Research Seminar Series: The Eye Is a Correcting Mirror

In this lecture, drawn from the introduction to his forthcoming anthology 'Touched by the Mother': On Black Men, the Aesthetic Field, and Other Feminist Horizons, art historian Huey Copeland discusses the theoretical frameworks that have not only come to inform his own evolving black feminist praxis, but that also provide means through which to envision a radically intersectional approach to the writing of art's histories.