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Lady Oscar: Between Genres and Genders

26 March 2025, 5:00 pm–7:00 pm

Cosplayers of Oscar François de Jarjayes at Romics 2014 Spring.

The Centre for French and Francophone Research is pleased to present this conversation with Frances Clemente (Oxford), Alessandra Aloisi (Oxford) and Christina Parte (UCL).

Event Information

Open to

All

Organiser

Institute of Advanced Studies

Location

Room G07
North-West Wing (to the left as you enter UCL from Gower St)
UCL, Gower St, London
WC1E 6BT
United Kingdom

'Lady Oscar' or 'La Rose de Versailles', is a Japanese manga series written and illustrated by Riyoko Ikeda. The series is a historical drama set in the years preceding and during the French Revolution. Using a combination of historical personages and original characters, The Rose of Versailles focuses primarily on the lives of two women: the Queen of France, Marie Antoinette, and Oscar François de Jarjayes, who serves as commander of the Royal Guard.

Christina Parte, "Lady Oscar: Shojo Warrior at the Crossroads of S Relationships and Queer Desire"

In the 1970s Riyoko Ikedawas at the forefront of Japanese female artists, who revolutionised the genre of shojo manga (manga for girls).  Whether the depiction of cross-dressing, androgynous looking youth subverting Japanese heteronormativity is contained by the world of shojo or goes beyond it, has been hotly debated and will be revisited from a transnational perspective.

Frances Clemente, "A queer and feminist icon? The reception of Lady Oscar in Italy today"

For decades, queer and feminist Italian activists have been reclaiming the figure of Lady Oscar as a queer and feminist icon. Today, as right-wing and far right-wing political parties widen their consensus through discriminatory campaigns against LGBTQIA+ people, Lady Oscar has made a return to the cultural, social, and political debate, entering discussions among Italian parliamentarians. The paper will focus on the state of Lady Oscar’s reception in Italy today and its political implications.

Alessandra Aloisi, "Embodied Politics in Jacques Demy’s Lady Oscar: A Cinematographic Take on Class, Gender, and the French Revolution"

A commissioned film, apparently flawed and in many ways secondary within Jacques Demy’s filmography, Lady Oscar(1979) distinctively intertwines themes of class, gender, and crossdressing during the period of the French Revolution. Who is the Lady Oscar portrayed by the French director – strong and vulnerable at the same time, too feminine and not feminine enough? A queer icon? A pucelle guerrière? Or, perhaps, a truly unclassifiable and inappropriable heroine?

Everyone is welcome. Registration is not required.


The Centre for French and Francophone Research provides a showcase for the diversity of French and Francophone studies in a global context across several disciplines at UCL, including literary studies, history, philosophy, art history, anthropology, global health, and the physical sciences. The goal is to create a space for researchers and students from across the university broadly interested in the French-speaking world to share their work and to promote interdisciplinary collaboration.

Image credit: Cosplayers of Oscar François de Jarjayes at Romics 2014 Spring. Photo by Claudio MarinangeliCC BY 2.0, via Wikimedia Commons

About the Speakers

Frances Clemente

MHRA Honorary Faculty Research Fellow at Faculty of Medieval and Modern Languages University of Oxford

Her research on Italian cultural and literary production (c. 1850-c. 1930) focuses upon the notions of alterity and otherness, and how they relate to normative patterns of thinking and behaving. She draws on methodologies taken from cultural studies, literary criticism, psychoanalysis, Foucauldian, feminist and queer criticism.

Her research interests include nineteenth and twentieth century Italian culture and literature, comparative literature, gender and queer studies, literature and science, Leopardi studies, Neapolitan culture.

More about Frances Clemente

Alessandra Aloisi

Lecturer in French at Faculty of Medieval and Modern Languages University of Oxford

Alessandra’s research interests broadly concern modern and early-modern French literature and philosophy, as well as cultural exchanges in modern Europe, namely between France and Italy. She specialises in the 18th and 19th centuries (in particular the pre-Freudian theorisations of the unconscious, the intersections between literature and the prehistory of cinema, and the cross-fertilisation of medicine, literature, and philosophy). Her research interests also extend to 20th-century theory and aesthetics.

More about Alessandra Aloisi

Christina Parte

Lecturer (Teaching) at SELCS-CMII, UCL

Christina’s research interests lie in border studies, visual culture and gender studies. After doing an M.A. thesis on gender non-conformism and queer desire in Japanese manga and American graphic novels of the 1990s, she has recently finished her Ph.D. on the material and psychic history of the Berlin Wall.

More about Christina Parte