Prof Andrew Stahl
Professor of Fine Art
Slade School of Fine Art UCL
Gower Street London WC1E 6BT
andrew.stahl@ucl.ac.uk +44 (0)20 7679 2948
Biography
Andrew Stahl is an artist predominantly focusing on painting. He studied at the Slade School of Fine Art, UCL, England at both graduate and undergraduate level. Andrew Stahl has exhibited extensively worldwide in solo and group exhibitions and recently in 2014 curated and participated in 'MD3 Fragility and Monumentality' at the Bangkok Art and Cultural Centre, a British Council funded exhibition including 12 Thai and British artists. He simultaneously had a two person show with Panya Vijinthanasarn at the Thavibu Gallery in Bangkok, Thailand called 'Conversations: The Vivid Real'. Other exhibitions include: 'New Paintings' at Robert Steele Gallery, New York (May 2010 and 2007); Parasol, Matthew Bown Gallery, London (2007); 'Painting of the Eighties' Matthew Bown Gallerie, Berlin (2009); 'New Painting', COFA with Ivan Docherty Gallery, University of New South Wales, Sydney, Australia (2004); 'Bangkok Mosaic' at 100 Tonson Gallery Bangkok (2003); 'New Paintings' Chiang Mai Museum; 'Neue Arbeiten' ac.t art, Zirndorf, Germany (2000); Andrew Stahl Fenderesky Gallery Belfast,(1999); 'New Paintings' Flowers East, London (1998); 'Cries and Whispers', New British Painting, British Council Exhibition touring Australia, Spain and South America (1988-96). Awards include the Abbey Rome Scholarship and the Wingate Scholarship. Andrew Stahl has participated in residencies in China, Thailand, Australia and Sri Lanka. His works are in many private and public collections including, the Metropolitan Museum of Art, New York, Arts Council England, the British Council, Government Art Collection and British Museum.
Research Summary
My research focuses on contemporary art and painting in particular. Painting has a special fascination for me as it is so un-sensational –just mud on a surface. My recent research concerns the implications and the potential offered by the transcultural and globalisation for contemporary art. I believe art can be a complex and rich soup of different histories and traditions and the time we live in enables intercultural interaction and the creation of new discourses and germinations.
I see international engagement as a vital part of contemporary practice. I have participated frequently in artists residencies at the invitation of the British Council and universities in China, Thailand, Australia and Sri Lanka, which have enabled me to consider and view different approaches to contemporary art. Below is an excerpt of what I recently wrote about a painting 'The Death of Trotsky' (see image below) that I exhibited in a group show in the BACC museum in Bangkok, Thailand of Thai and British artists that I curated called 'MD3: 'Fragility and Monumentality'. ' The Death of Trotsky' draws on multi-layered symbolic meanings. …. In this painting the snake is the assassin and both sudden death and desire. Desire, the physical and the intellect are often in a kind of dance and struggle. Though the painting provides this image from a distance, as you move closer to the painting small images are revealed. These little items do not add up to a story, they are mind wanderings, a collection of flowing thoughts floating across the surfaces, perhaps influenced by Chinese scrolls. I collect things such as green trees from Japanese noodle packets, items of decoration, images and body parts.
I am interested in how figurative painting can use symbolism and can involve the surrealist idea of 'The Marvellous'
Exhibitions
AP3 Falling
2017Ardel Third Place Gallery, Thonglor Soi10, Bangkok 10110, Thailand
Two Person exhibition with Thai 'National Artist' Panya Vijinthanasarn: AP3 Falling Sitting in an unusually hot steamy London this July thinking about my forthcoming exhibition with Panya in an even hotter Bangkok, dreaming of that sparkling city and its intensity- a dream lying ahead. Bangkok’s sparkling green lights, red lights, orange lights, a futuristic city bending around the river, fragments remembered: enormous golden and beautiful fading Buddhas, pagodas and boats on the flowing river. Justin’s music from the dark mysterious Smalls emerges. I am sitting listening to other exquisite music - Wax Tailors version of ‘Que Sera’ while considering the title of show AP3 Falling I dream of falling, of feeling weightless, floating down, flowing over the edge, flowing air all around as I dream into a floating mode. I float down the Chao Phraya River discovering new and wonderful remnants, glimpses of the old and new world passing by. Going deeper down, entering the magic unknown - there’s so much we don’t understand, but just like the title of the song ‘What will be, will be’ This exhibition is the third joint exhibition of Andrew and Panya, coming from different cultural perspectives the exhibition highlights their interest in the transcultural with both differences and synergies. In Panya Vijinthanasarn’s spiritual paintings he sometimes refers to fragments and memories of the past, exquisitely beautiful with hidden surprises. His paintings contain a secret and magical archetypal symbolism that is enhanced by their materiality. Andrew Stahl’s paintings also refer to past experience from Rome to Bangkok. These also symbolic paintings borrow gravity allowing the paint with its materiality to fall and naturally flow, thoughts appear and memories and expressive gestures conflict and encourage the pull of gravity. When we fall we lose stability and enter the unknown - the words from the song emerges – ‘Everyone I have something to tell you – the moment we have been waiting for is here …..Despite the instability of the era we live in ‘I believe in the future’. Falling and dreaming……… Andrew Stahl 16th July 2017
Monologue Dialogue 4, Mysticism & Insecurity.
2017Koppel Project, 93 Baker Street, London W1U 6RKL
The Monologue Dialogue series has grown from a British Council initiated and funded residency and exhibition in Bangkok, Thailand. From then onwards a series of exhibitions have taken place in Bangkok and London with an evolving and expanding group of participating artists. The last exhibition was in 2014 at the BACC (the Bangkok Art and Cultural Centre). The key focus for the artists has been to install or construct work in a space/gallery together and in some way to reflect on the transcultural nature of today’s discourse for artists. Opening on the 3rd of May 2017 at the Koppel Project Baker Street, MD4 continued with an expanded number of participating artists from Thailand, the UK, Bangladesh, China, and Japan. The participating artists were: Eric Bainbridge, Rana Begum, Tintin Cooper, Yvonne Feng, Miranda Housden, Neil Jeffries, Sansern Milindasuta, Atsuko Nakamura, Nipan Oranniwesna, Be Takerng Pattanopas, Tuksina Pipitkul, Nathaniel Rackowe, Andrew Stahl, Kai Syng Tan, Jedsada Tangtrakulwong, and Panya Vijinthanasarn. The exhibition was curated by Andrew Stahl, The title of the exhibition Mysticism and Insecurity can refer to perceptions of the mystical and magical nature of human life across all cultures; insecurity however can refer to the inability of art to fully express and realise these transcendent ideas for multiple reasons, primarily though because of the world’s materiality, because of materials being resistant, dragging against intentions even for the use of language, and symbolism. This resistance is what is most ecstatic and interesting, where the material itself whether it is paint, objects, performance or virtual media contains the magic and frailty of our existence by being resistant to manipulation. The one thing that unites us all is our materiality and a sense of ‘is-ness’. The exhibition was supported by UCL Global Engagement and the Thai Embassy in honour of King Bhumibol Adulyadej Rama IX.
