Professor of Latin
email: email@example.com external telephone: 020 7679 7491 (internal: 27491)
Research interests: Latin literature (especially Roman love poetry); ancient gender and sexuality; Rome on film; classical reception studies (esp. classics and popular culture); ancient and modern civilisations.
Research supervision: I welcome phd students with interests in any of the above areas. Recent topics I have supervised include the divinity of Augustus in Roman poetry; translations of Ovid's Ars Amatoria in early modern England; Roman emotions and Ben-Hur in literature, on stage and on screen; Thermopylae in Hollywood cinema; the concept of the mirror in Graeco-Roman culture; the modern reception of the myth of Scylla. I regularly co-supervise with colleagues in other departments, such as Archaeology, Anthropology, English and Film Studies.
Teaching in 2018 to 2019: At undergraduate level, I am teaching Roman love poetry (which situates the poetic language of love in its specifically Roman historical context, and relates it to Roman attitudes to gender, sexuality, morality and politics). At MA level, I direct the core course for our degree in The Reception of the Classical World that considers the importance of Reception Studies for Classics, and investigates case studies of reception from within antiquity to the twenty-first century (from literature to political and intellectual thought, visual arts to museum exhibitions, theatre to film and television). I also teach an MA module on Ancient Rome on Film (from early experiments through to the modern blockbuster, we explore what distinguishes cinematic histories of Rome from other historical forms and why they matter).
I was born in London to a Mexican mother and an Australian father. Educated at Catholic schools, I studied Classics at Oxford (where I began ancient Greek) and then at Cambridge. My interest in gender, sexuality, and desire in Roman love poetry was encouraged by the supervision of John Henderson, and from contact with enthusiastic and welcoming academics in the United States. After a year out to study film and television at the British Film Institute (1992-93), I went to the University of Reading, where I was fortunate to pursue my dual interest in Rome on film and Latin love poetry, both in teaching and research.
I arrived at UCL in September 2005 as Chair of Latin where I have been developing and enhancing the department’s interests in both Latin Literature and Classical Reception Studies. I am a member of the Executive Board for UCL's Grand Challenge of Cultural Understanding (GCCU) and was the Co-Director of the Centre for Research in the Dynamics of Civilisation 2013-2017 (CREDOC) .
- Publications and Talks
- co-author with Christopher Pelling of Twelve Voices from Greece and Rome: Ancient Ideas for Modern Times (OUP, 2014)
- co-editor with Pantelis Michelakis of Antiquity in Silent Cinema (CUP, 2013)
- Caesar in the USA (University of California Press, 2012)
- co-editor with Luke Houghton of Perceptions of Horace: A Roman Poet and His Readers (2009)
- Caesar: A Life in Western Culture (Granta, 2007; University of Chicago, 2008)
- editor of Julius Caesar in Western Culture (Blackwell, 2006)
- co-editor of Roman Bodies: From Antiquity to the Eighteenth Century, with Andrew Hopkins (BSR, 2005)
- The Roman Mistress: Ancient and Modern Representations (OUP, 2002)
- co-editor of The Uses and Abuses of Antiquity, with Professor Michael Biddiss (Peter Lang, 1999)
- editor of Parchments of Gender: Deciphering the Bodies of Antiquity (OUP, 1998)
- editor of Gender and the Body in the Ancient Mediterranean (Blackwell, 1998)
- Projecting the Past: Ancient Rome, Cinema and History (Routledge, 1997)
- co-editor of An Illusion of the Night: Women in Ancient Societies, with Leonie Archer and Susan Fischler (Macmillan Press, 1994)
- ‘Glamour girls: Cleomania in mass culture’, in ed. M. M. Miles, Cleopatra: A Sphinx Revisited (University of California Press, 2011), 172-94;
- ‘The pleasures and punishments of Roman error: Emperor Elagabalus at the court of early cinema’, in ed. Basil Duffallo, Roman Error: Transgressions and Receptions of Roman Antiquity (OUP 2017)
- ‘From 1916 to the arrival of sound: The systematization, expressivity and self-reflection of the feature film’, in A Companion to Ancient Greece and Rome on Screen, ed. A. Pomeroy (Wiley-Blackwell, 2017)
- ‘Parola e immagine: fattori competitivi dell’adattamento nel lungometraggio Quo vadis (1913)’, in eds. M. Wozniak and E. Gagetti, Quo vadis. La prima opera transmediale. Atti del Convegno. (Academia Polacca delle Scienze, 2017)
- BBC World Service - The Forum, Who Was the Real Cleopatra?
BBC Radio 4, In Our Times
- Julius Caesar: Melvyn Bragg and his guests discuss the life and reputation of Julius Caesar, one of the most intriguing figures of Roman history.
- Tacitus and the Decadence of Rome: Melvyn Bragg and guests discuss the Roman historian Tacitus, whose portrayal of Roman decadence influences the way we see Rome today.
- Greek and Roman Love Poetry: Melvyn Bragg and his guests discuss Greek and Roman love poetry, from the Greek poet Sappho and her erotic descriptions of romance to the love-hate poems of the Roman writer Catullus.
- Spartacus: Melvyn Bragg and his guests discuss the life of Spartacus, a Roman gladiator who was involved in a series of slave uprisings against the Roman Republic in the 1st century BC.
- Cleopatra: Melvyn Bragg and his guests discuss Cleopatra, the Egyptian pharaoh whose charisma, intelligence and beauty made her one of the most celebrated rulers of the ancient world.
BBC Radio 3
- The Essay - Greek and Latin Voices: The series focuses on the works of the major figures of Greek and Latin literature, philosophy, history and politics, including Thucydides, Euripides, Plato, Horace, Augustine, Tacitus, Juvenal, Cicero and Virgil.
- Research Projects
(a) an interdisciplinary research project Ancient Rome in Silent Cinema, that follows on from my collaboration with Pantelis Michelakis on the investigation of the Ancient World in Silent Cinema. I am engaged in a large-scale, interdisciplinary study of representations of ancient Rome in silent cinema that will be published as a monograph with University of Michigan Press; and (b) co-editing with Monika Wózniak a collection of essays on the Polish novel Quo vadis and its rich reception history.
For recent screenings of silent films set in ancient Rome see the Oxford Silent Film Society (May 2017) and a workshop on a silent film about Caligula held June 2017 at the Cinema Ritrovato festival in Bologna. I was also involved in the conference (and associated film screening) Alma-Tadema: Antiquity at Home and on Screen (20 to 21 October 2017). In 2018, I participated in a guided screening of films from the Turin archive at the Watershed Cinema in Bristol and organised the screening of the film Quo vadis (1913) at the British School at Rome, for which the pianist Michele Sganga composed and performed an original score. He subsequently discussed his work on the film on Italian television. Further events are planned for 2019, including the screening of two feature films (Slave of Phydias 1916/7 and The Tragic End of the Emperor Caligula 1917) on the evening of 6 July 2019 during the FIEC conference.