News Library
- Inaugural Lecture 15 June 2011
- History of Medicine in Motion
- Medical Texts in Translation
- Potent Substances: On the Boundaries of Food and Medicine
- Festival of Chinese Film and the Body
- Perfect Bodies
- Daoist and Other Visualisations in Practice
- Festival of Chinese Film and the Body, Film 4
- Chinese New Year celebrations 2013
- Pharmacology in China
- The Benevolent Dragon? An analysis of China's health diplomacy to Africa (1964 – the present)
- China in Latin America
- Martial arts film: The Sword Identity
- Spices and medicine: From Historical Obsession to Research of the Future
- CCHH OPEN DAY
- CCHH film evenings
- Performance and [dis]ability
- Chinese film evening, Dragon (Wuxia 武俠, 2011), dir. Peter Chan 陈可辛.
- History of Pre-Modern Medicine Seminar: Prof. Volker Scheid
- CCHH film – Mother (Mama 妈妈), dir. Zhang Yuan 张元, 1990.
- Film and the Chinese Medical Humanities
- CCHH alumni news
- CCHH MA student achievement
- Chinese Film and the Medical Humanities workshop
- China and Freedom of Speech: new systems for the accountability of the press. An evening with John Kampfner
- Imagining Chinese Medicine: Medical illustration from Han tombs to contemporary Comics.
- Twelve Scholars of the Bamboo Grove
- Chinese film – Sauna on the Moon (Chang’e 嫦娥), dir. Zou Peng 邹鹏, 2011
Latest
News and Events
Chinese film – Sauna on the Moon (Chang’e 嫦娥), dir. Zou Peng 邹鹏, 2011
Time: Thursday 29 May 2014, 6.30–8.30pm. Place: Roberts G06, Sir Ambrose Fleming Lecture Theatre. Part of the excellent UCL Festival of the Arts (27-30 May 2014). Register now on Eventbrite. More...
Published: Apr 14, 2014 10:42:42 PM
Twelve Scholars of the Bamboo Grove
To celebrate the end of lectures and UCL’s first UG course in Ancient and Medieval Chinese History, twelve talented students set out to emulate the Seven Scholars of the Bamboo Grove. Now read on...
More...
Published: Apr 11, 2014 11:33:19 AM
Imagining Chinese Medicine: Medical illustration from Han tombs to contemporary Comics.
The final lecture in the SOAS East Asia Art & Archaeology Research Seminar series will be given by Dr Vivienne Lo of UCL China Centre for Health and Humanity. She will present her work on Chinese medical illustrations.
Time: Friday, 21st March 2014, 3 pm.
Place: Room B111 (1st floor), Brunei Gallery, SOAS. All welcome.
More...
Published: Mar 14, 2014 7:28:32 PM
China and Freedom of Speech: new systems for the accountability of the press. An evening with John Kampfner
6th March 2014, panel discussion hosted by UCL’s China Centre for Health and Humanity and Centre for Transnational History and sponsored by UCL Grand Challenges (ii) and the UCL Institute for Human Rights.
Read all about it: Report by Dylan Brethour, PG History student. More...
Published: Mar 14, 2014 6:13:30 PM
Chinese Film and the Medical Humanities workshop
In the context of the UCL initiative for the creation of a Chinese Medical Humanities, on the 22nd and 23rd of February the collaborate workshop (with Peking University [PKU] Institute of Medical Humanities and King's College London [KCL]) convened international experts to reflect on the use of film in teaching the Medical Humanities. More...
Published: Mar 4, 2014 4:59:57 PM
Martial arts film: The Sword Identity
8 April 2013
Tuesday 14th May, 6.30pm, Lecture Theatre 1.03, Malet Place Engineering Building.
Part of the UCL Festival of the Arts
Free tickets available from:
http://the-sword-identity.eventbrite.com/#
As a continuation of the UCL China Centre for Health and Humanity (CCHH) Festival of Film and the Body, we present The Sword Identity 倭寇的踪迹 (2011), directed by Xu Haofeng 徐浩峰, one of China’s cutting edge young directors, and writer and lecturer at Beijing Film Academy.
In the postmodern world of martial arts, Xu’s debut film turns his novella of the same name into a film that is ‘both a homage to and a comic deconstruction of the Chinese and Japanese martial arts traditions’ (Kraicer, Cinemascope). This is a beautifully shot epic which draws on earlier generations of martial arts films with wit and artistry. Illustrating the complexities of wuxia society, the film contains a visual analysis of the subtle dynamics of combat chivalry and simultaneously captures the philosophy behind the skill of the swordsman.
Page last modified on 08 apr 13 17:50 by Penelope Barrett
