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Daphne I
Daphne I, Liz Rideal, 2015, archival pigment print, 101 x 76 cm, edition 1/3
Palazzo Spada, (cat)
Palazzo Spada, (cat), Liz Rideal, 2010, 150 x 200 cm

Shared, installation Somerset House 2015

Capucines, Liz Rideal, 2015

Installation V&A, A History of Photography: Series and Sequences, 6/2-1/11,

P.G, Liz Rideal, 2014, silver, 30 x 20 x 20cm, edition 1/9
Stormy Weather (Turner)
Stormy Weather (Turner), Liz Rideal, 2015, archival pigment print, 76 x 101 cm, edition 1/3
Drappeggio in Ercolano
Drappeggio in Ercolano, Liz Rideal, 2009, Video 7.5 minutes, projected onto the Aurelian Wall in Rome
Dancing with Borromini
Dancing with Borromini, Liz Rideal, 2010

Sant'Ivo alla Sapienza, Rome

Drop Sari
Drop Sari, Liz Rideal, 2012, Film installation Whitworth Art Gallery
Green Green Glass of Home (after Morandi),
Green Green Glass of Home (after Morandi),, Liz Rideal, 2009, Installation V&A
Palazzo Spada, St.Paul's & Falconieri Crypt I&II
Palazzo Spada, St.Paul's & Falconieri Crypt I&II, Liz Rideal

At Shared, installation Somerset House 2015

St.Paul's & Falconieri Crypt I&II
St.Paul's & Falconieri Crypt I&II, Liz Rideal, 2015

At Shared, installation Somerset House 2015

Oratorio dei Fillipini
Oratorio dei Fillipini, Liz Rideal, 2010

Gallerie Hybryda, Rome

Nostalgia, Liz Rideal, 2014
Daphne,, Liz Rideal, 2016, digital print, shown at RA Summer Exhibition 2016
rideal-landscape, Liz Rideal
Liz Rideal
Liz Rideal

Slade School of Fine Art
University College London
Gower Street

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Foundation Brighton Polytechnic 1972/3 BA Combined Honours in English and Fine Art, Exeter University/Exeter College of Art 1973-76 PGCE Exeter University 1978.

Painting Department at the Slade School of Fine Art since 1992.

Research Summary

In writing and making art, my themes of drapery, painting, portraiture and pilgrimage elide and inform one another, making the progress of my work not linear but rather elastic and broad ranging.
Early photo-booth collages arose from scrutiny of self-portraits that in turn led to writing books and curating exhibitions. The essay, Golden Years?1905-1950: a non-digital world (Louisiana Museum of Modern Art, 2012) continued research for; Insights: Self-portraits (The National Portrait Gallery, 2005) and Mirror/Mirror: Self-portraits by Women Artists (NPG & Watson-Guptill, N Y. 2001). Warhol’s Dream: the self multiplied, an introduction to 500 Self-portraits (Phaidon, 2018) and Essence of Memento Mori, in Basquiat by Himself (Hirmer Verlag, 2019) continue the study. How to Read Painting : a short survey of Western European Painting (Bloomsbury & Rizzoli, 2014 & 2015) (over 65,000 + copies) remains on sale at The National Gallery London. It was the basis of my Exeter College, Oxford University Summer School coure in 2018 & 19 and is translated into Chinese, Spanish, Turkish, Korean, Polish and Russian. The launch was supported by lectures at museums and galleries both in the UK and USA, research and travel funded by an Art Fund grant. In 2018, Madam and Eve, I co-authored (with Kathleen Soriano, Laurence King pubs) and my essay Erotic Cloth Echoes in Film, appeared in The Erotic Cloth (Bloomsbury Academic). Pictorial duel: Xenia Hausner and the dual performance portrait (Albertina, Vienna and Pushkin, Moscow, 2021) is a catalogue essay for Hausner’s, True Lies exhibition.

Five solo exhibitions in the USA included a retrospective at The University of Massachusetts, in 2001, Lucas Schoormans Gallery, New York, in 2000/01/06 and Gallery 339, Philadelphia in 2014. A British Academy Grant enabled filming the Indian cotton industry resulting in, Light Curtain the commissioned film projection for Cotton: Global Threads at The Whitworth Art Gallery, Manchester, 2012. Splicing Time: Rome and the Roman Campagna; Leverhulme Fellowship, 2016-17, investigated the visual and emotional resonance of drapery. Connections with the C18th Grand Tour were explored with an innovative photographic installation at UCL’s Art Museum as Artist-in-Residence and also at Compton Verney in 2020. Further Roman-inspired solo exhibitions were supported by the Cities Partnership Programme; Feu Follet, 2018 in London and Temporal Stabilities, 2020 in Rome.

