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Henrietta Simson, Clare Winsten Scholar was at the Slade Research Centre, from Monday to Friday 17-21 November 2008, developing work from her research in Italy.

Featured Media

Misericordia Landscape (After Piero), Nos 1-5
Misericordia Landscape (After Piero), Nos 1-5, Henrietta Simson, 2010, 65 x 60cm, oil and pigment on gesso panel
Beginnings of Democracy
Beginnings of Democracy, Henrietta Simson, 2010, Dimensions variable, shed, gesso, graphite and slide projection
Installation View of ‘Beginnings of Democracy’ and 'Landscape after Leonardo's Annunciation' (daylight view)
Installation View of ‘Beginnings of Democracy’ and 'Landscape after Leonardo's Annunciation' (daylight view), Henrietta Simson, 2010
Landscape after Leonardo's Annunciation (daylight view)
Landscape after Leonardo's Annunciation (daylight view), Henrietta Simson, 2008, Dims variable, photographic projection and wall drawing
Landscape Without Blessed Agostino's Miracle and Martini's Copy (Without a Fallen Horse)
Landscape Without Blessed Agostino's Miracle and Martini's Copy (Without a Fallen Horse), Henrietta Simson, 2008, 60 x 65cm, oil, gold leaf and pigment on gesso panel
Piero Pan
Piero Pan, Henrietta Simson, 2008, 68 x 40cm, panoramic photograph on acetate
Misericordia Landscape (After Piero), Nos 1-5
Misericordia Landscape (After Piero), Nos 1-5, Henrietta Simson, 2010, 65 x 60cm, oil and pigment on gesso panel
Beginnings of Democracy
Beginnings of Democracy, Henrietta Simson, 2010, Dimensions variable, shed, gesso, graphite and slide projection
Installation View of ‘Beginnings of Democracy’ and 'Landscape after Leonardo's Annunciation' (daylight view)
Installation View of ‘Beginnings of Democracy’ and 'Landscape after Leonardo's Annunciation' (daylight view), Henrietta Simson, 2010
Landscape after Leonardo's Annunciation (daylight view)
Landscape after Leonardo's Annunciation (daylight view), Henrietta Simson, 2008, Dims variable, photographic projection and wall drawing
Landscape Without Blessed Agostino's Miracle and Martini's Copy (Without a Fallen Horse)
Landscape Without Blessed Agostino's Miracle and Martini's Copy (Without a Fallen Horse), Henrietta Simson, 2008, 60 x 65cm, oil, gold leaf and pigment on gesso panel
Piero Pan
Piero Pan, Henrietta Simson, 2008, 68 x 40cm, panoramic photograph on acetate

Henrietta Simson, Clare Winsten Scholar was at the Slade Research Centre, from Monday to Friday 17-21 November 2008, developing work from her research in Italy.

She installed some of the paintings which she had made earlier in the year, two drawing/projection pieces and some panoramic images of early Renaissance fresco cycles/Italian landscapes. She was available for visitors throughout the residency which culminated with a talk to Slade students.