Report + Support: Harassment and Bullying
All UCL students and staff can report instances of bullying and harassment anonymously, or with their contact details, using Report and Support.
We believe that bullying, harassment and sexual misconduct are never okay. All UCL students and staff can report anonymously, or contact an advisor for support, using UCL’s Report and Support pages.
Support and Resources at UCL
- UCL has very clear statements on Dignity and Work. On the UCL Equality, Diversity and Inclusion webpage you can find details about UCL’s harassment and bullying policy and the procedures in place to launch a formal complaint. You can find information about their recommended approach here.
- There is now a university-wide campaign to combat bullying, harassment and sexual misconduct, including an online ‘support and report’ tool, which you can find here, and which includes an anonymous reporting function.
- The UCL Student Union (UCLU) has launched their Zero Tolerance to Sexual Harassment campaign. Should you endure or observe sexual harassment UCLU recommend you contact your personal tutor or a member of staff you trust, the student mediator, Ruth Siddall, the vice warden or warden of the halls of residences (if you are staying in one) or the UCLU Women’s Officer of Welfare and International Officer if the incident occurred at a UCLU event. You can also contact your History of Art Department EDI representative, Eleanor Day, on e.day@ucl.ac.uk.
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The Taj Mahal
“Many know the Taj Mahal as one of the seven wonders of the world. But, an important example of Islamic architecture in South Asia, the royal tomb is also notable as a symbol of wealth, power, empire, faith, and resilience. Its architecture, materiality, and garden complex embody Mughal ideas of sovereignty and wider Islamic conceptions of paradise. This is important to remember today, when the rise of Hindu nationalism in India, has worked to obscure the monument’s ties to Islamic art and culture. The Taj Mahal and its art history has, thus, proved hugely important for combatting colonial and nationalist (mis)perceptions of South Asian art and culture.”
