Adam Ellis


'Caught in the Act', April 1997.
Oil on Canvas, 198 x 230 x 5 cms


To use process not as a means to an end, but as a vehicle to something further.

To offer evidence through the making as to the origins of how the painting came to be.

To create paintings that exist physically, as objects, not as pictorial evidence.

To use paint as matter to record a surface, not to make pictures.