Hot Summer by the Khlong
2017YenakartVilla,69 Soi Prasat Suk, Yen Akat Road, Kwaeng Chongnonsee, Khet Yannawa, Bangkok
A visit by Andrew Stahl to Thailand in the 80’s as part of a British Council show initiated a fascination with Thailand. A number of artists’ residencies and exhibitions have followed in the intervening years. Andrew Stahl exhibition at YenakArt Villa: Hot Summer by the Klong exhibits his paintings made during a recent residency near Bangkok’s Chinatown where he spent a large part of the summer 2016. The paintings reflect on the experience, memories and thoughts of this time spent working intensely through the heat and travelling to the sea. They also reflect on a journey to Rome just before the summer, which revived his fascination with fountains as a source of surprise and joy. These paintings have a new fluidity and flow. Momentary visions, thoughts, memories and imaginations coalesce into a whirlwind of fragments held together by an overriding sense of euphoria at the beautiful country of Thailand. The intense energy of the city acts as a contrast to the expanse of blue that fills the horizons of the vision in the islands dipped in the sea. The exhibition consisted of both large and small works, drawings and a number of sculptures including one made on the lawn in the architecture garden of the gallery.
No Monkey Business
2016Q Park, China Town, London
A one day exhibition in the car park in Chinatown to celebrate the Year of the Monkey
DACS Foundation Auction
2015Londonewcastle Project Space, 28 Redchurch Street, London E2 7DP
An Exhibition to raise money for DACS. I contributed a small painting called 'Gion Rain'
Home
2015Curitiba, Brazil
This was a group exhibition curated by Paula de Ramos that took place in a house in Curitiba, Brazil which I participated in including the following artists: Kim Alexander, Lara Akinnawo, Nathalia Arduini, Camilla Bliss, Bea Bonafini, Eze Chimalio, Charlotte Chw, Juliana Coelho, Isabel Collins, Sophie Dixon, Cecilia Granara, Sérgio Gonçalves Jr., Phillip Raymond Goodman, Emily Harmer, Frank Harris, Lily Hawkes, Katja Heber, Miranda Housden, Summer Hung, Lara Jacoski, Stephen Kirin, Yane Kritski, Alexandre Linhares, Cassiana Maranha, Luisa Mazarotto, Alex McNamee, Diogo Messias, Liane Mestrinho, Jude Cowan Montague, Bruna Mush, Sissa Oliveira, Kaajel Patel, Miranda Pissarides, William Pham, Andreia Porto, Juliana Cristina Silva, Ayesha Singh, Isabelle Southwood, Andrew Stahl, Andrew Stys e Ana Tiene.
Salad
2015L'escargot
Exhibition including staff, students and alumni from the Slade School of Art, curated by Andrew Stahl, Head of Undergraduate Painting Department. Slade School of Art. Artists included: Ben Clarke, Reg Gadney, Simon Granger, Jumpei Kinoshita, Motoko Ishibashi, Neil Jeffries, Jin Han Lee, Alastair Mackinven, James Ng, Vaishali Prazmari, Ellie Pratt, Paul Richards, Liz Rideal, Babette Semmer, Andrew Stahl, Charlotte Verity, Virginia Verran, Barbara Wesolowska, Tom Worsfold and Vivien Zhang.
Starter
2014L'Escargot, 48 GHreek Street, London W1D 4EF
This was one of two group exhibitions that I organised at L' Escargot restaurant at the invitation of the restaurant manager Brian Clivaz. This restaurant has a well known history of staging art exhibitions in a public engaged space. The accompanying text was: This new exhibition ‘Starter’ of mainly paintings and wall works placed in the main dining area is the first of a variety of diverse exhibitions planned for L’Escargot in Soho. These artists here are chosen for their diversity and the discussion they bring to their field. The artists exhibiting both in this show and in future shows over the next few months in this new cultural hub are celebrated; some have immense experience and some however brilliant are just beginning their voyage of discovery. All however represent a tasty discussion about the possibilities that face artists making contemporary art today. A restaurant is a place of consumption. These works need to be consumed, savoured, chewed and swallowed. Some of the works may be annoying, some may fail, some may be awkward and hard to swallow, some will be exquisite, finely flavoured and full of delicacy and joy. They are all however operating at the highest level and variously engage with the exotic, the cerebral, the romantic, the emotional, the symbolic and the abstract. The show is organised by Andrew Stahl. The artists include: Phil Allen, David Burrows, Kate Bright, Jeffrey Camp, Alan Chan, Susan Collins, Dan Coombs, Graham Crowley, Jeff Dennis, Yvonne Feng, Marcela Florido, Neil Jeffries, Brighid Lowe, Alastair Mackinven, Mali Morris, Michael Page, Andrew Stahl, Mike Silva, James Robertson and Sean Steadman
(2014) The Artists’ Folio
2014Cartwright Hall Art Gallery, Bradford Museum
(2014) ‘(Detail)’
2014H Gallery, Bangkok and Transition Gallery, London and Usher Gallery, Lincoln, UK
(2014) You Are Not Alone
2014Stoke Newington Library Gallery, London
(2014) 100 Tonson Gallery 10th anniversary exhibition, curated by Rirkrit Tiravanija
2014100 Tonson Gallery, Bangkok
(2014) Conversations: The Vivid Real; Two-person exhibition with Panya Vijinthanasarn
2014Thavibu Gallery, Bangkok, Thailand
(2014) MD3 Fragility and Monumentality
2014Bangkok Art and Cultural Centre (BACC)