My artwork featured in Fabric: Touch & Identity, Compton Verney, 2020, Women, Power, Protest, Birmingham Museum and Art Gallery, 2019 and A History of Photography: Series and Sequences, at The Victoria and Albert Museum, 2015. Also held in public Collections including, Tate, The British Museum, The V&A, The National Portrait Gallery, The Government Art Collection, The Whitworth Art Gallery, New Hall, Cambridge and The British Academy. The Yale Center for British Art, George Eastman Museum, University of California Museum at Berkeley, The Portland Art Museum, Oregon, the Metropolitan Museum of Art, New York, USA and The Museet for Fotokunst, Denmark.

Teaching Summary

At the Slade School of Fine Art (UCL) I have contributed to exhibiting, teaching, supervision, curriculum development and assessment.

As part of the 150th Anniversary I organised and chaired a symposium "Slade Women" 9 February 2022, online, with a recording of the proceedings available here -

Slade Drawing 150, published in December 2022, containing drawings from current staff members juxtaposed with others selected from UCL Art Museum Collection. I wrote the text in relation to the Slade Drawing Courses run by my colleague Sandra Smith. Summer School courses include, Collage (2015) and Good Artists Copy, Great Artists Steal! (2016, 17, 18, 19) these focus on making connections between drawing in the studio and drawing in museums and art galleries.

Exposing the Self and juggling the uniform, was the keynote lecture at the conference Autoportraits en costumes, at the University of Nantes and the Beaux Arts de Nantes, 23-24/11/18.

Straw Poll was a paper delivered at the ON PAINTING conference in Manchester at the Whitworth Art Gallery on 31/11/15.

Straw Camera, was the catalogue essay published in connection with the exhibition, Fishing for the Moon celebrating the work of Michael Farrell, who worked at the Slade from 2003 - 2015. This was part of the Photo Club Salon, showing photographs by staff and students at the Slade School of Fine Art.


Temporal Stabilities
2020 - 4m2 Gallery, John Cabot University, Rome

Cosmati paving in Roman churches inspired work resulting in visualisations that represent the palimpsest of pilgrim footfall and a C21st haunting of the spaces. Images constitute an amalgam of artistic methodology and exist as hybrid form that echo spaces redolent of hidden histories.

Feu Follet
2018 - Crypt at St.John's Waterloo, London, SE1.

Exploring the boundaries between watercolour, film, photographic silk print and writing. An artist book produced in tandem with the exhibition, text by Florian Mussgnug.. Installed in the gloomy crypt of St John's, Waterloo. Non figurative works offer alternative interpretations of the evanescent.

Splicing Time: Terme di Diocleziano
2018 - UCL Art Museum

Installation of prints on silk and inkjet on rag paper.

The Small Press Project
2016 - North Lodge, UCL, Gower St.

Staff, student artist book exhibition

2015 - Somerset House

New digital photobooth interactive work, period original photo-booth analogue collages, drawings, inkjet and ctype prints. Money raised for Macmillan Charity.

Ruth Borchard Self-portrait Prize
2015 - King's Place, London

Open competition.

A History of Photography: Series and Sequences
2015 - Photobooth Original Collage - The Victoria and Albert Museum.

The Photographs Gallery draws upon the V&A’s internationally renowned collection of photographs, and chronicles the history of photography from 1839 up to the present day. In 1852, the V&A became the first museum in the UK to collect photographs and in 1858, the first to hold a photography exhibition. Its collection is now among the most important in the world and forms the UK’s national collection of the art of photography.

The Photographs Gallery celebrates the creative language and visual appeal of photographs in their many forms, and showcases some of the most technically brilliant and artistically accomplished photographs in the museum's collection. The display focuses on the wider visions of photographers through series and sequences of images, and features Lewis Baltz, Sian Bonnell, Philip-Lorca diCorcia, Harold Edgerton, Masahisa Fukase, Sally Mann, Eadweard Muybridge, Nicholas Nixon, Liz Rideal, Josef Sudek and Sze Tsung Leong.

2015 - Gallery 339, Philadelphia, USA

“It’s a Long Way to Tipperary” is the last show for Gallery 339 in Philadelphia. The gallery has been a remarkable adventure, and we are happy with what we have been able to accomplish over the last ten years. We had wanted to bring great photography to the city, and take the extraordinary work of Philadelphia photographers to other places. And through the tremendous effort of staff, artists, and other supporters, many wonderful pictures have come to Philadelphia, and remarkable photographs from here have gone out to collectors around the world. With this last show, we want to sum up the gallery in an appropriate way, which is not simply a look back. We are pleased therefore to present some of the best-remembered images from past exhibitions alongside compelling new projects. We have been very fortunate to work with an exceptional group of photographers since we opened, and it is a privilege to exhibit their art one more time.

