- British Comparative Literature Association (BCLA) Autumn Graduate Reception
- Reading and Reception Seminars: Dr Sibylle Erle
- Medical (In)Humanities Workshops: Institutions, Languages & Social Practices
- Reading and Reception Seminars Spring Term Programme
- Taboos, Trends and Debates in Contemporary Scandinavian Children’s and Young Adult Literature
- Reading and Reception Seminars: Dr Ann Lewis
- Reading and Reception Seminars: Professor Patrick Pollard
- "You don't look old!": Public lecture by Lynne Segal
- Film screening and conversation with Professor Colin MacCabe
- Portraying Perpetrators screening: 'Harlan: In the Shadow of Jew Suss'
- Portraying Perpetrators screening: '2 or 3 Things I Know about Him'
- Portraying Perpetrators screening: 'The Act of Killing'
- Portraying Perpetrators screening: 'I Was a Slave Labourer'
- Portraying Perpetrators screening: 'The Passenger'
- Visiting Lecture in Comparative Literature
- Reading and Reception Seminars: Dr Carolyn Burdett
- Film screening: The Life of Zygmunt Bauman
- Film screening: Rainer Werner Fassbinder, 'Despair' (1977)
- From Phantasmagoria to Science!
- Pleasure, Pain & the Capacity to Relate
- Subtitles, Surtitles & Supertitles
- Auschwitz: Awkward Approaches
- London’s Burning: Our Habitat in Times of Crisis
- Books Before Towels: Germans on the Beach
- Reading and Reception Seminars: Professor Alice Jenkins
- Losing the Dead: Lecture by Lisa Appignanesi
- Medical (In)humanities: Secret Science
- Conference: Disturbing Pasts
- Humanity and Animality in 20th and 21st Century Culture: Narratives, Theories, Histories. An Interdisciplinary Conference
- Science and Literature Seminars: Francis Galton, Karl Pearson and the Biographical Laboratory
- 'My UCL Masters: what next?'
- Portraying Perpetrators screening: Dead Snow (2009)
UCL is seeking
expressions of interest from members of staff at UCL in the position of
Director of the Lesbian, Gay, Bisexual, Transgender and Queer (LGBTQ) Research
Network at UCL.
Published: Jun 4, 2015 2:54:34 PM
Reading and Reception Seminars: Dr Ann Lewis
Publication date: Jan 30, 2014 03:01 PM
Feb 04, 2014 05:30 PM
End: Feb 04, 2014 07:30 PM
Location: G24, Foster Court, Malet Place, UCL, London, WC1E 6BT
'Intermedial Influence & Reception: Marivaux's La Vie de Marianne'
Marivaux’s novel, La Vie de Marianne (1731-42), was hugely influential in the eighteenth century (both in England and in France), provoking a large number of textual imitations and continuations, and leaving a significant mark on the eighteenth-century novel. This paper, however, will focus on a specific type of literary filiation which has been less explored: the relationship between text and image in different series of illustrations of the novel, and in the film adaptation Marianne directed by Benoît Jacquot (1995). Not only do these different transpositions suggest complex forms of reception of Marivaux’s text, but in their anticipation of and engagement with other media theatre, painting, illustration,cinema), they also provide a suggestive and rich interrogation of what it means to become a ‘spectacle’.
Dr Ann Lewis is Lecturer in French at Birkbeck, University of London, and co-convenor of the Birkbeck Eighteenth-Century Research Group. Her research and teaching interests are in the field of eighteenth-century French literature and culture, and in particular, the topic of sensibility, notions of reception and reader-response, and word and image relations (especially illustration and adaptation). She is currently working on a series of articles relating to book illustration, and a monograph on the representation of the figure of the prostitute in eighteenth-century France, started during the tenure of a Leverhulme Early Career Fellowship. She is author of Sensibility, Reading and Illustration: Spectacles and Signs in Graffigny, Marivaux and Rousseau (Legenda, 2009), co-edited a volume entitled Prostitution and Eighteenth-Century Culture: Sex, Commerce and Morality with Markman Ellis in 2011 (Pickering & Chatto), and is currently co-organising a conference entitled ‘Adapting the Canon’ (October 2014).
Open to: Academics, alumni, students
Ticketing: No ticketing required