Landscapes of the Future

Landscapes of the Future Helsinki Contemporary Group show curated by Beaconsfield Art Works including David Burrows, Anna Bunting-Branch, , BAW (aka David Crawforth and Naomi Siderfin) in collaboration with Bruce Gilbert, Onya McCausland, Kieth Piper, Ioana Marinescu and Philip Thompson.

Landscapes

Solo presentation of artworks based on research into contemporary landscape. Specific waste materials are generated in the landscape as a result of the end of coal mining. The materials are used here as a conduit to explore interconnected ideas surrounding the condition of the contemporary landscape.

Five Colours Five Landscapes

Exhibition of wall paintings installed throughout UCL's main cloister that sees the production of ochre material resulting from mine water treatment brought into use as pigment for paint for the very first time. The exhibition is the result of innovative collaborative research between Onya McCausland, UCL and the Coal Authority.

Horizon: Against Nature

Perfectionism

The Edge of Printing

Celebrating the developments within contemporary printmaking practice including etchings, monoprints, lithographs, woodblocks, silkscreens and three-dimensional digital prints, this collection explores the way in which traditional techniques have evolved and examines some of the new technologies which are offering artists ever-changing methods of producing work.

Charcoal Works

harcoal Works is an exhibition of commissioned artworks that have been produced with the charcoaled remains of the iconic oak sculpture ‘Place’, that stood on the Forest of Dean Sculpture Trail for 29 years. In October 2015 a charcoal ‘clamp’ was built on the same location in the forest where the oak sculpture had stood. For three days and two nights, beneath a huge earth covered mound, an intense heat steamed, smoked and slowly carbonised the wood. The exhibition at Hardwick Gallery brings the recycling of a single artwork into multiple elements full circle, and Onya McCausland has invited 16 artists to produce new work from the charcoal according to their diverse practices. The exhibition includes works by Edward Allington, Sophie Bouvier Auslander, Jess Bryant, Marcin Gawin & Malgorzata Lucyna Zajac, Joy Gregory, Tess Jaray, James Keith, Sam Llewellyn- Jones, Lisa Milroy, Onya McCausland, Jayne Parker, Lotte Scott, Joy Sleeman, Andrew Stonyer, Kay Tabernacle and Jo Volley.

Charcoal Measure

En Plein Air

Enantiodromia

Visual Thinking

Turning Landscape into Colour investigates the origins of earth pigments - ochres - in the landscape and considers their significance as contemporary cultural materials. This project will explore the variations between different colours collected from separate sites across the mid Pennines. Onya McCausland has invited researchers from different disciplines and institutions to contribute. McCausland will bring the collected earths to the Artists' Studio and begin processing the raw material, turning it into ochre pigment and finally paint.

The Edge of Painting

The Edge of Painting, an exhibition curated by Tess Jaray. The Edge of Painting brings together 12 artists who all work at the margins of painting. A variety of mediums are explored. Painting - in the traditional sense of applying paint to a surface - has not been used in any of the exhibited works. Instead we encounter sculpture, print, film, metalwork, and digital media - an extensive array of works that show ‘painting’ in its contemporary forms, marking how far painting has come, and celebrating how it continues to transform.

John Moores Painting Prize.

White Earth

Installation of paintings and film