Diana Dethloff studied History and History of Art at Westfield College and University College, London. A specialist in seventeenth-century British art, especially portraiture of the second half of this period, her teaching also covers Elizabethan and early Stuart painting.
lectured and presented conference papers at the National Portrait
Gallery, London; the V&A, the National Gallery, The Royal Academy
and the Scottish National Portrait Gallery and the Universities of
Oxford, York and Greenwich and Queen's University, Toronto.
published on Restoration portraiture, especially the work of Peter Lely
and his studio; on the development of the London art market and drawing
practice in later seventeenth-century Britain.
She has contributed to a
number of exhibition catalogues including Painted Ladies: Women at the Restoration Court (NPG/British Art Center, Yale, 2001); Van Dyck & Britain (Tate Britain, 2009) and Peter Lely: A Lyrical Vision
(The Courtauld Institute Galleries, 2012).
She is currently collaborating with Catharine MacLeod of the NPG, London on a catalogue raisonné of Lely's paintings and drawings and a forthcoming Lely exhibition.
Diana was Honorary Editor of the Walpole Society Journal of British Art (1986-1992).
She is a member of the editorial board of the 'Art World in
Britain' website; a member of the Collections and Research Advisory
Committee of the National Museums, Greenwich, and is a Fellow of the
Society of Antiquaries
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Senior Teaching Fellow: Study Abroad/Affiliate Tutor
Dept of History of Art
Faculty of S&HS
17th Century British Painting and visual culture.
Diana Dethloff specialises in seventeenth-century British
painting, with a particular emphasis on Restoration court portraiture.
She is particularly interested in drawing practices as part of studio
production and the training of artists; the relationship between
painters, printers and print publishers; the changing patterns of court
and City patronage during this period and the development of the London
art market post 1660.
In 2005 she was awarded, with Carol Gibson-Wood
of the University of Victoria, Canada, a British Academy/Commonwealth
Universities collaborative grant for research into picture and print
consumption in London 1660-1720. This resulted in a network workshop at
Queen's University, Toronto (2005), an article (Gibson-Wood, Art
Bulletin, 2005) and a conference paper (Dethloff, National Portrait
Gallery, London, 2005).
In July 2007 she was a Fellow at the Paul Mellon Center for British Art,
Yale University. Her current research is working (with Catharine
the National Portrait Gallery, London) towards a full catalogue
raisonne of the portraits, subject pictures and drawings of Peter Lely
(1618- 1680), Principal Painter at the Court of Charles II, to be
published by the Paul Mellon Centre for British Art/Yale University
Press. She has contributed to a number of exhibition catalogues on
British art, including Van Dyck & Britain (Tate Britain, 2009) and
most recently to 'Peter Lely; A Lyrical Vision' at The Courtauld
Gallery, 2012. She is a member of the Editorial Board of 'The Art World
in Britain' website and in September 2012 gave a joint keynote, with her
colleague Charles Ford at the 'Histories of British Art' conference at
York University, the final conference of the York/Tate Britain AHRC
collaboration. In February 2015 she was
elected a Fellow of the Society of Antiquaries.
- 'Peter Lely as a collector of prints and drawings' in Artists' Collections of Prints and Drawings, ed Baker, Elam and Warwick, Ashgate, 2002, pp. 55-63.
- 'Portraiture and Concepts of Beauty in Restoration Painting', in Painted Ladies: Women at the Court of Charles II (NPG, London and BAC, Yale, 2001/2), pp. 24-35.
- 'The Executors Account Book and the Dispersal of Peter Lely's Collection' in Journal of the History of Collecting, no. 1 (1996), pp. 15-51.
- 'Reception and Rejection: Lely's subject pictures in an "un-understanding land"', pp. 41-61 in Peter Lely: A Lyrical Vision (Courtauld Gallery, London 2012).
Teaching & Supervision
Supervision of research students.
As 1st supervisor:
(awarded June 2008) S. Sullivan 'Representations of Mary of Modena, Duchess, Queen Consort and Exile: Images and Texts'.
As 2nd supervisor:
(awarded 2005) S. von der Geest 'The Portraiture and Theory of Jonathan Richardson the Elder'.
(awarded 2004) J. Todorovic 'The Origin and Function of Ephemeral Spectacle in the Archbishopric of Karlovci'.
PhD examining: as internal examiner for Queen Mary,
University of London (2012) and as external examiner for Oxford
University (2011) and the University of Sussex (2010).