2015 - L'escargot

Exhibition including staff, students and alumni from the Slade School of Art, curated by Andrew Stahl, Head of Undergraduate Painting Department. Slade School of Art.
Artists included:
Ben Clarke, Reg Gadney, Simon Granger, Jumpei Kinoshita, Motoko Ishibashi, Neil Jeffries, Jin Han Lee, Alastair Mackinven, James Ng, Vaishali Prazmari, Ellie Pratt, Paul Richards, Liz Rideal, Babette Semmer, Andrew Stahl, Charlotte Verity, Virginia Verran, Barbara Wesolowska, Tom Worsfold and Vivien Zhang.

2014 - Mixed Photographic - Gallery 339, Philadelphia, USA

Works in photographic media (silk photograms, digital prints, Photo Booth collages, c-types and b & w prints) that describe floating fabrics in spaces either confined to the booth interior spaces or those created by Baroque architect Borromini in Rome.

2014 - Collyer Bristow Gallery, 4 Bedford Row, Holborn, London WC1R 4TF

Artists have wrapped, knitted and woven for centuries but the use of ‘fabric’ as a medium is going through an interesting resurgence. Increasing global demand for cheap clothing and huge technological advancement have both imbued the very material with meaning beyond the domestic, enabling fabrics to be printed and manipulated in hitherto unimaginable ways. This eponymous exhibition looks at some current practices, teasing out threads and themes through the work of 8 artists.

Royal Academy Summer Exhibition 2014
2014 - Royal Academy, Piccadilly

Annual competition at the R.A.

Royal Academy Summer Exhibition 2013
2013 - Royal Academy, Piccadilly, London

Annual Summer Competition Exhibition

Ahmedabad - Manchester: Cotton exchange: a material response
2013 - Old Rajnagar Mill, Ahmedabad, Gujarat, India

On the occasion of celebrating UNESCO World Heritage Day in Ahmedabad, Gujarat, India. Jointly funded by the Centre for Heritage Management, Ahmedabad University, Manchester Metropolitan University in association with National Textile Corporation Ltd. (A government of India Undertaking). An initiative towards documenting and research on the management of Industrial Heritage of India.

Small is Beautiful XXX
2012 - Flowers Central, Cork St. WC1

Drop sari
2012 - Delhi

Selected in competition for the Delhi Film Festival

Discerning Eye
2012 - Mall Galleries

Tapestry Weaving the Century at Dovecot Studios 1912-2012
2012 - Compton Verney

Dovecot Studios Edinburgh: A history of weaving

In Paradisum: Disappearing Act: Marthe Callet (née Bailleul) 1896-1993.
2012 - Rich Mix, London

Disappearing Act: Marthe Callet (née Bailleul) 1896-1993.

More photos about buildings and food
2012 - Gallery 339, Philadelphia, USA

A visual riff on Brian Eno's Talking Heads second album - More songs about buildings and food.

Voilier - Sailing
2012 - Slade Research Centre and touring

ne minute film on sailing

Weaving the Century 1912-2012. Tapestry from Dovecot Studios
2012 - Dovecot Studios

Verdure - commissioned work from Dovecot Studios.

Speed Date at St.Paul's
2012 - UCL Slade Research Centre, WC1 0NS

Cities Methadologies (2012)

2012 - C2 Gallery, MK17 9DD

Film, book and painting around the theme of water.

Visions of Italy
2012 - Villa Wolkonsky, British Embassy

Royal Academy Summer Exhibition 2012
2012 - Royal Academy

ECHO (Forbes Watson)

Swedish Tango
2012 - Galleri Arnstedt, Östra Karup, Sweden

Bronzes in project space

Making Space
2012 - Slade Centre for Research, UCL

Cotton: Global Threads
2012 - Film, LEDs, Monotype Prints, Installation - The Whitworth Art Gallery, Manchester

Gallery illuminated by night with film and LEDs. Inside by day, film installation and monotypes produced while artist in residence at San Francisco.

Small is Beautiful XXIX
2011 - Flowers Central Gallery

About Face
2011 - Gallery 339, Philadelphia

Recent portraiture in photography, includes Tina Barney.

Mandrake II
2011 - Gallery Arnstedt,Postridarensvag 18, Ostra Karup, Sweden

Bronze cast matthiola plants.

