Technological systems create, fragment and transform landscapes: a long
video monitor stream, digitally mutated coastlines and strange urban
microclimates introduce fascinating artificial worlds, blurring the
boundaries between natural and constructed landscapes. Starting with
documentation of Chris Meigh-Andrews’ video installation Stream Line and
passing through a variety of spellbinding single-screen film and video
environments, the programme finishes with a presentation of Susan
Collins’ internet transmitted, real-time reconstruction of Loch
Faskally in Perthshire, Glenlandia.
…
Saturday 10 November 2007, at 8:40pm in NFT2
BFI Southbank
www.bfi.org.uk
This is part of a series of Systems of Nature
screenings and conversation events
7-10 November 2007 at BFI Southbank
which accompany Chris Welsby’s Systems of Nature exhibition at the Lethaby Gallery, Central Saint Martins College of Art and Design (6 Nov – 13 Dec).
The series has been curated by Steven Ball, Mark Webber and Maxa Zoller for the British Artists’ Film and Video Study Collection at Central Saint Martins College of Art and Design.
www.studycollection.org.uk
full programme:
Chris Meigh-Andrews, Stream Line (Documentation), 1991, 6 mins
Davide Quagliola & Chiara Horn, Bit-Scapes 135.1_08, 2006, 3 mins
Semiconductor, The Sound of Microclimates, 2004, 8 mins
Thomas Köner, Suburbs of the Void, 2004, 14 mins
Daniel Crooks, Train No.8, 2005, 6 mins
Davide Quagliola & Chiara Horn, Bit-Scapes 135.2_03, 2006, 3 mins
Rachel Reupke, Untitled, 2006, 2 x 90 secs
Rose Lowder, Voiliers et Coquelicots, 2002, 3 mins
Davide Quagliola & Chiara Horn, Bit-Scapes 135.7_13, 2006, 3 mins
Alix Poscharsky, As We All Know, 2006, 8 mins
Susan Collins, Glenlandia, 2006, continuous