Annual UCL Tagore Lecture Series in Comparative Literature
The UCL Comparative Literature Programme regularly hosts a public
lecture named in honour of the poet, playwright, painter and musician
Rabindranath Tagore (1861-1941) and delivered by a scholar of
Tagore’s eminent figure looms large in the
history of UCL, a university which he joined briefly, in 1878, to read
law and which he left without a degree. One hundred forty years later,
Tagore is widely hailed as a model of the cosmopolitan spirit that
informs comparative literature in an age of rapidly shifting global
cultural and political constellations.
Tagore’s heroic vision of world
literature (visva bharati) opposes hate-mongering nationalism at every
level. His celebration of artistic creativity as wasteful spending (bājē
kharaca) seeks to preserve the exuberance of poetic invention across
all fields of inquiry and takes the excitement of drama, poetry, song
and painting into society – and into the classroom and the lecture
Our goal is hence to establish long-term perspectives that foster creativity in research, education and enterprise, and to encourage new generations of thinkers in their pursuit of a collaborative, cosmopolitan, critical and creative understanding of our present, its past and the futures it may inspire.
Prof. Peter Boxall (University of Sussex): Imagining the Future
5th December 2018
suggests that the contemporary moment sees a crisis in the experience
of temporality and sequentiality, that can be felt across the anglophone
There are a set of emerging political and ecological conditions,
that offer a serious challenge to the way that we have conceived of the
passage of historical time.
It is difficult at the present moment, I
will suggest, to generate clear pictures of the future, either of
Europe, or of our wider planetary environment.
The lecture addresses this crisis, by examining the forms in which some contemporary British authors give poetic expression to the claims that the past has on our experience of time, and by suggesting how such pictures of the past yield new ways of imagining a European future.
is Professor of English at the University of Sussex. His books include
Don DeLillo: The Possibility of Fiction (Routledge: 2006), Since
Beckett: Contemporary Writing in the Wake of Modernism (Continuum:
2009), Twenty-First Century Fiction (Cambridge: 2013), and The Value of
the Novel (Cambridge: 2015).
He has edited a number of collections,
including Thinking Poetry and Beckett/Aesthetics/Politics, and a Faber
edition of Beckett’s novel Malone Dies.
He is co-editor, with Bryan
Cheyette, of volume 7 of the Oxford History of the Novel in English, and
editor of the Cambridge Companion to British Fiction, 1980 – The
He is also the editor of Textual Practice and 1001 Books. He is currently completing a book entitled The Prosthetic Imagination: A History of the Novel as Artificial Life.
All welcome. The event will be followed by a wine reception.
Prof. Matthew L. Jockers (University of Nebraska): Novel Analytics from James Joyce to the Bestseller Code
10th May 2017
To better understand bestselling fiction, Matthew Jockers and
research partner Jodie Archer took the advice of Google researchers who
argue that we should "embrace complexity and make use of the best ally
we have: the unreasonable effectiveness of data.”
Instead of seeking a
formula or telling authors how to write a successful novel, Jockers and
Archer went to the books, thousands of them, and leveraged computation
to ask a simple question: "what are these texts made of?"
claim of their research, documented in The Bestseller Code, is that
novels that hit the New York Times bestseller list are not random
lottery winners but books that share an uncanny number of textual
In this lecture, Jockers will describe how he went from being a close reader of language in Joyce's Ulysses to mining thousands of novels in search of the linguistic patterns most typical to books that best sell.
Matthew L. Jockers is the Susan J. Rosowski Associate Professor of English and Associate Dean for Research and Partnerships in the College of Arts and Sciences at the University of Nebraska. He is a Faculty Fellow in the Center for Digital Research in the Humanities and Director of the Nebraska Literary Lab. Jockers’s research is focused on computational approaches to the study of literature, especially large collections of literature.
His books include Macroanalysis: Digital Methods and Literary History (UIUC Press 2013), Text Analysis with R for Students of Literature (Spring 2014) and, with Jodie Archer, The Bestseller Code: Anatomy of the Blockbuster Novel (St. Martins 2016). His research has been profiled in the academic and main stream press including features in The Wall Street Journal, The New York Times, Nature, The Chronicle of Higher Education, Wired, New Scientist, Smithsonian, NBC News and many others.