Royal Academy Summer Exhibition 2011
2011 - Royal Academy, Burlington House,Piccadilly, W1.UK

Danzando con Borromini
2010 - Photography - Hybrida Contemporanea, v.Reggio Emilia 32, Roma

Photographs of flying silk within backdrops of Borromini's architecture.

Roman Dance, Cities Methodologies
2010 - Slade Research Centre, UCL, Woburn Square, WC1.

Cities Methodologies 2010 presents recent innovations in urban methods from current researchers at UCL. Through the juxtaposition of installations, films, maps, models, objects, performances, photographs, poems, talks, texts, walks, websites and workshops, visitors will encounter a diverse array of cities and urban conditions – from literature in London, to flyovers in Mumbai, from movement and spatial organisation in Jeddah, to fear in New York City, and housing in Lisbon seen through cinema. The exhibition and events programme promise a unique experience for urban practitioners, researchers, and others interested in contemporary cities. They will provide insights into emerging and experimental methods in the urban field, looking right across the full spectrum of disciplines in which the city is predominant, including distinctive perspectives and interdisciplinary collaborations from the built environment, the arts and humanities and the social and historical sciences.

Reading with the Master (Off the Shelf)
2010 - Video - Wilkins building

Slade, UCL group staff/student exhibition. Many multi-media works and performances.

Contemporary Women Printmakers
2009 - St.George's Hospital, SW17. UK

Contemporary Women Printmakers, Arts for the Teaching and Healing Environment (AfTTE) V&A museum and Paintings in Hospitals
Curated by Sarah Grant V&A (assisant curator of Prints V&A)

2009 - Neuberger Museum of Art, Purchase, Westchester County, NY. USA

Picturing Eden
2009 - The John & Mabel Ringling Museum of Art, Sarasota, FL

Bow Quarter Art Annual
2008 - 261 Manhattan Buildings, Bow Quarter, Fairfield Road, London, E3 2UG

Tempo Reale
2008 - The British School at Rome

2008 - Nunziante Magrone, Piazza dei Pietro, Rome

Cloth Fair
2007 - Bart's Hospital, London

Projection by night onto Bartholomew the Less belltower. Illumination of the Bart's gatehouse.

Cohesion: textiles & photography,
2007 - Ellen Curlee Gallery, St.Louis, USA

Picturing Eden
2007 - Museum for Photographic Arts, San Diego, California, USA

Above and Below Ground
2006 - Gallery 339, Philadelphia, PA

Fall, River, Snow
2006 - Compton Verney, Warwickshire

Suc des Vosges
2006 - Lucas Schoormans Gallery, NY

Revealed, Nottingham's Contemporary Textiles
2005 - Castle Museum, Nottingham

Who's Looking at the Family?
2004 - Barbican Art Gallery, EC1, London

Tango 3
2004 - Poetry Library, Royal Festival Hall

Focus on Photography
2004 - Zurich, Switzerland

2003 - Art Space, Imperial College London

The Auroral Light: Photographs by Women
2003 - The Grolier Club, New York, USA

Drawing 100
2003 - The Drawing Centre, London

Mandrake Tango
2003 - HackelBury Fine Art, London

100% Photograph
2002 - HackelBury Fine Art, London

Works 1992/2002 Mandrake Tango
2002 - The Fine Art Centre, University of Massachusetts, Amherst, USA

Fold: Drapery in Contemporary Visual Culture
2002 - City Art Gallery, Leicester

2002 - Aurobora Press, San Francisco, USA

2002 - Photobooth Collage 142x116 Cm - Lucas Schoormans Gallery, 508 W26th St. New York 10001

Works reflecting specific use of light in artworks, for example Dan Flavin.

2001 - Lucas Schoormans Gallery, New York, USA

Chelsea Girls, Cinema Studies
2001 - Photobooth Original Collage - Lucas Schoormans Gallery, 508, West 26th St, 11B. New York 10001

An exhibition focusing on how artists are influenced by film in their work. Examples from Muybridge, Katz and Nauman.

Lyon Town Hall Projection
2000 - Lyon, France

Concerning the Photo-Booth
2000 - Museet for Fotokunst, Odense, Denmark

Seasonal Stills
2000 - HackelBury Fine Art, London

Photographs 96-98
2000 - Lucas Schoormans Gallery, New York, USA

2000 - Hiscox Gallery, London

Hall of Mirrors: Variants of the Portrait
2000 - Museet of Fotokunst, Denmark

Double Purl
1999 - Ally Gallery, London

Pacaembu: A Planetary Reply for the World
1999 - Oficina Cultural Oswald de Andrade, Sao Paulo, Brazil

Liz Rideal: New Work
1999 - Ferens Art Gallery, Hull

Up On Deck
1999 - Ramsgate Art Gallery, Ramsgate

Kiss Kiss
1999 - Focal Point Gallery, Southend

Liz Rideal: New Work
1998 - Rochester Art Gallery, Rochester, Kent.