I am curating this exhibition - one of the largest exhibitions yet of Thai and UK art at the Bangkok Art and Cultural Centre, the main public art gallery in Thailand. I personally will only have 2 pieces (one 6-metre wide painting) but in the show there will be a large quantity of work from the 12 UK and Thai artists in the 1200 sq metres space on the 9th floor. MD3 Fragility and Monumentality This exhibition Monologue Dialogue 3 continues an important conversation initiated 8 years ago in Thailand supported by the British Council resulting in exhibitions of a group of British and Thai artists in both Bangkok and London. The group of artists participating in this third exhibition has evolved organically to include new artists that are interested in this kind of diverse, international and unpredictable dialogue. The key words here are fragility and monumentality. This show illustrates nothing. It is not an illustration of a theory or concept; it embraces the poetic and uncertainty will sometimes surface. The artists will interact, fabricate, assemble, paint and construct this show – we expect an electric conversation with excitement and perhaps even failure. Failure and nothingness are key words in art and ones that can be embraced resulting in fragility and a vision that is unexpected. Monumentality is about presence, and can be about the awkwardness of being. Tuksina Pipitkul will surprise us with her large white sculpture, a new version of ‘Respond’ that holds the space; the complexity of Tintin Cooper’s pavilions provide a cross between sports stadiums and modern shrines; Nipan Oranniwesna is planning a new and ambitious installation especially for the exhibition; Neil Jeffries is making a series of small wall relief works situated somewhere between painting and sculpture; Nathaniel Rackowe will make sculptural neon installations with a strong sense of the urban; Miranda Housden will play with the unexpected attempting to suspend a giant chandelier from the ceiling; Panya Vijinthanasarn has made a very large painting touching on chaos and unpredictability, playing with the words nuclear and new clear and an image of the Buddha; Jedsada Tangtrakuwong will create a surprising and monumental site-specific installation integrating (or not) with the architectural structures in the space; Eric Bainbridge will arrive with The Ghost of Jimmy the Nail and will make a sculpture in situ; Be Takerng Pattanopas will install a 20-metre-wide new edition of gas-p which will include sound elements and comprise of two long tapered tunnels, leading to mysterious luminous counter-forms of human figures; Atsuko Nakamura will make a new sculptural installation, scavenging for wood and natural materials such as driftwood, salt, sugar, and water and will make a video; Andrew Stahl will include a large painting, The Death of Trotsky. This exhibition on the entire 9th floor of the BACC provides a nervous platform for an extraordinary conversation that will develop between the artists participating and their artworks. There will be a dynamic range of installations, sculptures and paintings from this extremely diverse group of artists that touch on a range of contemporary issues such as the transcultural language of art, spectacular painting and installation and artistic dialogue. The Artists: Andrew Stahl/ Atsuko Nakamura/ Be Takerng Pattanopas/ Eric Bainbridge/ Jedsada Tangtrakuwong/ Panya Vijinthanasarn/ Miranda Housden/ Nathaniel Rackowe/ Neil Jeff
(2013) Not Another Art Project
2013The Barefoot Gallery, Colombo, Sri Lanka
(2013) British Art Festival Siam Paragon
2013Siam Paragon, Bangkok
(2012) Royal Academy Summer Exhibition
2012Royal Academy of Arts, Piccadilly, London
Invited by Tess Jaray to contribute some paintings to the specially-curated main room of small paintings; one of my paintings is illustrated in the catalogue.
(2012) 100 PRINTS
2012Flowers Gallery, London
A group show of 100 artists who make prints.
(2012) CIRCUS TERMINAL Travelling Exhibition
2012The Tabernacle, Powis Square, Notting Hill, London W11
This is a travelling show curated by Chutima Kerdpitak. Starting in London, it travelled to Spain and France, Thailand, Philadelphia, Holland, Suriname among others. This show looks at the boundaries between outsider art and mainstream practice. The exhibition was accompanied by a conference on the value of art education. Andrew Stahl was one of the main speakers.
(2012) CONFLICTS OF INTEREST curated by Brian Curtin
2012H Gallery, Bangkok, Thailand
This exhibition was a 3-person exhibition curated by Brian Curtin at H Gallery, Bangkok, Thailand. The artists were Andrew Stahl, Thaiwijit Phuengkasemsomboon and Sujin Wattanawongchai. The show excites tensions and antagonisms for considerations of what contemporary painting practice is and does. Moving outward from purportedly traditional notions of painterly craft to vacillations between the intimate and the vulgar, the observed and the cerebral, art historical preoccupations and thoroughly contemporary experiments, 'Conflicts of Interest' seeks to highlight divisions rather than resolve them. This disunifying theme inquires into how, for example, the rhetoric of authentic expression can be reinvigorated by juxtaposition with the slapdash and ironic, without the latter losing potency. Further, painting’s vexed relationships to visual and material culture at large are acknowledged; between text and image; the streamlined and the visceral; the appropriated and the invented; the assimilated and disruptive; and form and formlessness. 'Conflicts of Interest' essentially takes a skewed look at conservative understandings of painterly methods and forms in order to provoke radical relationships and fresh perceptions.
(2012) The Perfect Nude
2012Wimbledon Space, Merton Hall Road, London SW19 3QA
This exhibition was shown in three places. Firstly it opened in Wimbledon Space and then toured to Phoenix Gallery, Exeter followed by Charlie Smith Gallery in London.
(2012) Kindliness
2012Silpakorn University, Bangkok
(2011) Uncooked Culture, 'WhaTTo Dip'
2011Chiang Mai University Art Museum, Chiang Mai, Thailand
'WhaTTo Dip' is the phonetic pronunciation of the Thai word meaning 'Raw Material'. I had 5 drawings in this group international exhibition in Thailand at Chiang Mai University Art Centre organised by Uncooked Culture. This exhibition contained 36 artists from 12 countries and was organised by Uncooked Culture founder Chutima Kerdpitak.
(2011) Unearthed
2011Warton House, 150 Stratford High Street, London
Curated by Neville Gable, artist-in-residence at the Olympic Park. 'Unearthed' was an exhibition and archive which sought to reveal the cultural history of Carpenter's Road Studios which used to be on the site that the Olympic Aquatic Centre is placed in the Olympic Park Stratford. These studios were managed by Acme and were occupied by 500 artists between 1985 and 2001 including by Andrew Stahl.
