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Chinese film evening, 29/11: Woman Demon Human 人鬼情

Based on the life and career of Pei Yanling 裴艳玲 – a famous female performer of male roles in Hebei opera –  Huang Shuqin's 黄蜀芹 extraordinary Woman Demon Human (Ren gui qing 人鬼情, 1987) has been acclaimed as China's first feminist film. More...

Chinese Film and the Medical Humanities: ten workshops

Tuesday evenings (6.30pm) during term-time, 15 November 2016 to 7 February 2017, IAS Seminar Room 11, First Floor, South Wing, Wilkins Building

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PKU-UCL Cross-Cultural Medical Humanities

Conference/workshop: Self-Care in a Digital World [FURTHER UPDATE]
7–9 November 2016, UCL Institute of Advanced Studies (IAS) 'Common Ground', Ground Floor, South Wing, Wilkins Building, UCL.
Convened and curated by Vivienne Lo, UCL CCHH.
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PKU scholarship information event

Wednesday 2 November, 5pm, Darwin Building B15. Find out about the unique fully funded 1-year interdisciplinary Master’s programme in China Studies at Peking University from 2015–2016 Yenching Scholar (and UCL History graduate) James Ashcroft, and Yenching Academy Associate Dean Professor John L. Holden.
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Exhibition + Lecture + Student workshop

by multi-award-winning Chinese fashion designer and textile artist Prof. Li Wei 李薇, Royal College of Art (RCA) (Kensington campus), 10–16 October 2016.
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Frontiers in Digital Health seminar

The Design of Personal Health Technologies for Mental Disorder, 28 September 2016, 3–4.00pm, Room 405, 66-72 Gower Street. Speaker: Prof. Jakob E. Bardram, Technical University of Denmark.
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Cross-Cultural Medical Humanities in a Digital World

We are delighted to announce the success of the recent UCL CCHH application for a Wellcome Trust Seed Award (PI: Vivienne Lo).
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Chinoiseries – Art and Fashion

Panel seminar organised by Phoenix TV Art. 20 June 2016, 6.30 pm, Lydia & Manfred Gorvy Lecture Theatre, Dyson Building, Royal College of Art, 1 Hester Road, Battersea, SW11 4AN.
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CCHH film – Mother (Mama 妈妈), dir. Zhang Yuan 张元, 1990.

21 January 2014

Time: Tuesday 28th January 2014, 7pm. Place: Room 107, 25 Gordon Square.
The film that inaugurated the 'Sixth Generation' of Chinese cinema.

Tony Rayns writes:
Released in China only after a two-year ban, Zhang Yuan's debut feature looks at first glance like a Ken Loach 'social problem' movie. It centres on the plight of a woman librarian in Beijing who struggles to bring up her teenage son (retarded since a childhood accident) without help from her absent husband or the state, and juxtaposes that fiction with relevant documentary material. But Zhang isn't content with showing street-level realities for their own sake; he pushes his material towards expressionism, using the mother's inevitable mood swings as keys to the tone and texture of the images, a strategy that brings him within breathing distance of film noir by the end. China's 'Sixth Generation' film-makers couldn't have got off to a stronger start.

Time Out, 1991

Mama



Zhang Yuan would go on to make a succession of controversial and daring movies including Beijing Bastards (Beijing zazhong 北京杂种), 1993, and East Palace, West Palace (Donggong, xigong 东宫西宫), 1996.



This screening is part of Chinese Film and the Body (2013–2014), a series of film evenings exploring social and cultural issues related to health, medicine and the body in 20th and 21st century China, as represented in Chinese cinema.

    The film evenings take place on Tuesdays during term-time, from 12th November 2013 to 11th February 2014.
    Each screening is presented by a specialist and followed by a discussion and/or a live video Q&A session with the director.
    You can find further details of the films and suggestions for background reading here: www.ucl.ac.uk/chinahealth/teaching/chinese_film_and_the_body
    The films are core viewing for the UCL CHH MA module in Chinese Film and the Body.
    Admission is open to all members of UCL as well as registered Friends of the UCL China Centre for Health and Humanity. To register and join our Events mailing list, please follow this link.

Page last modified on 21 jan 14 15:46 by Penelope Barrett