1998 - The Photographer's Gallery, London.

Solo x(9)
1998 - Berry House, St.John St. London EC1.UK

Liz Rideal: New Work
1998 - Angel Row Gallery, Nottingham.

50 Ans de Tati
1998 - Musée de Arts Décoratifs, Palais de Louvre, France.

The Mag Collection: Image Based Work in the Late 20th Century
1998 - The Fruit Market Gallery, Edinburgh and toured to The Towner Gal

Conceived at Christmas
1997 - The Photographers' Gallery, London

History: The Mag Collection (Image Based Art in Britain in the Late 20th Century.)
1997 - Ferens Art Gallery, Kingston upon Hull

Behind the Arras
1997 - Economist Plaza, London, WC1

Through the Looking Book, 20 Years of Circle Press
1997 - Royal National Theatre, London

As Big as Life
1995 - Michael Klein Gallery, 40 Wooster St. New York. USA

Portrait show. Reviewed by The Village Voice, Vince Aletti, 25 July, 1995

A Mes Beaux Yeux: Auto-portraits Contemporains. Here's Looking at ME
1993 - ELAC, Espace Lyonnais d'Art,Ville de Lyon, France

Broad range of self-portraits - including Richard Hamilton, George Baselitz, Jean-Michel Basquiat,Louise Bourgeois, Gilbert & George, Gerhard Richter et al.

'The Arbitrarinous Line: Line = Map = Division'.
1990 - The Orchard Gallery

Irish photo-booth project in association with Photo-Me Northern Ireland and Woolworth's Derry

People Profile: Pillars of Society
1988 - Museum and Art Gallery Stoke on Trent

1985 - The National Portrait Gallery,, London

Mass portraiture
using a photobooth

Face Value
- Collyer Bristow Gallery

Callahan to Warhol: New Photographic Acquisitions,
- Portland Art Museum, Oregon, USA

25 Years of Focal Point
- Focal Point Gallery, Southend-on-Sea, Essex


Slade Drawing 150
- Book , Slade Press , Slade School of Art, UCL , edited by Rideal L 2022/12/07

ISBN: 978-3-7774-3299-1
- Chapter in Basquiat by Himself , published by Hirmer , Germany , edited by Buchard D,Hofbauer AK 2019/09/02

500 Self-portraits
- Book , Phaidon , London , edited by Morril R,Imizcoz C 2018/04/05

The erotic cloth: seduction and fetishism in textiles
- Chapter in The erotic cloth: seduction and fetishism in textiles , published by Bloomsbury Academic , London , edited by Kettle A,Millar L 2018/02/08

Madam and eve
- Book , Laurence King , London 2018/04/16

Exposing the self and juggling the uniform (S'exposant et jongler avec les uniforms)
- Conference Autoportraits en costumes:j eux d'identities multiples (Self-portraits in costumes : multiple identities at play). 2018/06/01

Feu Follet
- Book , Slade Press , London 2018/11/01

Straw Camera
- Book , Slade School of Fine Art, UCL , UCL, London, UK , edited by Pickering S 2017/02/16

In FOCUS: Angelica Kauffmann
- Other , National Portrait Gallery 2017/01/01

Exposing the self and juggling the uniform
- Conference Presentation 2017/11/24

Abstract Portraits
- Internet Publication 2017/01/01

IN FOCUS: Hans Holbein the Younger
- Internet Publication , The National Portrait Gallery 2016/01/01

How to Read Art. A crash course in understanding and interpreting painting.
- Book (400 colour illustrations) , Rizzoli/Universe , New York, USA. 2015/04/14

In Focus: John Singer Sargent
- Internet Publication (Internet publication) , National Portrait Gallery 2015/02/12

- Conference Presentation (Video) 2015/03/20

Straw poll: Painting is fluid but is it porous?
- Conference Presentation 2015/10/29

Portraits of South Asian Writers : Lucinda Douglas-Menzies
- Book 2015/09/01

Finger Ferns
- Chapter in Art Rules! (and How to Break Them) How to Think Like a Modern Artist , published by Shambhala Redstone Editions , edited by Gooding M 2014/10/07

How to Read Paintings. A crash course in meaning and method
- Book , Bloomsbury , London, UK 2014/09/16

Cloth Cascades
- Film 2014/09/26

Wrapping and Unwrapping Material Culture : Archaeological and anthropological perspectives.
- Artwork , Walnut Creek, California 2014/10/01