(2011) Royal Academy Summer Exhibition
2011Royal Academy of Arts
(2010) SOLO EXHIBITION New Paintings, New York
2010Robert Steele Gallery, 26th Street, New York
(2010) Select
2010Peppercanister Gallery, Dublin, Ireland
(2009) artbelowzero°, 'The Sneeze Art Flair'
2009Westbourne Studios, 242 Acklam Road, London W10 5JJ
(2009/10) Small is Beautiful, 'Nursery Rhymes'
2009Flowers Gallery, London
(2009) Painting of the 80s
2009Matthew Bown Gallery, Keithstrasse 10, 10787 Berlin, Germany
(2009) Two-Person Exhibition, ANYWHERE ANYTIME ANYHOW
2009Ardel Gallery, Bangkok, Thailand
This was a two-person show with Panya Vijinthanasarn. This exhibition continues the dialogue between Panya Vijinthanasarn and Andrew Stahl.
(2008) Small is beautiful, 'Love'
2008Flowers Gallery, London
Part of an annual invitation group exhibition to make a small work for Angela Flowers Gallery.
(2008) Monologue/Dialogue II
2008Bischoff/Weiss Gallery, London
(2008) Stew
2008Artspace Gallery, London
(2008) Same as it ever was: Painting at Chelsea 1990-2007, curated by Clyde Hopkins
2008University of the Arts, London
(2007) SOLO EXHIBITION Parasol, London
2007Matthew Bown Gallery, Savile Row, London
(2007) Small is Beautiful
2007Flowers Gallery, London
(2007) SOLO EXHIBITION Sakura, New York
2007Robert Steele Gallery, New York
(2007) Jumbo Shrimp, Woburn Slade Research Centre, UCL The Slade School of Fine Art, London
2007Woburn Slade Research Centre, UCL The Slade School of Fine Art, London
Curated by Theresa Liang and William West.
(2006) 'Portraits', Small Is Beautiful
2006Flowers Central, Cork St, London
(2006) Heads
2006Flowers East Gallery, London
(2006) Monologue/Dialogue
2006Bangkok University Gallery, Bangkok, Thailand
(2006) SOLO/TWO PERSON EXHIBITION, Panya Vijinthanasarn & Andrew Stahl; Conversations, Collaborations and New Paintings
2006100 Tonson Gallery, Bangkok, Thailand
(2005) Paintings from the Nineties
2005Flowers Central, Cork St, London
(2005) Royal Academy Summer exhibition
2005Royal Academy of Arts
(2005) Figure, Place, and Time, Works on Paper
2005Art Space Gallery, Michael Richardson Contemporary Art, London N18JS
A group show of works on paper artists Andrew Stahl, Ray Atkins, Greig Bourgoyne, Stephen Finer, Roy Oxlade.
(2004) SOLO EXHIBITION Two Weeks in Sydney: Paintings, Sydney
2004COFA (College of Fine Art) Exhibition and Performance Spaces, University of New South Wales Australia
(2004) Artskool at Ecole Nationale Superieure des Beaux Arts and Touring in France and the UK
2004ENSBA, Paris, Touring to Dover, Calais, Nimes, Parc des Expositions & Central St. Martins College of Art and Design, University of the Arts , London
(2003) SOLO EXHIBITION New Paintings and Drawings: 'Bangkok Mosaic', Andrew Stahl
2003100 Tonson Gallery, Bangkok, Thailand
(2003/4) 'Hybrid', Artlab 28 Imperial College London
2003Imperial College London
(2003/4) Small is Beautiful, 'War and Peace'
2003Flowers Central, London
(2002/3) Small is Beautiful, 'Voyage'
2002Flowers East, London
(2002) 32 Years of Angela Flowers Gallery
2002Flowers East, London
(2002) SOLO EXHIBITION New Paintings, organised by the British Council
2002Silpakorn University Gallery, Bangkok, Thailand
(2001) Still Life
2001Flowers East, London
(2001/2) Small is Beautiful
2001Flowers Central, Cork St, London
(2001) SOLO EXHIBITION New Paintings and Drawings, Chiang Mai Museum, Thailand, organised by the British Council
2001Chiang Mai University Art Museum, Thailand
(2000/1) SOLO EXHIBITION Neue Arbeiten
2000ac.t.art, Zirndorf, Nurenberg, Germany
(2000) Artists' Choice, Flowers East Gallery
2000Flowers East Gallery, London
(2000) London Biennale Event; 3 Artists, Domingo St
20001 Domingo Street, London
(2000) Self Portrait
2000Angela Flowers Gallery, London
(1999) SOLO EXHIBITION New Paintings, Andrew Stahl
1999Fenderesky Gallery, Belfast, Ireland
(1999/2000) Millennium
1999Angela Flowers Gallery, London
(1998) Graphic Works
1998Fenderesky Gallery, Belfast, Ireland
(1998) SOLO EXHIBITION New Paintings
1998Flowers East, London
(1998) Flowers West Inaugural Exhibition, Los Angeles
1998Flowers West, Los Angeles
(1997) Artists' Camp Sri Lanka
1997National Art Gallery, Colombo, Sri Lanka
(1997) British Figuration
1997Flowers East, London
(1996) Culford Press at the Economist Building
1996The Economist Building, Charleston House, Barbican Arts Centre
(1996) Making A Mark - The Figure
1996The Mall Galleries, London
(1996) Life Live
1996Museum of Modern Art, Paris
(1996) 3 Painters at Plymouth Arts Centre
1996Plymouth Arts Centre
(1996) SAD
1996Gasworks, London
(1995) SOLO EXHIBITION Andrew Stahl Paintings
1995Wolverhampton Art Gallery and Museum
(1995) SOLO EXHIBITION New Paintings
1995Flowers East, London
(1995) Flowers East, The Twenty Fifth Anniversary Exhibition
1995Flowers East, London
(1995/6) Culford Press 10 years
1995Eagle Gallery
(1995) John Moores Liverpool Exhibition 19
1995Walker Art Gallery, Liverpool
(1994) SOLO EXHIBITION New Paintings
1994Maidstone Library Gallery, Kent
(1994) East
1994Norfolk Institute of Art and Design, Norwich
(1994) Five Artists
1994Angela Flowers Gallery, London
(1994) Post Decadence
1994Cafe Gallery, London
(1993) SOLO EXHIBITION New Paintings, Andrew Stahl
1993Worthing Museum and Art gallery
(1993) SOLO EXHIBITION Prints and Drawings
1993Flowers East Gallery, London
(1993) Exquisite Corpse
1993Drawing Centre, New York
(1993) Biella Print Biennale
1993Biella, Italy
(1993) The Boat Show
1993The Cafe Gallery, Southwark Park, London
(1992) SOLO EXHIBITION New Paintings
1992Flowers East, London
(1992) Selected Line
1992William Jackson Gallery, London
(1990) Alistair Grant and Friends at the Royal College of Art
1990Royal College of Art, London
(1990) MOSTRA 90
1990The British School At Rome
(1990) Rome Scholars 1980-1990
1990Royal College of Art, London
(1989) Print Show
1989Creaser Gallery, London
(1989) Images of Paradise, Harewood House, organised by Survival International
