Oliver Brax

First and second supervisors 

• Prof Murray Fraser
• Dr Barbara Penner
   

Abstract

The much studied expansion of social housing in the early twentieth century has overshadowed its ambivalent origins, rooted in the identification of the working-class as a politically and biologically dangerous group. This PhD thesis considers developments in workers’ housing in France from 1848 to 1889, a period during which the necessity of addressing the issue of poor living conditions was first recognised at an institutional level. It aims to re-evaluate this seminal yet neglected period, by analysing the built environment as a space of political and social conflict and by studying the influence of policies aiming at moral reform on specific architectural designs.
 
Indeed, the transformation of workers’ dwellings into Cités Ouvrières destroyed various forms of community and political activity, leaving in its wake paternalistic and repressive models of housing. The aftermath of the 1848 revolution and the emergence of an organised workers’ movement in France ignited a strong confidence in the influence of architectural form as a safeguard against the overthrow of established order, a belief driven by the contradictory impulses of philanthropy on the one hand, and reactionary and repressive politics on the other.
 
This study aims to explain how notions of surveillance and moral reform, developed in writings by philanthropists and social theorists, found a material expression in the first examples of collective workers’ housing. Through the spatial, social and ideological analysis of primary material, this thesis offers insights into how the later transition from collective and urban models to individual and rural forms of workers’ housing embodied a belief in the rehabilitative effects of nature and private property, while also laying the basis for experiments in colonial settlement overseas. These innovative architectural programmes, by giving a material form to a moralistic and Orientalist discourse, conflated different groups considered as ‘savages’ by elite opinion.

Biography

Oliver Brax qualified as an architect at the École Nationale Supérieure d’Architecture de Paris Belleville, and is currently a PhD student in Architectural and Urban History and Theory Programme at The Bartlett School of Architecture, University College London. His research interests relate to architectural design and discourse within its political context, and to the history of housing and of the workers’ movement in the modern era. He has previously taught as an assistant in history and graphic arts at Undergraduate’s and Master’s level. He is the recipient of the Arts and Humanities Research Council (AHRC) LAHP studentship.

Publications

• Bassieres, L., Feriel C., Pousin, F. and Roseau, N. (eds.) (2025) [Forthcoming] ‘Inventing/Inverting Grand Paris. Towards new metropolitan histories? (O. Brax, Trans.)’, Inventer le Grand Paris.
• Brax, O. (2024) ‘La Cité Napoléon, ou l’anti-Phalanstère ? Les fouriéristes face à un projet de cité ouvrière’, Cahiers Charles Fourier, 35, pp.153-170.
• Brax, O. (2024) ‘Sortir des langes du passé. Architecture et appartenance nationale à Avignon au XIXe siècle’, in Engrand, L. and Mullier-Plouzennec, Y. (eds.) Annuel 2021-2022-2023 : Culture(s), École nationale supérieure d’architecture de Paris-Belleville, Paris : Zeug, pp.224-228.
   

Image: Marie-Gabriel Veugny, 1849, A.S.M.J.R.A. l’Empereur d’Autriche. Cité ouvrière d’un arrondissement de Paris. Plans, coupes, élévations et détails, ‘Vue d’ensemble de la cité d’un des Arrondissements de Paris’, graphite and watercolour on paper, Paris, Bibliothèque des Arts Décoratifs, [Photograph. 2023]