'Tempi d'Es-tensione' Collettivo di scrittura "L'altra altra"
- Chapter in 'Tempi d'Es-tensione' Collettivo di scrittura "L'altra altra" , Naples 2012/02/01

Photomaton: A Contemporary Survey of Photobooth Art
- Other in 25th Anniversary Show. International Photobooth Convention, Venice, California 2012/01/01

Golden Years? 1905-1950: a non-digital world. Self-expression,self-promotion,self-preservation
- Chapter in Self-portrait , published by Louisiana Museum of Modern Art , Denmark 2012/09/14

Pattern, rhythm, vibration and colour
- Chapter in Shibusa - extracting beauty , published by University of Huddersfield , edited by Dickens P,Adkins M 2012/03/01

Indian Journal
- Internet Publication (Audio and film) , Open University, Open Arts Archive 2012/05/01

Palazzo Spada, Palazzo Barberini
- Chapter in Languages of Colour , published by The Frogmore Press , Lewes, East Sussex, BN7 1PJ 2012/05/31

- Chapter in The Art of Modern Tapestry , published by Lund Humphries , edited by Cumming E,Weir D 2012/07/28

Dancing with Borromini (Palazzo Barberini, Palazzo Spada)
- Chapter in The Languages of Colour , published by Frogmore Press , Sussex , edited by Loske A 2012/05/01

Dark and light veiled thoughts
- Journal Article for Dark Matter 2012/05/18

Portraits: Art History
- Internet Publication , The National Portrait Gallery 2012/01/01

'Tempi d'Es-tensione' Collettivo di scrittura "L'altra altra"
- Book , Naples 2012/02/01

Portrait Photography - From the Victorians to the Present Day. Wide Angle and Zoom in
- Internet Publication , The National Portrait Gallery 2012/01/01

Tricycle: The Buddhist Review
- Artwork Vol. Winter 2011 , TRICYCLE , USA , edited by Ryan P 2011/01/01

- Chapter in Photomaton , published by Editions de la Martinere , Paris France , edited by Pellicer R 2011/01/06

'Manchester and Ahmedabad: from internationalisation to globalisation - or where did cotton manufacture go and why?'
- Conference World Cotton Research Conference 2011/01/01

Photobooth: The Art of the Automatic Portrait
- Chapter in Photobooth , published by Harry N Abrams Inc , January 2011 , edited by Pellicer R 2010/12/01

The Indian Portrait
- Internet Publication , The National Portrait Gallery 2010/03/11

"No Subject" Palazzo Carpegna, Oratorio dei Filippini.
- Internet Publication (Digital photography on-line) , 2010/02/09

The Migration of Cloth; interconnecting views
- Conference Wrapping and Unwrapping the body. Archaeological and anthropological perspectives 2010/01/01

Green, green glass of home
- Artwork (Temporary sculpture installation) , Victoria & Albert Museum 2009/05/29

Fine Arts 2008-2009
- Chapter in Fine Arts 2008-2009 , published by The British School at Rome , Rome , edited by Benci J 2009/01/01

Aspects of Kent
- Book , University of Kent , Canterbury, Kent, UK 2009/01/01

Portraits, Painting, Photography and Gerhard Richter
- Internet Publication , The National Portrait Gallery 2009/02/26

in [In]visible [in]tangibles: Visual portraits of the business élite.
- Journal Article for Accounting, Organizations and Society , published by Elsevier Publications 2009/01/01

Hawthorn Hall of Mirrors, 454308E-205690N,
- Artwork 2009/01/01

A Guide to Contemporary Portraits
- Chapter , The National Portrait Gallery , London UK 2009/05/01

John Singleton Copley's self-portrait
- Internet Publication (Podcast) , 2009/10/19

- Audiovisual Material (Film projection) , ESC Atelier Occupato, Via dei Reti, Rome 2008/12/23

Monotype Auroras of Autumn
- Chapter in Printmaking on a Budget , published by A & C Black , edited by Bonnell M,Mumberson S 2008/10/01

Drawing Self-portraits
- Internet Publication , The National Portrait Gallery 2008/01/01

Pop Art Portraits
- Internet Publication , The National Portrait Gallery 2007/10/11

Pop Art Portraits
- Internet Publication , The National Portrait Gallery 2007/10/11

Light Column
- Journal Article for Sculpture , published by International Sculpture Center , US 2006/05/01

- Artwork (Scanachrome installation) , Rose Theatre, Kingston upon Thames, Surrey 2006/01/01

Picturing Eden
- Chapter in Picturing Eden , published by Steidl / Edition7L , edited by Klochko D,House IMOPAGE 2006/01/01