1989Harewood House, Yorkshire
(1989) Whitechapel Open
1989Whitechapel Art Gallery, London
(1988/89) Contemporary Arts Society Market
1989Covent Garden, London
(1988) SOLO EXHIBITION Andrew Stahl
1988Paton Gallery, London
(1988) 'Cries and Whispers', British Council touring exhibition of contemporary British paintings
1988Touring all over the world to 20 venues
(1988) Figuring out the Eighties
1988Laing Art Gallery and Museum, Newcastle upon Tyne
(1987) New Work: Six Painters
1987Paton Gallery, London
(1987) Athena Art Award, Barbican
1987Barbican Arts Centre, London
(1987) Artists' Choice
1987Victoria and Albert Museum
(1987) 150th Anniversary, RCA Printmaking
1987Barbican Art Centre, London
(1987) On A Plate
1987Serpentine Gallery, London
(1987) Collection of Alberto de Lacerda
1987Gulbenkian Foundation, Lisbon
(1986) 'Living Art', Arts Council Pavilion, Ideal Home Exhibition
1986Earls Court, Olympia, London
(1986/7) 'British Painting', British Council Exhibition touring to Malaysia, Thailand, Singapore and Hong Kong
1986National gallery of Malaysia, Singapore, Thailand and Hong Kong Arts Centre
(1986) Walking and Falling
1986Kettles Yard Cambridge; Interim Art London; Plymouth Arts Centre
(1985/6) Riverside Studios Open Exhibition, London
1985Riverside Studios, Hammersmith, London
(1985) Tolly Cobbold Eastern Arts Fifth National Exhibition
1985Fitzwilliam Museum, Cambridge and touring
(1985) 17th International Festival of Painting, Cagnes, France, selected by the British Council
1985Cagnes, France
(1985) Animals
1985Edward Totah Gallery, London
(1985) Still Lives
1985Edward Totah Gallery, London
(1985) Selection from 10 years at AIR
1985AIR Gallery, London
(1985) John Moores Exhibition, Prize winner
1985Walker Art Gallery, Liverpool
(1984) Tate Gallery Patrons of New Art Exhibition
1984Warwick Arts Trust
(1984) SOLO EXHIBITION New Paintings, Andrew Stahl
1984Paton Gallery, London
(1983) SOLO EXHIBITION New Paintings
1983AIR Gallery, Rosebery Avenue, London
(1983) Pagan Echoes
1983Riverside Studios, London
(1982) Seven Artists
1982Newcastle Polytechnic Gallery
(1982) British Drawing
1982Hayward Gallery, London
(1981) SOLO EXHIBITION Paintings, Andrew Stahl
1981Air Gallery, Rosebery Avenue, London
Publications
https://www.bangkok101.com/hot-summer-by-the-klong/
Online review of show
Monologue Dialogue 4: Mysticism & Insecurity
This is the catalogue for the above group show curated by Andrew Stahl with his introduction. The exhibition was at The Koppel Project , Baker Street, London
AP3 Falling
Andrew Stahl Hot Summer by the Khlong
This is the catalogue for Andrew Stahl's Solo Exhibition at YenakArt Villa.
Review in Latitudes of Andrew Stahl, Hot Summer By the Khlong
Review of exhibition in Bangkok at YenakArt Villa in Latitudes Magazine, April May edition by Latitudes Team
Bangkok Art Map Review Exhibition Spotlight: Hot Summer by the Khlong
Every month an exhibition is spotlighted in this gallery guide (one each month) and written about in the introduction. The Publisher is Mason Florence and the editor isBruce Scott
(2014) 'MD3 Fragility and Monumentality' Catalogue introduction to whole exhibition by Andrew Stahl. Bangkok Art and Cultural Centre (BACC).
(2014) 'Conversations: The Vivid Real' - Thavibu Gallery, Bangkok, Thailand. Catalogue introduction by Andrew Stahl.
(2014) Interview with Andrew Stahl, Magazine Art.Zip
This discusses connections between my personal research and curriculum input to teaching, also online as well as in print: http://www.artzip.org/importance-transcultural-studies
(2014) 16th July Creative Dialogue Bangkok Post Newspaper Interview
Interview with Andrew Stahl about his curatorial research, his painting and Monologue/Dialogue
(2014) CAIR 2012-14 UK Contemporary Artists Interviews
An important introduction for a Chinese audience to contemporary British art with 19 key UK artists including: Grayson Perry, Damien Hirst, Cornelia Parker, Tracey Emin. My work has a chapter in this book based on my writing and an interview http://www.yuxiao.co.uk/project.php
(2014) BACC channel Exhibition Artist Interview
http://www.youtube.com/watch?v=xqLZt8TD06Y
(2014) Uncooked Culture TV for Dutch Television
(www.salto.nl) http://youtu.be/psyaeiOEP2Y
(2014) Review on Andrew Stahl, Expressions Magazine, 'Conversations: The Vivid Real', July
(2014) Review on Andrew Stahl, Fine Art Magazine, ‘Fragility and Monumentality’
(2014) Review on Andrew Stahl, Fine Art Magazine, ‘Conversations: The Vivid Real’
(2014) Discussion between Andrew Stahl and Dr Carl Randall on Carl Randall’s exhibition Tokyo Portraits by Carl Randall, Daiwa Foundation, London
http://www.dajf.org.uk/exhibition-event/artist-talk-tokyo-portraits-by-carl-randall and http://www.youtube.com/watch?v=RbRMtbrk0g4
(2014) Panel discussion; panel member Andrew Stahl; 'Curating contemporary Southeast Asian Art: institutions, markets, formats and audiences'
(2014) Invited onto panel to discuss exhibition ‘Detail’, H Gallery, Bangkok and Transition Gallery, London, June
(unable to attend)
(2014) 'Creative Dialogue' Review on Andrew Stahl, Bangkok Post Newspaper 16th July
(2014) Review on Andrew Stahl, BK Magazine
(2014) MD3 Fragility and Monumentality, Bangkok Arts and Cultural Centre - Artist’s (Andrew Stahl) Talk, July
(2014) MD3 Fragility and Monumentality, Bangkok Arts and Cultural Centre – Curator (Andrew Stahl) Public Talk and Tour, June
(2014) Recent works, Chelsea Arts Club, London, artist’s talk
(2014) Bradford Museums and Galleries blog
(2014) Bradford Museums and Galleries blog, Professor Paul Coldwell of University of the Arts, London http://www.bradfordmuseums.org/blog/?p=667
(2014) Review on Andrew Stahl, Expressions Magazine, 'Fragility and Monumentality', July
(2014) Review on Andrew Stahl, Today Express
(2014) MD3 Fragility and Monumentality, Introduction to my painting 'Death of Trotsky' by Andrew Stahl. Bangkok Art and Cultural Centre (BACC).
