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Research Students

Thalia Allington Wood

 

Grounded: Unearthing the Materiality of Sculpture and Mythic Space in Sixteenth-Century Italy

Pandora Syperek

Alexandra Ault

 

The fine art reproduction and the Printsellers Association circa 1847-1920

Helene Birkeli

Helene Birkeli

 

Translation, Sensation and Colonial Landscapes: A Visual History of the Danish West Indies, 1780-1855

Julie Bonzon

 

Identity in protest: The Market Photo Workshop and the new generation of South African photographers


Afonso Dias Ramos

 

Imageless in Angola: Living through the aftermath of war. Reinventing the photographic medium in a transnational age

Pandora Syperek

Danielle Dufort

 

The woman at the window: visual devices in the paintings of Jacobus Vrel and the subjective viewer in the Dutch Republic

Katarzyna Falęcka

 

Returns to the de/colonial archive: the photographic cultures of the Algerian War of Independence and their afterlives in contemporary art

Freya Field-Donovan

 

A Strange American Funeral: Proletarian Dance in 1930s America


Kelly Freeman

 

Skeletons of Iron & Bone: Architecture and Display in the Nineteenth-century Museum of Natural History

Dr Flavia Frigeri

 

Red Fish and Paper Tigers: The Mobilisation of Art and Image Culture in Rome, 1958-1968

Diva Gujral

 

The Lens and the Labyrinth: Photography in Artist Collectives, Abstraction and Identity in South Asia, 1943-1970

Sophie Halart

 

A Tight Fit: Skin and the Feminine in Argentine and Chilean Contemporary Art (1973-present)


Alison Harpur

 

Visual Culture and the Council of Ferrara-Florence (1438-1445)

Sevan Injejikian

 

New Media Interventions in Contemporary Art from Lebanon (2006-2015)

Anna Maria Kanta

 

Borderline Aesthetics: Intermedia Experimentation in East and West Germany and the Cold War, 1962-1985

Stefani Kavda

 

Cleaning of Poly(methyl methacrylate) (PMMA) Objects in Design Collections: A Study of Gel-based Cleaning Systems


Stephanie King

 

(Re)Mediating Under-Employment: Towards an Instrumental Practice in Neo-Liberal Britain (1974-1997)

Conor Kissane

 

Space, Time and Martyrdom: Unruly Images and Subversive Bodies in Counter-Reformation Rome

Sena Lee

 

The Disruption of Mythological Space in 17th Century Painting

Mallika Leuzinger

 

Dwelling in Photography: the practices and afterlives of photography by Indian women


Catherine McCormack

Catherine McCormack

 

Rethinking the Foot: Early Modern Visuality and the Body in Rome

Edward McDonald-Toone

 

Curating the 'Middle East': Exhibitions and the reception of contemporary art from the Arab world and beyond

Pandora Syperek

Francesca Migliorini

 

Imaging the imageless: Dante's Paradiso in the illustrations of Botticelli Zuccari Blake and Flaxman

Pandora Syperek

Irene Montero Sabin

 

Critical Responses to the War on Terror and the Contemporary Art Biennials


Sophie Morris

 

Muscles, Manners and Motion: Theatrical Anatomy and Print Culture in Seventeenth-Century London

Pandora Syperek

Renée Mussai

 

The Black Body in the Archive: Victorian Photography, Race and the Poetics of Difference. A Curatorial & Art Historical Enquiry

Gabriella Nugent

 

The Legacy of Belgian Colonialism in Contemporary Lens-Based Practices from Democratic Republic Congo

Pandora Syperek

Nathanael Price

 

Moses Meets Michelangelo: Figuring Iconoclasm in Early Modern Italy


Pandora Syperek

Levi Prombaum

 

James Baldwin's early portraits, 1945-1965: blackness and other queer matters of visibility in light of Beauford Delaney, Carl Van Vechten, and Richard Avedon

Amarilli Rava

 

Readhesion interventions on wall paintings: assessment of penetration, deposition and bond strength of organic, water-based adhesives on lime-based secondary supports

Anne Reimers

 

Visual Culture and the Dynamics of Fashionability in Weimar Berlin

Euan McCartney Robson

 

Architecture and Experience in Anglo-Norman England (1066-1150)


Lauren Rozenberg

Lauren Rozenberg

 

The cognitive phantasm and material perception of Christ in late-medieval parchment culture

Moran Sheleg

 

How to Make a Past: Painting since Reinhardt

Tom Snow

 

Istanbul 2009-2013: Activism and the Politics of Art in the Neoliberal Economy

Cecilia Stinton

 

Embodying Abstraction: The Multimedia Works of Wassily Kandinsky, Natalia Goncharova and Kurt Schwitters, 1909-1916


Olivia Tait

 

Homestories: Performing & Visualising the Familial in West Germany, 1961-1989

Helena Vilalta

 

Beyond 'Information': Embodied Conceptualism circa 1970

Vladimir Vilde

 

Comparison of Painting Lining Methods for Historic House Environments

Sarah Wade

 

Species of Wonder: Human-Animal Relations in Contemporary Art and Visual Culture


Elizabeth Went

Elizabeth Went

 

Beneath the Mourning Veil: The Politics of Mourning in Women's Contemporary Art

Rebecca Whiteley

 

Picturing Pregnancy: A History of the Early Modern Birth Figure

Marta Zboralska

 

The Place of Abstractions: In the Studio of Henryk Stażewski and Edward Krasiński


Recently Completed PhD Students

Bryony Bery

 

Volatility, Liquidity and Malleability: Replicating the Art of the 1960s

Dr Allison Deutsch

 

Culinary Metaphor, Materiality, and Constructions of Gender in French Painting and Art Criticism, 1865-1890

Rye Holmboe

Rye Holmboe

 

'The Ubu Effect'

Rosemary Moore

Rosemary Moore

 

Cuts in the Body: Knowledge and Print in Early Modern Visual Culture


Pandora Syperek

Nikoloaus Pegioudis

 

Artists and Radicalism in Germany, 1890-1933: Reform, Politics and the Paradoxes of the Avant-Garde

Giulia Smith

Giulia Smith

 

The Biological Imaginary of the Independent Group: Regeneration in Post-War Britain

Pandora Syperek

Pandora Syperek

 

Jewels of the Natural History Museum: Gendered Aesthetics in South Kensington, c. 1850-1900

Tom Wilkinson

 

Art History for the Masses: Mediatising the Discipline in Germany 1900-1940


Andrew Witt

 

Documentary and its Afterlives: California in Catastrophe