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My thesis examines work by Antonin Artaud, Henry Darger, Marcel Duchamp, and Pablo Picasso, with the intention of subjecting specific works by these artists to critical tests employing the idea proposed by Antonin Artaud's subjectile, that is a paradoxical fusion of both subject and object.

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T_Long_HIT1
T_Long_HIT1, Tim Long
T_Long_WAKE1-2
T_Long_WAKE1-2, Tim Long
T_Long_WITNESS1
T_Long_WITNESS1, Tim Long
T_Long_HIT1
T_Long_HIT1, Tim Long
T_Long_WAKE1-2
T_Long_WAKE1-2, Tim Long
T_Long_WITNESS1
T_Long_WITNESS1, Tim Long

My thesis examines work by Antonin Artaud, Henry Darger, Marcel Duchamp, and Pablo Picasso, with the intention of subjecting specific works by these artists to critical tests employing the idea proposed by Antonin Artaud's subjectile, that is a paradoxical fusion of both subject and object. As a critical device the subjectile is useful both for discussing art and making it, enabling me to explore my own practice, which seeks to articulate problematic aspects of subjective status and the end limits of the subject.

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