(2014) Slade Salon, UCL Festival of the Arts: Monologue/Dialogue: an intercultural collaboration
(2014) Review on Andrew Stahl, Asian Art News
(2014) Review, Bangkok Art Map August Highlights
(2013) Andrew Stahl’s Painting and its context, Chinese Academy of Oil Painting, Beijing
(2013) A Discussion in Contemporary Painting, lecture at the Graduate School of the Chinese National Academy of Arts, Beijing, China
(2013) Lead discussion at opening of UK/Qatar artist residency in Doha at Katara Art Centre
(2013) Not Another Art Project. Introductory paragraph on own work by Andrew Stahl.The Barefoot Gallery, Colombo, Sri Lanka.
(2013) Review on Andrew Stahl, Women Magazine, 10th July
(2013) Review on Andrew Stahl, Newspaper Business-Marketing Special Variety
(2013) Review on Andrew Stahl, Bangkok Post 11th July
(2013) Review on Andrew Stahl, Thairath Newspaper, 6th July
http://www.thairath.co.th/content/life/355404
(2013) Review on Andrew Stahl, Weekend Watch, 13-19th July
(2013) Review on Andrew Stahl, The Nation, 16th July
(2012) 'Chinese Woman Abstract Artists' Catalogue introduction by Andrew Stahl. Ningbo, China
(2012) Evening Standard Magazine, image, 8th June
(2012) Review on Andrew Stahl, Bangkok Art Map (BAM) March Highlights
(2012) Review on Andrew Stahl, Bangkok Post ‘The Buzz’
(2012) Art School or Self-Taught – The Impact of Labels on Artists in the 21st Century, Tabernacle, Notting Hill, London
(2011) Chaminda Gamage, 'New Paintings'. Catalogue introduction by Andrew Stahl.
(2011) ‘One Hour’, online publication by Jens Marott, a visual reflection on artists’ studios and their practice
(2011) WhaTTo Dip. Paragraph on own work by Andrew Stahl. Chiang Mai University Art Centre, Thailand.
(2010) Talk: The Transcultural Language of Art within UCL’s Internationalising the Curriculum programme at the Colloquium, UCL
(2010) CALT lecture on globalising the curriculum, UCL
(2010) CALT UCL’s Teaching and Learning Network Global Skills presentation, February
(2010) Review on Andrew Stahl, Art in America: Chelsea Art May-June Highlights
(2009) Review on Andrew Stahl, Bangkok Post, 14th August
(2009) Review on Andrew Stahl, Thai Nation, 17th August
(2009) Review by Andrew J West on Andrew Stahl, Bangkok Post, August 20th
(2009) Review on Andrew Stahl, Muse Culturewatch, August 22-28th
(2009) Review by Stephen Pettifor on Andrew Stahl, Bangkok Art Map (BAM) August Highlights
(2009) Review on Andrew Stahl, Daily Xpress, 11th August
(2009) Andrew Stahl, Lecture, Arts Club, Dover Street
(2009) Modern 9 TV Interview with Andrew Stahl
(2009) ANYWHERE ANYTIME ANYHOW. Catalogue introduction by Hassapop Tangmahamek. Ardel Gallery, Bangkok, Thailand.
(2009) Thai PBS day (TV) Interview with Andrew Stahl
(2009) 'Whichwait', Nir Segal. Catalogue introduction by Andrew Stahl.
(2009) Beauty So Ancient and So New, in discussion with Gregory Tingay, Arts Club, Dover Street, London
(2008) Monologue/Dialogue 2. Essay on own work by Andrew Stahl. Bischoff/Weiss Gallery, London.
(2008) Monologue/Dialogue 2. Catalogue introduction by Andrew Stahl. Bischoff/Weiss Gallery, London.
(2008) Review by Laura K. Jones on Andrew Stahl, Artnet Magazine London Dispatch
(2008) BLUNTER EDGE: Drawings published in journal
(2008) Review by Martin Coomer on Andrew Stahl, Art 4D Artists in Monologue/Dialogue, 2 May
(2008) Thai Television Arts programme ‘TV THAI PBS’ 15th April Interview with Andrew Stahl
(2008) Stew. Online introduction. Artspace Gallery, London.
http://www.artspacegallery.co.uk/MainImagePages/Artists/Paintings/Stew/stew_press.html
(2008) Lablet, PAL/UCL Big Draw Legacy Discussion, Kent
(2008) Review on Andrew Stahl, Time Out highlight, 5th-11th March
(2007) New Painting, Public Lecture, New York Studio School, New York
(2007) Andrew Stahl’s Painting and its context, Lecture, Guangzhou Academy of Fine Art, China
(2007) Artist-in-Residence, Guangzhou Academy of Fine Art, China
(2006) British Council Artist-in-Residence in Bangkok for Monologue/Dialogue 1
(2006) Art de Siam TV digital Arts Channel 16th April Interview with Andrew Stahl
(2006) 'Pricha Arjunka Paintings'. Catalogue introduction by Andrew Stahl.
(2006) Monologue/Dialogue. Catalogue introduction by Ark Fongsmut. Bangkok University Gallery, Bangkok, Thailand.
(2006) “Panya Vijinthanasarn & Andrew Stahl : Conversations, Collaborations and New Paintings”. Steven Pettifor Catalogue essay.
