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Rosa Andújar


A. G. Leventis Research Fellow in Ancient Greek Literature

Office hours: On Research Leave Term 1 (2015-2016)


Research interests:  Greek literature, especially tragedy, Lucian, and the ancient novel; reception of Greek drama in postcolonial contexts; the Classical tradition in Latin America

IRIS research profile

Before joining UCL, I studied Classics on both sides of the Atlantic: I hold BA degrees from Wellesley and King’s College Cambridge, and an MA and PhD from Princeton. I also supervised various topics in Classics and English at several colleges in Cambridge. At UCL I teach a range of courses on classical language, literature, culture, and reception. Additionally, I serve as the academic adviser for the UCL annual classical play at the Bloomsbury Theatre

At present I am completing two book projects on the lyric dimension of Greek tragedy. The first is a monograph entitled Playing the Chorus: Greek Tragedy Beyond the Choral Ode, which builds on my Princeton PhD work on tragic lyric exchanges. By exploring its activities beyond the singing of odes, I aim to prove that the tragic chorus was a dynamic body, able to adapt and transform based on interactions with both the actors and the reacting audience. With Thomas Coward (KCL) and Theodora Hadjimichael (LMU Munich) I am also editing a volume on the complex relationship between Greek Lyric and Tragedy in fifth-century Athens, stemming from the Paths of Song conference held at UCL in 2013.

While at UCL I have also been developing a second major research strand on Hellenic Classicisms in Latin America. With Konstantinos P. Nikoloutsos (Saint Joseph's University, USA) I am editing a volume on the rich and varied reception of ancient Greek and Roman drama in the region, building on the Greeks and Romans on the Latin American Stage conference which I organised at UCL in June 2014. I have also started investigating the surprising ways in which ancient Greek drama assumed a new afterlife in the distinctive cultural and political climate of the twentieth century Hispanic Caribbean.

In addition to the A. G. Leventis Foundation, my research has been supported by the British Academy, the Harvard Center for Hellenic Studies, the Andrew W. Mellon Foundation, and the Woodrow Wilson National Fellowship Foundation.


Articles and Chapters

  • 'Revolutionizing Greek Tragedy in Cuba: Virgilio Piñera’s Electra Garrigó', in K. Bosher, F. Macintosh, J. McConnell, and P. Rankine (eds.), The Oxford Handbook of Greek Drama in the Americas (OUP 2015), pp. 361-379
  • 'Charicleia the Martyr: Heliodorus and Early Christian Narrative', in M. P. Futre Pinheiro, J. Perkins, R. Pervo (eds.), The Ancient Novel and the Early Christian and Jewish Narrative: Fictional Intersections (Ancient Narrative Supplementum 16: Barkhuis 2013), pp. 139-152
  • 'Lucian', in R. Bagnall, K. Brodersen, C. Champion, A. Erskine, and S. Huebner (eds.), The Encyclopedia of Ancient History (Wiley-Blackwell 2012), pp. 4155-4156


  • Review of C. W. Marshall, The Structure and Performance of Euripides' Helen (Cambridge 2014), forthcoming in Classical Journal
  • Review of J. Billings, F. Budelmann, and F. Macintosh (eds.), Choruses, Ancient and Modern (Oxford 2013), Classical World 108.3 (Spring 2015): 443-444
  • Review of G. Harrison and V. Liapis (eds.), Performance in Greek and Roman Theatre (Brill 2013), Classical World 108.1 (Fall 2014), pp.137-138
  • Review of S. Montiglio, Love and Providence: Recognition in the Ancient Novel (Oxford 2013), Classical Review 64.1 (April 2014), pp. 87-89
  • Review of K. Ormand (ed.), A Companion to Sophocles (Wiley-Blackwell 2012), Bryn Mawr Classical Review 2013.01.24
  • Review of L. A. Swift, The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford 2010), Classical World 106.2 (Winter 2013), pp. 292-293

General Essays on Greek Drama

Public Engagement

I enjoy communicating both my research and passion for the ancient Greek world and its modern relevance with diverse audiences in a variety of media. Below is a selection of recent appearances:

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