helen Weston, Thomas Gretton, Tamar Garb, Frederic J. Schwartz, Alison Wright, Robert Mills, and by the present Head of Department, Richard Taws. 

In its 60 years of separate existence the History of Art Department at UCL has become recognised as one of the most distinguished departments in its subject in the world. Now with sites in its established home in Bloomsbury and at the new UCL East campus in Stratford, it continues to be a place of innovation and critical thought. Its staff, which like its students come from many different countries, are preeminent in their respective fields of research, and many of our students have gone on to notable careers in the academic world and in museums. Its teaching methods, with a carefully structured balance between theory and working with the object, have over the years become a source of pride to the staff and a model for other departments. 

1853: Gottfried Kinkel 
The first person to give lectures on the History of Art in the College was the remarkable figure of Gottfried Kinkel, a German émigré who had been professor of art history at Bonn University, but whose active participation in the revolution of 1848 had caused him to be jailed under a life sentence. He was sprung from Spandau prison by a devoted student. He was a compelling figure and a charismatic lecturer, but he excited the jealousy of Karl Marx who saw him as a threat to his leadership of the German community in exile. In 1853 he gave a series of lectures on art at UCL which were an enormous success and brought in crowds of admirers. The lectures spanned the history of Western art from early Christianity to the then contemporary art, which Kinkel treated in detail. 

1903: D.S. McColl 
History of art in some form was taught to art students from the foundation of the Slade in 1871, but it was only at the beginning of the 20th century that notable figures began to teach there. D.S. McColl taught the subject from 1903-09, and in the latter year the famous critic Roger Fry was employed to teach a course entitled ‘The Appreciation of Design in the History of Art’ in a position he held until 1914. 

1910s: Henry Tonks 
In the 1910s the Slade Professor Henry Tonks felt the need for a stronger presence for the subject, to complement his own emphasis on traditional drawing methods. He was able to convert an endowment left by Sir Edwin Durning-Lawrence in 1914 into a chair in the History of Art. Durning-Lawrence himself had no recorded interest in the subject; he was famous only for his passionate belief that Shakespeare could not have written the plays under his name, and he wrote books claiming Francis Bacon as the true author. 

1914-1948: Tancred Borenius 
The first Durning Lawrence Professor of the History of Art was Tancred Borenius, known as ‘the Flying Finn’, who remained professor until his death in 1948. 

1949-1956: Rudolf Wittkower  
Tancred Borenius was succeeded in rapid succession by two of the most eminent art historians of the century, Rudolf Wittkower and Ernst Gombrich, who both gave notable lectures to Slade students, notes for which are still preserved in the Department. They also brought in outside lecturers such as Isaiah Berlin, and younger scholars of note including Francis Haskell and Michael Kitson. Wittkower was Durning Lawrence Professor of the History of Art from 1949-1956.

1956-1961: Ernst Gombrich  
Ernst Gombrich was Durning Lawrence Professor of the History of Art from 1956 to 1961. 

1961-1970: Leopold Ettlinger 
Leopold Ettlinger was Durning Lawrence Professor of the History of Art from 1961 to 1970. In 1965-66 Ettlinger successfully campaigned for the formation of a separate History of Art Department at UCL. In 1967 the first students enrolled for History of Art combined honours degrees. 

1965-1990: John White 
Under Ettlinger’s successor, the distinguished Italian Renaissance scholar John White, the Department expanded considerably, consisting by the time of his retirement in 1990, of nine teaching staff. 

1990-1999: David Bindman 
Expansion continued under John White’s successor David Bindman, under whose headship was introduced the current MA programme, Core Courses for the BA and MA, and the History of Art and Material Studies (HAMS) course. Bindman was Durning Lawrence Professor of the History of Art from 1990 to 2005.

1999-2003: Helen Weston 
Helen Weston, who had joined the department shortly after its foundation, was Head of Department for four years from 1999 to 2003. Helen Weston’s first publications were on the neoclassical painter P. P. Prud’hon; she explored his collaboration with his student Constance Mayer. Helen wrote from a feminist perspective about J. L. David, and later about the production and impact of the magic lantern on eighteenth- and nineteenth-century art. 

2003-2008: Tom Gretton 
Tom Gretton, Head of Department from 2003 to 2008, came to History of Art from a background in political and cultural history. He has written on J. L. David, but almost all of his research has concerned the making and meaning of nineteenth-century printed pictures beyond the bubble of fine art, with concentrations on “street literature” in the UK and Mexico, and on up-market weekly illustrated magazines. 

2008-2012: Tamar Garb 
In 2005 Tamar Garb was the first woman to be appointed Durning Lawrence Professor in the History of Art, and she served as Head of Department from 2008-12. She is known for her contributions to feminist art history and specialises in late nineteenth-century French art, and more recently in South African photography. During her tenure the department concentrated on globalising the history of art curriculum, consolidating History of Art and Material Studies and establishing ongoing research centres such as The Centre for the Study of Contemporary Art and Past Imperfect.  
 
2012-2016: Frederic Schwartz 
Specialising in the visual culture and built environment of the German-speaking world from the late nineteenth century to the present, Fred Schwartz was Head of Department from 2012-2016. In November 2015 the department celebrated its 50th anniversary with a symposium on its history attended by many friends, colleagues and alumni. For the occasion staff did extensive research into the departmental and College archives, and produced a film engaging with the past and present of the department.
  
2016-2019: Alison Wright 
In 2019, under the Headship of Alison Wright, the HAMS degree was relaunched as the BA History of Art, Materials and Technology, reaffirming the Department’s commitment to knowledge derived from material science, the study of technologies and histories of art, media and conservation. 

2019-2024: Bob Mills 
Under Bob Mills, the department continued to expand its horizons, including the appointment of three new lecturers in the arts and visual cultures of the Global South and the launch of a new MSc in Conservation of Contemporary Art and Media at UCL East. 

2024-Present: Richard Taws
The current Head of Department, Richard Taws, was appointed in 2024. In 2025, the department celebrates 60 years at UCL.