TERRY ATKINSON – STUART BRISLEY – TIM HEAD

THE LAST SHOW at FIELDGATE GALLERY:

TERRY ATKINSON
STUART BRISLEY
TIM HEAD

Curated by Richard Ducker

Private View: Friday 13th June 2008, 6-9pm
Exhibition dates: June 14th – July 13th 2008
Gallery opening hours: Friday to Sunday, 1-6pm

Tim Head, Dust Flowers © 2008

Tim Head, Dust Flowers, detail © 2008

FIELDGATE GALLERY
14 Fieldgate Street
London
E1 1ES

http://www.fieldgategallery.com
07957228351

Vince Dziekan – Researcher in Residence Open Studio

Vince Dziekan Exhibition ResearchVince Dziekan – Researcher in Residence Open Studio
Wednesday 23rd April 2-5pm
Slade Research Centre Woburn Square, Ground Floor

Vince Dziekan is holding an Open Studio on the afternoon of 23rd April to mark the end of his research residency at the Slade. He has been working on a research project focussing on curatorial design and the implications of the digital on how exhibitions are mediated.
He will welcome visitors for informal discussion throughout the afternoon.

Vince is Senior Lecturer in Digital Imaging and Deputy Head Multimedia & Digital Arts at Monash University (Melbourne, Australia), where he is an artist/curator/writer whose practice encompasses photography, new media and curatorial projects including the recent REMOTE exhibition http://www.remoteexhibition.com/.

Vince Dziekan, SCEMFA researcher-in-residence

Vince Dziekan Exhibition ResearchSCEMFA is delighted to welcome Vince Dziekan as researcher in residence until early May 2008. Vince is Senior Lecturer in Digital Imaging and Deputy Head Multimedia & Digital Arts at Monash University (Melbourne, Australia), where he is an artist/curator/writer whose practice encompasses photography, new media and curatorial projects including the recent REMOTE exhibition http://www.remoteexhibition.com/.

He is currently working on a research project that focuses on curatorial design and the implications of the digital on how exhibitions are mediated. This investigation broaches the broader issue of the relationship of art to its institutionalized spaces and forms part of his PhD research project “Without Walls: Virtuality and the Art of Exhibition”.

SUBOTRON social meetings : custom built interfaces

voice mod

SUBOTRON Fridays, March – April 16:00 – 18:00 Museumsquartier / quartier21 / electric avenue, 1070 Vienna.

MQ, quartier21 artist in residence, experimental media phenomenon sister0 will move her amphitheatrum sapientiae seternae to the Subotron shop. She will be there creating tweaking and testing her game-mods; mutant dolls & curiosa embedded with hacked gamepads. Among other things, This can be played like instruments to divine audio samples and modify vocals. Interaction demos here

Animation Day

Wednesday 5 March 2008, 11am – 3.30pm at The Slade Research Centre, Woburn Square

Dryden Goodwin screening and discuss Flight commissioned by Chisenhale Gallery and Animate! With a focus on drawing and stop frame animation. Richard Bevan and Johann Lurf show 16mm film and video work and discuss the use of customised cameras, light and duration in their work. Francesca Anfossi, Kitty Clark and William Hurt introduce their hand-made videos. Chris Cornish, Sophie Eagle and Tom Lomax discuss the use of 3D software as a drawing tool. Super 8 screenings by Ian Chan and Thomas Clark. Followed by videos by Tomoko Aoki, Martin John Callanan, Alejandro Cano, Michael Duffy, Kala Newman, Jenny Rush, Thomson & Craighead and Yang Zhu. Organised by Louisa Fairclough

Is the field of Fine Art becoming inseparable from computational media?

Theorie Cum Praxi
A one day workshop on the materiality of AV theory-practice in Fine Art PhD research.
10-16.30, 15th February 2008, Slade Research Centre, Woburn Square, London [register with Zara]

Topics for consideration include: How is the practice-theory relation in Fine Art constituted? Is the field of Fine Art becoming inseparable from computational media? Is there a need to make a distinct category ‘AVPhD’? If the paradoxical age of theory/practice is indicative of a time of deep change, how do we respond? For the Fine Arts, how are advancements (however defined) or radical practices made within institutions and how do these relate to the world of Fine Art more broadly? In the immaterial domains of electronic media, what kinds of methodological frameworks are Fine Art PhD candidates currently using? If a PhD is about a field of study for future research in a practice related PhD, what type of encoding or software may be the best for artistic research? (In light of questions of obsolescence, the archive and conservation). Is the whole idea of art in the age of the cultural industry an anachronism?

Interface: Virtual Environments in Art, Design and Education , 6th & 7th of September 2007, Dublin

Virtual technologies and environments offer exciting opportunities at the cutting edge of contemporary practices – in Fine Art, in Design and in Education.

Interface: Virtual Environments in Art, Design and Education , 6th & 7th of September, 2007, in Dublin, seeks to bring together a range of outstanding practitioners whose use of virtual technologies and virtual environments will excite conversation amongst artists, designers, and art and design educators http://interface.dit.ie

Keynote speakers at the Interface Conference include:

Norwegian born media artist, Stahl Stenslie, recognised for his work on VR environments, developing different interface technologies and tools for digital culture within the fields of art, media and network research, and Susan Collins, one of the UK’s leading artists working with digital media who utilises public, gallery and online spaces.

To find out more about this conference and to register to attend, please go to http://interface.dit.ie

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