(2006) Review on Andrew Stahl, Harpers Bazaar, 11th March
(2006) Review on Andrew Stahl, Rama 9 Art News, April
(2006) Review on Andrew Stahl, Metro Life News, March/April
(2006) Review on Andrew Stahl, Bangkok Post, 13th April
(2006) Review on Andrew Stahl, Asia Art Archives, 13th April
(2006) Review on Andrew Stahl, The Nation, 13th April
(2006) Review by Stephen Pettifor on Andrew Stahl, Asia Art News, May issue
(2006) Review by David Teh on Andrew Stahl, The New Nation, 5th August
(2005) Andrew Stahl Paintings, Lecture, Mahasarakharm University, Thailand
(2005) Artist-in-Residence at Mahasarakarm University, Thailand
(2005) 'Battle of the Titans', Tintin Cooper. Catalogue introduction by Andrew Stahl.
(2004) Andrew Stahl Paintings, Public Lecture, University of New South Wales, Sydney
(2004) Artist-in-Residence, University of New South Wales, Sydney
(2004) 'Reflections', Breda Catherine Ennis. Catalogue introduction by Andrew Stahl. Pyramid Art Studio, the American University of Rome.
(2004) Quality in Art, Main Panellist at Public Debate, Art Academy, London
(2004) "The Art of Evolution?" ‘Arts Club Journal’ Artist in Focus: Andrew Stahl
(2003) Influences on British Painting and New Paintings by Andrew Stahl, Lecture, Silpakorn University, Bangkok, Thailand
(2003) New Paintings and Drawings: 'Bangkok Mosaic'. Catalogue introduction by Andrew Stahl. 100 Tonson Gallery, Bangkok, Thailand.
(2003) Review on Andrew Stahl, Bangkok Mosaic, Bangkok Business, 15th December
(2003) Review by Andrew West on Andrew Stahl, Bangkok Post, 25th December
(2003) Andrew Stahl Paintings, Public Seminar/Discussion, 100 Tonson Gallery, Bangkok
(2003) Artist-in-Residence at Silpakorn University, Bangkok, Thailand
(2002) New Paintings. Catalogue introduction by Andrew Stahl. Silpakorn University Gallery, Bangkok, Thailand.
(2002) Public Discussion with Slade Students, Paul Klee Exhibition, Hayward Gallery, London
(2002) Review by Pring Chindaporn on Andrew Stahl, Art4D Magazine, March
(2002) Review on Andrew Stahl, Bangkok Post, January 11th
(2002) Review on Andrew Stahl, Bangkok Post, January 20th
(2001) Review on Andrew Stahl, Nurnberger Nadrichten January
(2001) New Paintings and Drawings. Catalogue introduction by Andrew Stahl. Chiang Mai University Art Museum, Thailand.
(2000) British Council-funded Artist-in-Residence, Chiang Mai University, Thailand
(2000) Andrew Stahl Paintings, Public Lecture, Chiang Mai University, Thailand
(1999) Review by Martin Coomer on Andrew Stahl, Art London
(1999) Review by Ian Hall on Andrew Stahl, Irish Times, 31st July
(1998) Workshop and Discussion on art produced, Addis Ababa Art School (British Council-funded)
(1998) Review by John McEwen on Andrew Stahl, The Sunday Telegraph, 19th April
(1998) Panel Member, Conference/Debate, Asia-Europe Cross Cultural Collaboration, ICA, London
(1998) New Paintings, Flowers East, London. Catalogue introduction by Alberto de Lacerda, ‘Something Rich and Strange’.
(1997) Panel Discussion on transcultural residencies, International Artists Camp, Sri Lanka
(1997) Artist Residency; selected by British Council, Goethe Institute and Alliance Française for International Artists' Camp, Kandalama, Sri Lanka
(1997) Review by William Feaver on Andrew Stahl, The Observer, 5 January
(1997) Review by Martin Coomer on Andrew Stahl, Time Out, 3-10 September
(1995) Andrew Stahl Paintings. Wolverhampton Art Gallery and Museum and Flowers East, London. Catalogue introduction by Stuart Morgan, ‘The Bearable Lightness of Being’.
(1995) Review by William Feaver on Andrew Stahl, The Observer 19th March
(1995) Review by Martin Coomer on Andrew Stahl, Time Out, 12-19 April
(1995) Review by Daniel Farson on Andrew Stahl, Mail On Sunday, 9 April
(1995) Review by Sacha Craddock on Andrew Stahl, The Times, 4 April
(1995) Review by William Feaver on Andrew Stahl, The Observer, 16 April
(1995) Review by Robert Clark on Andrew Stahl, Guardian, 14 November
(1995) Review by John McEwen on Andrew Stahl, The Sunday Telegraph, 5 November
(1995) Review by William Feaver on Andrew Stahl, The Observer, 5 November
(1995) Review by John McEwen on Andrew Stahl, The Sunday Telegraph, 14 May
(1995) Review by John McEwen on Andrew Stahl, The Sunday Telegraph, 2 April
(1994) Panel Discussion about East Exhibition, Norwich
(1994) Review by William Feaver on Andrew Stahl, The Observer, 17 July
(1994) Review by John McEwen on Andrew Stahl, The Sunday Telegraph, 31 July
(1993) Andrew Stahl Paintings, Public Lecture, Sheffield Hallam University
(1992) Andrew Stahl Paintings, Lecture, Norwich School of Art and Design
(1992) New Paintings, Flowers East, London. Catalogue introduction by Guy Brett, ‘Paintings by Andrew Stahl’.
(1992) Review by John McEwen on Andrew Stahl, The Sunday Telegraph, 26 April
(1992) Review by William Feaver on Andrew Stahl, The Observer, 17 May
(1992) Review by Sue Hubbard on Andrew Stahl, Time Out, 13-20 May
(1992) New Paintings. Catalogue introduction by Andrew Stahl. Flowers East, London.
(1991) Wingate Scholarship for Travel to Vietnam, Cambodia, Thailand, Laos, and Burma
(1990) Andrew Stahl Paintings, Lecture, British School at Rome
(1990) Sharon Kivland, catalogue article
Sharon Kivland wrote this response to my paintings as a potential catalogue article.
(1990) Review by Nicholas Brooks on Andrew Stahl, Artline, May
(1990) Rome Award in Painting, British School at Rome
(1990) Catherine Lampert, 'Mostra 90' exhibition catalogue
(1989) Review by William Packer on Andrew Stahl, Financial Times, 19 September
(1989) Fellowship in Printmaking, Royal College of Art, London
(1988) Andrew Stahl Paintings, Lecture, Byam Shaw School of Art
(1988) John McEwen, Paton Gallery exhibition, catalogue essay
(1988) Review by Margaret Garlake on Andrew Stahl, Art Monthly, July/August
(1988) Review by Max Wykes-Joyce on Andrew Stahl, Arts Review, 3 June
(1988) Tony Godfrey, 'Figuring Out the Eighties', catalogue essay
(1987) Andrew Stahl Paintings, Lecture, Newcastle Polytechnic
(1987) Review by Larry Berryman on Andrew Stahl, Arts Review, 27 March
(1987) Lewis Biggs, 'Cries and Whispers' exhibition, catalogue essay
For British Council touring exhibition 'Cries and Whispers'.