Alger, un passage dans la lumière
- Chapter in Alger, un passage dans la lumière , France , edited by Mouillon P,Charlet N,Clément G,Mefti B,Seddik Y 2005/01/01

Tapis Volant
- Chapter in Revealed , published by Nottingham City Museums and Art Galleries , Nottingham , edited by Galleries NECMA 2005/09/01

Light Column/Glass Drapes
- Artwork (Solo commission for Birmingham Hippodrome Theatre, commenced August 1998, completed August 2005.) 2005/04/01

Tapis Volant
- Artwork (Tapestry) in Flying Carpet , Dovecot Studios, Edinburgh, Scotland 2005/01/01

Twelve Twentieth-Century Portraits
- Internet Publication , The National Portrait Gallery 2005/01/01

Magic Carpet to Tapis Volant
- Chapter in Revealed , published by Nottingham City Museums and Art Galleries , Nottingham , edited by Stoddart K 2005/01/01

Insights: Self-Portraits
- Book , National Portrait Gallery , London , edited by Foster S,Gibson R 2005/01/01

- Artwork (Scanachrome derived from photo-booth original) 2004/05/06

The Practice of Portraiture
- Other , National Portrait Gallery 2004/01/01

Perspective - Seeing Where You Stand
- Other , National Portrait Gallery , London , edited by Stevens C 2004/01/01

Self image: Making a self-portrait : Basic materials and techniques
- Internet Publication , The National Portrait Gallery 2004/01/01

Drapery and Pattern in Portrait painting as a Source for my Work in the Photobooth with particular reference to 'The Curtain Master' William Larkin
- Journal Article for Textile The Journal of Cloth and Culture Vol. 3 2003/01/01

Transition/Connections. The Developing Portrait: Painting towards Photography.
- Internet Publication , The National Portrait Gallery 2003/01/01

The Curtain Master: Drapery and Pattern in Larkin's Early British Portrait Paintings and its Affinity with my Work in the Photo Booth
- Conference Drapery in Visual Culture. Contexts, Clothing, Corporealities Vol. 3 , organised by Berg , Oxford and New York 2003/01/01

The artist, the public, the artwork and authorship: Issues surrounding public art and the use of the photo-booth
- Conference Identity and public art , organised by Southampton University 2002/01/01

Mirror mirror: Self-portraits by women artists
- Book , National Portrait Gallery and Watson-Guptill Publications , London and New York , edited by Foster S 2002/01/01

Self-Portraits from C17th to C21st
- Internet Publication , The National Portrait Gallery 2002/01/01

Mirror Mirror: Self-portraits by women artists
- Book , National Portrait Gallery , London 2001/10/01

Mirror Mirror Self-Portraits by Women Artists
- Other (Exhibition curation for the National Portrait Gallery, London, and co-authoring of accompanying catalogue. Exhibition open 24 Oc) 2001/01/01

Identity (is a great big part of me): Disguise, revelation, authorship and collaboration.
- Conference Mirror Mirror - Self-portraits by women artists , National Portrait Gallery 2001/01/01

Mirror Mirror: Self-portraits by women artists
- Internet Publication , The National Portrait Gallery 2001/09/12

Glass Drape
- Artwork (Permanent solo public installation for The Hippodrome Theatre, Birmingham c/o the Public Art Commissioning Agency, completed 13) 2001/01/01

Contemporary Painted Portraits
- Internet Publication , The National Portrait Gallery 2001/01/01

Investigating drawing.Explore the different drawing materials
- Internet Publication , The National Portrait Gallery 2000/01/01

People Profile: Pillars of Society Liz Rideal
- Chapter in People Profile: Liz Rideal , published by City of Stoke on Trent , edited by Rennie J 2000/01/01

The Practice of Portraiture
- Internet Publication , The National Portrait Gallery 2000/01/01

Portraits in Disguise
- Internet Publication , The National Portrait Gallery 2000/01/01

The Self
- Journal Article for 1999/09/01

The Ivy
- Chapter in The Ivy , published by Trafalgar Square Publishing , edited by Gill AA 1999/03/04

Girls, Girls, Girls.
- Other in Female portraits from the Ferens Collection. 1999/01/01

Light Column
- Artwork (Commission. Three glass art works for the Hippodrome Theatre, Birmingham, commenced 1 Feb 1999) 1999/02/01

Up on Deck
- Artwork (Commission. 200 portrait photographs of Ramsgate folk for Photoworks and VPMA Belgium.) 1998/01/01

