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My PhD will investigate the role of folk tales as an empowerment device; empowering people, and people affected by conflict in particular.

Featured Media

Facing the Tiger!
Facing the Tiger!, Jumana Emil Abboud, 57 x 76 cm
Kan Yamakan, radio programme on Radio Alhara
Kan Yamakan, radio programme on Radio Alhara, Jumana Emil Abboud, 2020

Announcement for episode 8 from 13

Bird, clay, rocks and other spirit visions. Looking for water sources in the Palestinian countryside, 2020 to present day
Bird, clay, rocks and other spirit visions. Looking for water sources in the Palestinian countryside, 2020 to present day, Jumana Emil Abboud, 2020
Baniaas water
Baniaas water, Jumana Emil Abboud, 2020, polaroid 2020-2021
Facing the Tiger!
Facing the Tiger!, Jumana Emil Abboud, 57 x 76 cm

For hundreds and thousands of years, the natural landscape we lived in in Palestine was a terrain of enchantment. The natural water source - spring, well, stream – was such a terrain, inhabited by spirits, good and bad. I like to refer to such waters as spirited sites. The knowledge of this spiritedness was nurtured through a rich oral tradition, and folk tales constituted a large part of this oral history tradition.

I begin with Eye will investigate the role of folk tales as an empowerment device; empowering people, and people affected by conflict in particular. Moving back and forth through time – past and present – the research will traverse three main  periods across the broader historic Levant - giving an overview of the historical, political, and cultural landscape of Palestine - while also recounting my own biographical relation to the oral history tradition. Acknowledging the Arabic word for water source ‘Ein / Eye, I will juxtapose the eye of sight with source of water and will share the corelation between witnessing and bearing witness, particularly amidst contested landscapes, where tripling erasure measures have displaced a people and their memory, re-altering their connection to story also.  

My practice-led doctoral research will reactivate folkloric practice through collaborative and creative workshop methodologies; through storytelling performances, drawing and crafts; using such tools to rewrite the tales as a gesture of reclaim and reunion with water, and in order to situate our connectedness to story heritage once more.

Instagram: @jumanasan

Supervisors

Primary supervisor: Dryden Goodwin
Secondary supervisors: Sharon Morris, Larne Abse Gogarty, Brighid Lowe