(1987) Andrew Stahl Paintings, Public Lecture, Falmouth School of Art
(1986) Andrew Stahl Paintings, Lecture, Middlesex Polytechnic
(1986) Review by Waldemar Januszczak on Andrew Stahl, The Guardian, 6 February
(1986) Review by Michael Phillipson on Andrew Stahl, Artscribe International, March
(1985) Andrew Stahl Paintings, Lecture, Ruskin School of Drawing & Fine Art, Oxford University
(1985) Review of Waldemar Januszczak on Andrew Stahl, The Guardian, 9 April
(1985) Review by Nigel Politt on Andrew Stahl, City Limits, 13 September
(1985) Review by John Russell Taylor on Andrew Stahl, The Times, 2 January
(1984) Andrew Stahl Paintings, Lecture, St Martins School of Art
(1984) Andrew Stahl Paintings, Lecture, Chelsea School of Art
(1984) Review by Nigel Politt on Andrew Stahl, City Limits, June
(1984) Review by Waldemar Januszczak on Andrew Stahl, The Guardian, 6 February
(1984) Sir Lawrence Gowing, Paton Gallery exhibition, catalogue essay
(1984) Review by Michael Shepherd on Andrew Stahl, The Sunday Telegraph, 17 June
(1984) Review by Mel Gooding on Andrew Stahl, Artscribe International, September
(1984) Review by Waldemar Januszczak on Andrew Stahl, The Guardian, 6 July
(1984) Review by William Feaver on Andrew Stahl, The Observer, 24 June
(1984) Review by Larry Berryman on Andrew Stahl, Arts Review, 22 June
(1984) Review by Guy Brett on Andrew Stahl, Art Monthly, September
(1983) Review by John McEwen on Andrew Stahl, The Spectator, 18 June
(1983) Review by Sarah Kent on Andrew Stahl, Time Out, May/June
(1983) Review by John McEwen on Andrew Stahl, The Sunday Times Magazine, 23 October
(1983) Review by Waldemar Januszczak on Andrew Stahl, The Guardian, 21 May
(1983) Review by Beatrice Phillpotts on Andrew Stahl, Arts Review, 27 May
(1982) Review by John McEwen on Andrew Stahl, Art Monthly, September
(1981) Review by John McEwen on Andrew Stahl, The September, 11 July
(1981) Review by Waldemar Januszczak on Andrew Stahl, The Guardian, 15 July
(1980) Review by John McEwen on Andrew Stahl, The Spectator, 27 September
(1980) Andrew Stahl Paintings, Lecture, British School at Rome
(1979) Abbey Major Rome Scholarship at the British School of Rome
Review of Andrew Stahl, Hot Summer by the Khlong at Yenakart Villa http://www.aluxurytravelblog.com/2017/06/14/5-of-the-best-art-and-architecture-stops-in-bangkok-thailand/
A brief mention in this online guide as follows: YenakArt Villa Another addition to Bangkok’s contemporary art scene in 2015 was the YenakArt Villa, also located in the fashionable Sathorn district. Founded by French entrepreneurs Frederic Meyer and Jeremy Opritesco, the gallery is housed in a sleek ‘Bauhaus’ style villa with a grand glass facade and sprawling sculpture garden. The villa hosts a wide range of visual exhibitions, from painting to light-art to fashion shows. Whilst the gallery focuses on promoting Thai artists to global audience, it also features international artists for several-week periods. In April and May of this year, the works of British painter Andrew Stahl – Professor of Fine Art at the renowned Slade School of Fine Art, London – were presented in the exhibition ‘Hot Summer by the Klong’; the pieces were influenced by Stahl’s visits to Thailand since the 1980s. From late October until early 2018, the gallery will host Thai artist Jirapat Tatsanasomboon, who is recognised for his marrying of traditional Asian imagery and Western pop culture.
Review of exhibition 'Hot Summer by the Khlong' at YenakArt Villa, Bangkok, Thailand, in guru in the Bangkok Post
Review of exhibition 'Hot Summer by the Khlong' at YenakArt Villa, Bangkok, Thailand,
Esteem Items
Elected Member
External Examiner Appointment in BA Fine Art at the University of Sunderland. Elected MemberConnections Through Culture award to Hong Kong
British Council AwardMember
Transcultural Art Group TAG MemberElected Member
External Examiner for City and Guilds Art School at Birmingham City University Elected MemberMember
Stage 1 Submission Judge for Saatchiâs Best of British (launched by the BBC and Charles Saatchi) MemberElected Member
External Academic Panel Member for the Validation of BA (Hons) Fine Art at University of East Anglia and University of Essex Elected MemberElected Member
Abbey Council Trustee Elected MemberElected Member
Member of the assessment board of the Princes Drawing School Elected MemberWork purchased for Government Art Collection
Government Art Collection AwardOther
Nominator for The Bryan Robertson Trust Award 2008 Other MembershipArtist in Residence at Guangzhou Academy of Fine Art
Guangzhou Academy of Fine Arts, China FellowshipBritish Council Artist in Residence in Bangkok, Thailand
British Council FellowshipArtist in Residence at Mahasarakham University, Thailand
Mahasarakarm University, Thailand FellowshipElected Member
External Examiner, BA (Hons) Fine Art, Painting, Cardiff College of Art, University of Wales Institute Cardiff (UWIC). Elected MemberArtist in Residence at University of New South Wales, Sydney, Australia
COFA, University of New South Wales , Sydney Australia FellowshipElected Member
Selection Panel Member, Public Art Commission for Monument (TCR), a Mural Commission for British Transport Police Elected MemberArtist in Residence at Chiang Mai University Thailand
British Council and Chiangmai University FellowshipRunning workshop in Addis Ababa, Ethiopia
The British Council and the Addis Ababa School of Fine Arts OtherSelected for International Artists Camp, Kandalama, Sri Lanka
British Council, the Goethe Institute and Alliance Francaise Award