Van Dyck Hands
- Artwork , Tribeca Partnership 1998/01/01

Blue Moon (Les drapes dans le jardin).
- Artwork (Screening of video at the Photographers' Gallery, London.) 1998/06/01

Rainbow Portraits
- Journal Article Vol. 148 , Aperture Foundation Inc , UNew York,SA , edited by Hunt W 1997/01/01

Making space 'The green carpet, room 15, elevators and mezzanines: a discussion of the National Portrait Gallery and its recesses',
- Journal Article for engage 2 , published by engage , Rich Mix, 35 - 47 Bethnal Green Road, London, E1 6LA, United Kingdom , edited by Allen F 1997/01/01

Making space 'The green carpet, room 15, elevators and mezzanines: a discussion of the National Portrait Gallery and its recesses',
- Journal Article for engage 2 , published by engage , Rich Mix, 35 - 47 Bethnal Green Road, London, E1 6LA, United Kingdom , edited by Allen F 1997/01/01

The Room in View
- Other in Portraits of people within interiors :the studio, the lab, the home. 1997/01/01

From Satellite to Snapshot. On the Edge
- Artwork (Commission. Portraits for three Kent schools. 1 - 18 July 1997.) 1997/01/01

The Rainbow Portraits
- Chapter , Edinburgh, UK , edited by Chalmers G 1996/06/01

Fully Exposed: The Male Nude in Photography
- Artwork , Routledge , London and New York 1995/01/01

Autoportraits contemporains
- Chapter in Autoportraits contemporains , edited by contemporain ELD 1993/01/01

Screen Deep -
- Other in Computer installation 1992/01/01

The (Changing ) English Face - Drawings on paper
- Other 1992/01/01

Double Take - Comparing the art of graphic and photographic portraiture,
- Other 1991/01/01

Dorothy Wilding - Photographic technique.
- Other 1991/01/01

Double Take
- Book , ACC Distribution , UK 1991/05/01

The Self-portrait
- Other in How do artists see themselves 1990/01/01

Lusus naturae
- Book , Circle Press Publications , London 1990/01/01

Camera Obscura - An upside down experience.
- Other in An investigation into the theory of the photographic camera, without its chemistry. 1990/01/01

Looking to Construct -
- Other in Completed works and preparatory drawings by Schwartz, Procter, Powys Evans and Sutherland 1989/01/01

Lucy and George by Larkin
- Other in LARKIN: C17th Journeyman painter. Specialist painting techniques in full length paintings of the period. , Studio in the Basement 1988/01/01

- Other in An exhibition of photographic works using dramatic shadow to enhance the image of the sitter by Wilding, Beaton and Gordon Anthony. 1988/01/01

The Reproduced Image
- Other in From copy workshop to photographic studio. Focusing on the Van Dyck painting of the 'Five Children of Charles I' (1637). 1987/01/01

Sculpture in the Basement
- Other in A look at the various materials and methods of portrait sculptors. Including Roubiliac and Frink. 1987/01/01

Magnification versus miniature
- Other in Questions about the importance of different scale used in the making of portraits. 1987/01/01

The Art of the Drapery Painter
- Other in Focus on Van Aken and other unsung heros 1985/01/01

Finding yourself in a Photobooth
- Journal Article for Performance Art Magazine Vol. 36 , published by Performance Magazine Ltd , London UK , edited by La Frenais R 1985/08/01

The Honest Portrait
- Other in Two types of portrait separated by 400 years: Contemporary work by Tony Bevan, juxtaposed with unknown artists from the seventeenth century. 1984/01/01

From Myth to Reality : A profile of Rose Garrard
- Journal Article for Performance Art Magazine Vol. 32 , published by Performance Magazine Ltd , London UK 1984/11/01

Mainbeam on Charlie Hooker
- Journal Article for Performance Art Magazine Vol. 31 , published by Performance Magazine Ltd , London UK 1984/01/01

Growing Up
- Other in Life size self-portraits of children. In collaboration with Helen Chadwick. 1983/01/01

Rainbow Portraits
- Journal Article for Aperture Vol. 148 , published by Minor White , UNew York,SA , edited by Hunt W 1977/01/01

Splicing Time
- Other , UCL

in [In]visible [in]tangibles: Visual portraits of the business élite.
- Journal Article for Accounting, Organizations and Society , published by Elsevier Publications

Drop Sari
- Film (Film projection)

IN FOCUS: John Singer Sargent
- Digital Resource

IN FOCUS: Sir Anthony van Dyck
- Digital Resource

Uniform & status: portraiture and identity
- Digital Resource

- Film in The film premiered at THE EROTIC CLOTH: Seduction and Fetishism colloquium

Image and Identity
- Internet Publication